• Hollywood Studios Year-by-Year – Paramount – 1930: THE LOVE PARADE & THE VAGABOND KING

  • Jan 17 2025
  • Length: 1 hr and 8 mins
  • Podcast

Hollywood Studios Year-by-Year – Paramount – 1930: THE LOVE PARADE & THE VAGABOND KING

  • Summary

  • It's time for another round of Studios Year by Year, starting over with Paramount 1930! And this time Dave has brought even more nostalgic reading material to give some context for this studio content. We also launch another new series feature: a review of our favourite movies from the previous 1930-1948 round. Turning to the Paramount movies we watched for this episode, we struggle to come to terms with the pointless battle of the sexes in Lubitsch's The Love Parade, starring Maurice Chevalier and Jeanette MacDonald, who are having a lot of sexy Pre-Code fun until the dictates of storytelling demand conflict; and struggle through a nigh-unwatchable transfer/copy of the sturdy operetta The Vagabond King, starring MacDonald and Dennis King. In both films, the adorable Lillian Roth delights. And finally, as if all of that weren't enough, a New Year's Eve throwback (by the time this is posted) in Fear and Moviegoing in Toronto: we watched the beloved When Harry Met Sally and the cult classic 200 Cigarettes at the Revue Cinema.

    Time Codes:

    0h 00m 25s: 1930 in film + Paramount Recap

    0h 21m 10s: THE LOVE PARADE [dir. Ernst Lubitsch]

    0h 43m 24s: THE VAGABOND KING [dir. Ludwig Berger]

    0h 56m 50s: Fear and Moviegoing in Toronto: When Harry Met Sally (1989) by Rob Reiner & 200 Cigarettes (1999) by Risa Bramon Garcia

    Year in Film information from Forgotten Films to Remember by John Springer

    Studio Film Capsules provided by The Paramount Story by John Douglas Eames

    Additional studio information from: The Hollywood Story by Joel W. Finler

    +++

    * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

    * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

    * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.

    * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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