Mostrando resultados por "Hilary Mantel" en Todas las categorías

The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour.

It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden - and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter.

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of 20 years and marry Anne Boleyn. The pope and most of Europe opposes him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son, and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring.

In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political powerEngland in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down.

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army.

England, the 1520s. Henry VIII is on the throne but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.

England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of 20 years and marry Anne Boleyn. The pope and most of Europe oppose him. The quest for the king’s freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum and a deadlock. Into this impasse steps Thomas Cromwell.

A tour-de-force of historical imagination, this is the story of three young men at the dawn of the French Revolution. Georges-Jacques Danton: zealous, energetic, debt-ridden. Maximilien Robespierre: small, diligent, and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming, handsome, but erratic and untrustworthy. As these key figures of the French Revolution taste the addictive delights of power, they must also come to face the horror that follows.

One dark and stormy night in 1956, a stranger named Fludd mysteriously turns up in the dismal village of Fetherhoughton. He is the curate sent by the bishop to assist Father Angwin - or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action.

Ten years have passed since Muriel Axon was locked away for society's protection, but psychiatric confinement has only increased her malice and ingenuity. At last free, she sets into motion an intricate plan to exact revenge on those who had her put away. Her former social worker, Isabel, and her old neighbors have moved on, but Muriel, with her talent for disguise, will infiltrate their homes and manipulate their lives, until all her enemies are brought together for a gruesome finale.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

In Hilary Mantel's Wolf Hall trilogy, one of our very best writers brings the opulent world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and, finally, most powerful of Henry VIII's courtiers. But the bloody theatre of Cromwell's ascension will leave no one unscathed. This collection includes expertly adapted versions of Wolf Hall, Bring up the Bodies and The Mirror and the Light alongside The World of Wolf Hall.

London, 1782: center of science and commerce, home to the newly rich and the desperately poor. In the midst of it all is the Giant, O'Brien, a freak of nature, a man of song and story who trusts in myths, fairies, miracles, and little people. He has come from Ireland to exhibit his size for money. O'Brien's opposite is a man of science, the famed anatomist John Hunter, who lusts after the Giant's corpse as a medical curiosity, a boon to the advancement of scientific knowledge.

By 1535 Thomas Cromwell is chief minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king’s new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne’s final days.

One of the 21st century's most celebrated authors, Hilary Mantel won the Booker Prize twice: for 2009's Wolf Hall, the first in her phenomenally successful Thomas Cromwell trilogy, and its 2012 sequel Bring Up the Bodies. The third novel in the series, 2020's The Mirror and the Light, won the Walter Scott Prize for Historical Fiction. This collection includes three of her best works of contemporary fiction, ranging from the Gothic to the blackly comic.

By 1535, Thomas Cromwell is far from his humble origins. Chief minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry’s second wife, for whose sake Henry has broken with Rome and created his own church. But Henry’s actions have forced England into dangerous isolation, and Anne has failed to do what she promised: bear a son to secure the Tudor line. When Henry visits Wolf Hall, Cromwell watches as Henry falls in love with the silent, plain Jane Seymour. The minister sees what is at stake: not just the king’s pleasure, but the safety of the nation.

In the wake of Hilary Mantel’s brilliant conclusion to her award-winning Wolf Hall Trilogy, this collection of loosely autobiographical stories locates the transforming moments of a haunted childhood. Sharp and funny, these drawn-from-life stories begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the child narrator, the only way to survive is to get up, get on, get out.