A moving meditation on revolution, knowledge, and human longevity

Kim Stanley Robinson has been a major fixture of American SF for 30 years. Best known for his Mars trilogy from the 1990s, each of his recent novels has been a major event, and he is a particularly important figure in climate fiction.

This episode takes a look at an early and lesser known book by KSR. Icehenge was first published in 1984, and consists of a wide-ranging tour of the future of our solar system. Over the course of three linked novellas, Robinson examines the thorny topics of revolution, knowledge, and human longevity. All are linked to the structure of the title, a giant mysterious artefact discovered on the surface of Pluto.

Also in this episode: responding to a listener message about Isaac Asimov's The Caves of Steel (1954), Andy Weir, and the film Phase IV (1974).

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The classic which helped to define hard science fiction

Whatever your definition of "hard science fiction", Hal Clement's 1954 novel Mission of Gravity is sure to meet it. Rich with meaty discussions of the hard sciences, and written with a stern adherence to scientific plausibility, Clement's third novel is one of the definitive works of hard SF.

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In which life, the universe, and everything are just a game

In his 1976 novel The Garments of Caean, Barrington J. Bayley applied his unique approach to a space opera centred on clothes with strange powers. For his next trick, as critic Rhys Hughes put it, "having swept through a stellar Savile Row", Bayley "turned his sights on Monte Carlo". The Grand Wheel is another odd space adventure, in which its gambler protagonist infiltrates an organisation that might be willing to risk the future of the human species on the turn of a card.

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A controversial psychological SF novel of crime and rehabilitation

The Second Trip is a 1971 novel by Robert Silverberg which incorporates aspects associated with both the US and UK conceptions of the New Wave. This episode looks at this disturbingly intense work of psychological science fiction, in which two minds battle for control of one body.

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A unique and moving feminist post-apocalyptic tale

To win the Hugo Award for Best Novel is one thing, but to secure the Hugo, the Nebula, and the Locus Awards is another thing entirely. Vonda N. McIntyre's 1978 novel Dreamsnake did exactly that, becoming one of the most acclaimed science fiction books of the late 1970s.

This episode explores what made this feminist post-apocalyptic novel significant in 1978, and why it retains its power today.

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"When a man cannot choose, he ceases to be a man."

Stanley Kubrick's film A Clockwork Orange was as controversial as it was profitable. Its depiction of a dystopian near future terrorised by ultraviolent teenage gangs made a startling impact on release in 1971. The film was an adaptation of a book that was nearly a decade old.

This episode explores Anthony Burgess' 1962 book A Clockwork Orange. Included in David Pringle's list of the 100 must-read science fiction novels, it is an anomalous venture into SF by Burgess, who was then better known for his humorous novels. This landmark book came to dominate the author's reputation, with its linguistic invention, philosophical themes, and brutal violence.

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A feminist subversion of SF adventure on a snowbound world.

Joanna Russ was an American writer of science fiction and fantasy best known for her strident feminist perspective. Her most acclaimed book is The Female Man from 1975, in which several women - each from their own parallel universes - confront misogyny and patriarchy.

In Picnic on Paradise (1968), Russ' debut novel, a thief from ancient Tyre is recruited to save the day on a holiday planet plunged into a "commercial war".

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Exploring a unique alternate history and a classic of British SF.

It is the late 20th century - but not as we know it. There is no electricity, let alone nuclear energy. Steam-powered road trains are the fastest means of transport. And England is run not from London, but from Rome. This is the world of Pavane, a unique alternate history by Keith Roberts, published in 1968.

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