Dr. Charles Weaver joins us to outline a history of solfège and the practical and theoretical knowledge that arises from employing the early hexachordal system to understanding and singing Gregorian chant.

Learn more about Dr. Weaver here: https://www.juilliard.edu/music/faculty/weaver-charles and here: https://catholicinstituteofsacredmusic.org/faculty/

Find out more about the summer graduate courses at the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/summer-courses/

What are the origins of the liturgical use of the Credo? Do we still have the original melodies to which it was sung? How did the singing of the Credo develop during the medieval period into the Renaissance? Dr. Harrison Russin joins us to answer these questions.

Learn more about Dr. Russin here: https://www.svots.edu/people/rev-dn-dr-harrison-basil-russin

Join the CMAA and get a subscription to Sacred Music journal here: https://churchmusicassociation.org/journal/

Find out more about the Fons et Culmen Sacred Liturgy Summit here: http://liturgysummit.org/

Find out more about summer graduate study at the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/summer-courses/

How did we end up with a Kyriale in the Graduale Romanum, with its 18 Masses, group of Credos, and ad libitum section? Find out the specifics, as well as the general trends and conditions that brought about this organization in the liturgy.

Find out more about Dr. Andrew Kirkman and his work here: https://www.birmingham.ac.uk/staff/profiles/music/kirkman-andrew

Find our more about the summer courses at the Catholic Institute of Sacred Music here: https://catholicinstituteofsacredmusic.org/summer-courses/

Find out more about the Fons et Culmen Sacred Liturgy Summit here: https://liturgysummit.org