Abolition can perhaps best be understood as a collection of creative and complex acts of world-building—what kind of world would we need to build in order to have no slavery? our forebears asked. And what kind of world could we begin to create today that would render prisons and police and militarism obsolete, predation and exploitation relics of a cruel past? Abolition is not simply a policy, it’s an entire politics—the politics of realizing our freedom dreams by building the world we want and need. All of us—workers, teachers, nurses, midwives, parents—can reimagine and rebuild our worlds. Everything can change. And abolition work—changing everything—is the practice of freedom. We’re joined Under the Tree by Maya Schenwar and Kim Wilson, co-editors of We Grow Together: Parenting Toward Abolition, an anthology focussed on connecting liberatory parenting and movements for freedom.

We’re in conversation today with Lawrence Grandpre from the group Leaders of a Beautiful Struggle (LBS), a grassroots think-tank that advances the public policy interests of Black people in Baltimore through youth leadership development, political advocacy, and autonomous intellectual innovation. Founded by young freedom fighters, you can find them and follow their work at lbsbaltimore.com

Amos Kennedy, self-described “humble negro printer” and author of Citizen Printer, is a visionary treasure, an imaginative freedom-fighter, and the creator of type-driven messages of justice, freedom, and Black Power. He understands that freedom comes to life in action, and that we are most truly (and paradoxically) free when we name the obstacles to our humanity, and then throw ourselves against the imposing wall of unfreedom. His weapon of choice, the sledgehammer with which he bangs away day by day, is letterpress printing, and every image he brings to life urges voyages—wobbly rambles away from the cold reality of the world we inhabit into worlds that could be or should be but are not yet. Join Bill Ayers and Amos Kennedy “under the tree”—in this case, amidst the unique randomness and studied messiness of his Detroit studio, seated on folding chairs between presses and with stacks of paper and trays of type as far as the eye can see—as we dance the dialectic, discussing history and the future, politics and resistance, inspiration and aspiration, justice and freedom.

His book is available here: https://www.madejacksonhole.com/products/amos-paul-kennedy-jr-citizen-printer?gad_source=1&gclid=Cj0KCQjwu-63BhC9ARIsAMMTLXRHIz_eZ1HcQf5xLPBaPxLz2TfhEVDJa-44hPfEkEaWZvTFBuUquMsaAl7rEALw_wcB