We're joined by Steph Cha (author of Your House Will Pay) to talk about a famous California hardboiled novel none of us had ever read. What will it took us about tramps, insurance fraud, and the relative difficulty of staging a fake car-related murder? And what's the deal with that postman, with his infernal ringing?

Steph, who has written several acclaimed crime novels herself, helps us to understand the genre we're exploring this season, and its evolution over time.

To learn more about our guest, and her work, check out her website: http://stephcha.com/

If you like our podcast, and would like to help support it--plus get access to two bonus episodes every month--check out our Patreon: https://www.patreon.com/c/BookFight

Thanks for listening!

(Note: this is the 4th episode in our Noir season, but there's no reason you need to listen to them in order. Also, you don't need to read the book to enjoy the show.)

We're joined by comedian and writer Charlie Demers to discuss a novel that the famous crime writer Donald Westlake finished in the early '80s but which wasn't published until after his death. At the time, he apparently worried that the plot--about a famous comedian kidnapped by a Weather Underground-style group of revolutionaries--was too similar to the Martin Scoresese movie The King of Comedy.

We talk about the book's take on politics and comedy, which may have some echoes in our current cultural moment. And also Charlie's relationship to these characters, since he's a stand-up comedian and someone who's quite active in progressive politics. Plus: beatniks, Bob Hope, the fragmentation of popular culture, and our pitch for a show about a detective with ADHD.

To learn more about Charlie, and follow his work, visit his website: https://www.charliedemers.com/

If you like our podcast, and want to exchange a few bucks for two montly bonus episodes, check out our Patreon: https://www.patreon.com/c/BookFight

Note: This is the 3rd episode in our Noir season, but you don't need to listen to the episodes in order to enjoy them.

The 1947 Dorothy Hughes novel In a Lonely Place is considered a hallmark of the noir genre, and also something of a feminist reimagining of those genre's tropes. We're joined by Isaac Butler (author of The Method: How the 20th Century Learned to Act) to talk about some of the book's narrative tricks, including an unreliable third-person narrator, and how it subverts the genre's "femme fatale" trope, among others. Plus: What made Dorothy Hughes think that 'Brub' was a good name for a character?

In the second half of the show, we learn about Isaac's relationship to Halloween costumes, which Muppet could play a hardboiled cop, and why Isaac thinks he's too old to read Slaughterhoue Five for the first time.

If you like the podcast, consider joining our Patreon. For $5 a month, you get two bonus episodes, plus access to our entire back catalog of bonus content. During our current season, we're watching and discussing noir films, both classics and newer entries to the canon. https://www.patreon.com/c/BookFight

Find Isaac on Instagram: https://www.instagram.com/theisaacbutler/

Or on Blue Sky: https://bsky.app/profile/isaacbutler.bsky.social

You can subscribe to Mike's Substack (for free): https://mikeingram.substack.com/

Anc check out the newly revamped Barrelhouse newsletter, which now features an original monthly essay (writers writing about their non-writing obsessions): https://www.barrelhousemag.com/ (scroll down to the bottom of the page)

Thanks, as always, for listening!

Note: This is the second episode in our Noir season. But there's no reason you have to listen to the episodes in order.