Does having a social agenda matter when you’re a landscape architect? At first, you may not think so. But when you truly understand the impact a compassionate designer can make on the spaces we inhabit, the answer is clear.

Sacha Coles is a Global Design Director at ASPECT Studios and founder of the design practice’s Sydney studio. As a global design influencer, Sacha leads projects of transformational change spanning placemaking, infrastructure, play space, academic, civic institutions, and green infrastructure. If you live in Sydney, his work has impacted your life. Most likely for the better.

His focus is on innovative design within a social framework, reinforcing the role that cities can play in creating economic and creative opportunities. Sacha is interested in uplifting quality of life, encouraging social equity and elevating the human spirit through design. He's been recognised as one of the top 30 Landscape Architects working globally and holds several advisory and board positions in the field.

Listen in as Vince and Sacha discuss how growing up with parents obsessed with wellness and the outdoors has shaped him, redesigning some of Sydney’s most iconic public places, and bringing cityscapes closer to nature.

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Being a change-maker in the humanitarian space is universally understood to be driven by the desire to help others. Equally, a love of travel and being motivated by difficult and hard to manage problems can be a huge benefit to working in the sector.

Thanks to parents who were avid travellers, and her childhood home in Massachusetts being filled with foreign exchange students, Jocelyn Wyatt grew up curious about the world. After completing a BA in Anthropology at Grinnell College and an MBA from Thunderbird School of Global Management, she was on her way to Washington DC where she got involved in global development work. Her dream career, travelling and doing good, was set.

Wyatt is CEO of Alight, a humanitarian organisation where she leads a team of over 3,500 members globally as they work alongside displaced people to co-create high-quality services and programs that address their needs. She’s also the former CEO of IDEO.org, the nonprofit design organisation she co-founded in 2011 after leading IDEO’s social innovation practice, where she spoke widely about how Human Centred Design is changing the social sector.

She’s also worked for humanitarian organisations in Kenya and India, is a program advisor to the Clinton Global Initiative, an advisory board member to Marketplace, a board member for Airbnb.org, Whitaker Peace and Development Initiative, and an Aspen Institute First Movers Fellow.

Listen in as Vince and Jocelyn discuss being on the ground at IDEO at the birth of Design Thinking, how spending time in cultures very different to her own have shaped her, and how the Human Centred Design Toolkit democratised design.

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We’re kicking off the new year by hearing from two internationally acclaimed experts in data-driven cross-sector insights and global market intelligence. We hope the takeaways from this conversation helps set you up for a dynamic 2025.

When you’ve been in business together for 25 years, and life partners for 30, parameters are important. Almost as important as knowing the right parameters to put into your AI tool to get a reliable result.

Martin Raymond and Chris Sanderson are expert at both. As the founders of The Future Laboratory, they help brands and businesses around the world succeed by spotting the deviancy happening in culture before anyone else does. They’re both innately curious about the world around them, and about people. Their foresight presentations are legendary for anyone interested in being at the bleeding edge of trends.

A journalist and creative director by trade, they founded the editorial platform for future trends in 2000. Just the two of them, and their dog. Fast forward to today, and they’ve collaborated with over 1,000 businesses in 50 countries worldwide, sharing foresight and ideas with over 20 sectors. Their desire to understand what makes people tick is what drives them.

Listen in as Vince, Martin and Chris discuss how the tropes we now laugh at were once signs of innovation and change, the questions every CEO has and what AI can, and can’t, do.

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Designing sustainable tall buildings is no mean feat. Especially when the average lifespan of a commercial office building can be as little as 20 years.

Oliver Tyler, Managing Director of WilkinsonEyre, one of the world’s leading architecture firms, spends his time doing exactly that. Delivering projects like the Battersea Power Station redevelopment and the award winning 8 Bishopsgate building in London with engineering and sustainability at the forefront. He’s helped build some of the most remarkable landmarks in the world.

It seems his career was destiny. Aged eight or nine he was told, ‘you ought to be an architect’, thanks to his interest in building things and drawing things. Around the same time his parents were rebuilding a property, and the process of seeing drawings manifest into a built form captured his imagination for good.

Tyler’s other key projects include the recently completed Elizabeth Line Liverpool Street Station, the £500 million reconstruction and oversite development of London's Bank Station and the Emirates Air Line cable car over the River Thames. He has a particular interest in the technical development of materials and the advancement of building envelope design and has guest lectured at Oxford Brookes University, is an editorial board member of the New Steel Construction magazine and sits on the judging panel for the Structural Steel Design Awards.

Listen in as Vince and Oliver discuss why he knew wanted to be an architect at just eight years old, building tall buildings among London’s medieval streets, and what the city will look like in 50 years’ time.

https://wilkinsoneyre.com/

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This 150th episode, part two, of Design Your Life coincides with the 30th anniversary of Frost*collective.

If you tuned in to Episode 150, you’ll know that over recent weeks, we’ve asked our audience to ask Vince anything. In this episode, you’ll hear his son Luca Frost ask Vince a selection of these questions and interview him about what motivated him to move his life and business to Australia, and the failures and successes along the way.

If you’re not familiar with our host, Vince Frost is the Founder, CEO and Executive Creative Director of Frost*collective. He’s also a globally recognised and awarded creative who is passionately committed to designing a better world.  

After becoming the youngest Associate Director at the infamous London design consultancy Pentagram, he started his own studio, Frost* Design in 1994. Together with his team and leading arts and cultural organisations, government, and business he works to help bring visionary ideas to life.  

This year, Vince was recognised with the Australian Design Prize by the Australian Good Design Awards for his impact on Australian design, and named as an Indesign Luminary. He is an Executive Committee member of D&AD, a member of IGA (Alliance Graphique Internationale, Switzerland) and Honorary Fellow of ISTD (International Society of Typographic Designers, London) and a Member of the University of Technology Sydney’s Entrepreneurial Advisory Board.

In 2006 Vince was the subject of a retrospective at Sydney Opera House and he continues to be an international ambassador for the design industry, judging and speaking on the value of design and how it can change people’s lives and our world for the better. 

Listen in as Vince and Luca discuss meeting Anna Wintour and feeling out of place at Japanese Vogue, the phone call from Peter Clemenger that changed everything, and what he’s most proud of.

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Welcome to episode 150! This week, we’re turning the mic on our host.

In a serendipitous turn of events, this 150th episode of Design Your Life coincides with the 30th anniversary of Vince Frost’s other baby, his strategic creative studio, Frost*collective.

Over recent weeks, we’ve asked our listeners and social media followers to ask Vince anything, and today his eldest son, Luca Frost, is in the interviewer’s chair.

If you’re not familiar with our host, Vince Frost is the Founder, CEO and Executive Creative Director of Frost*collective. He’s also a globally recognised and awarded creative who is passionately committed to designing a better world.  

After becoming the youngest Associate Director at the infamous London design consultancy Pentagram, he started his own studio, Frost* Design in 1994. Together with his team and leading arts and cultural organisations, government, and business he works to help bring visionary ideas to life.  

This year, Vince was recognised with the Australian Design Prize by the Australian Good Design Awards for his impact on Australian design, and named as an Indesign Luminary. He is an Executive Committee member of D&AD, a member of IGA (Alliance Graphique Internationale, Switzerland) and Honorary Fellow of ISTD (International Society of Typographic Designers, London) and a Member of the University of Technology Sydney’s Entrepreneurial Advisory Board.

In 2006 Vince was the subject of a retrospective at Sydney Opera House and he continues to be an international ambassador for the design industry, judging and speaking on the value of design and how it can change people’s lives and our world for the better. 

In the first of this two-part series, Vince unpacks his childhood, adolescence and early years as a designer. We cover everything from his move to Canada from England as a young child, where his dad would build igloos in the back yard, to what motivated him to go to design school, and what it was like working at the famed international design studio Pentagram in 1980s London.

Listen in as Vince and Luca discuss being chased by skin heads after moving back to England from Canada in 6th form, watching Alan Fletcher, John McConnell and David Hillman, “designing stuff, before computers,” and typesetting Polaroid magazine in five languages with John Rushworth.

Tune in next week to hear him respond to our audiences’ questions in part two.

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Collette Dinnigan has a storied history as one of Australia’s must successful fashion designers. Ever. But that’s just one chapter of her creative life.

Her adventurous spirit and love of colour, fabric and proportion make total sense in the context of her childhood. In the mid 70s, her father built a yacht and set sail from Durbin, South Africa for the world with his young family. When they settled in New Zealand her creative mother got involved in textile design, Collette would get the remnants and patterns, piecing them together into garments.

Her list of accolades is long. Collette became the first Australian to mount a full-scale ready-to-wear collection in Paris in October 1995, and in 1996 was invited by the Chambre Syndicale de la Haute Couture to show on the prestigious Paris Fashion Week schedule. By the early 2000s, she was the darling of the international fashion scene. Dressing celebrities who didn’t want to wear the old houses on the red carpet, but something more youthful and new. In 2013, she was ready for change. Never afraid to take a risk, she controversially closed the doors to her business, instead of selling. When you get to know her, you’ll understand why.

Today, her focus on collaborations and interiors satisfies her creative drive. She’s collaborated with luxury brands like Qantas, Audi and Dom Perignon, authored children’s books, designed interiors for restaurants and hotels and created wallpapers and ceramics. She’s even been on Celebrity MasterChef, a credit to her commitment to pushing herself outside her comfort zone. She’s authored two coffee table books, the second, ‘Bellissima, An Australian—Italian Affair’, designed by Vince is on shelves in all good bookstores today.

Listen in as Vince and Collette discuss her love of interiors, gardens, food, friends, curiosities, art and travel, why she chose to shut down her business rather than sell it, and rolling down 40-foot waves in the Indian Ocean.

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Born in the small town of Hastings, New Zealand, Derek grew up in a working-class family with limited financial means and modest aspirations. His unexpected passion for photography ignited when he was a young bank teller and noticed a wedding photographer's bank statement, revealing the potential to make a living from photography. This serendipitous moment set Derek on a journey that has taken him around the world, from Sydney to Los Angeles, London, and back to Sydney. Along the way, he has worked with high-profile names such as Stella McCartney, David Walsh (MONA) and Donald Trump (in his pre-President days).

Throughout his career, Derek has learned that mastering photography goes beyond understanding technical aspects like light, composition, and form. It's equally about communication, direction, and most importantly, honesty. “That’s kind of all you have – honesty. I think people appreciate you when you are honest with them”. It’s this kind of transparency that helps him capture the best images and achieve the best results for his clients.

Listen in as Vince and Derek discuss the role of communication when working with individuals, agencies, magazines and fashion brands, and how photographing Stella McCartney unearthed a surprising connection to a Beatles parade he attended as a baby.

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