Episodes

  • 243 - Unseen Festival 2024 Special

    243 - Unseen Festival 2024 Special
    Nov 6 2024

    Featuring:

    • Javier Hirschfeld Moreno
    • Francesco Zizola
    • Melissa Schriek
    • Chilli Power
    • Self Publishers United
    • Bryan Schutmaat
    • Tiffany Jones
    • Atong Atem

    Website | Instagram

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    1 hr and 10 mins
  • 242 - Polly Braden

    242 - Polly Braden
    Oct 23 2024
    Polly Braden is a documentary photographer whose work features an ongoing conversation between the people she photographs and the environment in which they find themselves. Highlighting the small, often unconscious gestures of her subjects, Polly particularly enjoys long-term, in depth collaborations that in turn lends her photographs a unique, quiet intimacy. She works on long-term, self-initiated projects, as well as commissions for international publications.Polly has produced a large body of work that includes not only solo exhibitions and magazine features, but a number of books published by Dewi Lewis, including Holding The Baby (2022), Out of the Shadows: The Untold Story of People with Autism or Learning Disabilities (2018), and China Between (2010), and two published by Hoxton Mini Press: London’s Square Mile: A Secret City (2019) and Adventures in the Lea Valley), (2016).Polly teaches regularly at The University of Westminster and London College of Communication (LCC), she is a winner of the Jerwood Photography Prize, The Guardian Young Photographer of the Year, 2002, and the Joanna Drew Bursary 2013. Polly is nominated by Hundred Heroines 2020 and she has exhibited at numerous venues internationally. Her most recent solo exhibition, of her project Leaving Ukraine, just ended at the Foundling Museum in London, where it was on show from March 15th to October 20th 2024. In episode 242, Polly discusses, among other things:Exhitibition at the Foundling Museum, Leaving Ukraine and how it came aboutSome of the people she focussed onHolding The Baby , her project on single parentsJena’s storyWhy she has started working with film projectsHer introduction to photographyHer first trip to China: “an exercise in isolation”Her project on Chinese factories and their workersGreat Interactions book on people with learning disabilitiesHer current project she’s working onSecuring funding, building partnerships and being an entrepreneurReferenced:Patrick SutherlandCheryl NewmanKatz PicturesBecky Sexton Website | Instagram “I’m not someone who wanted to just jump in, point a camera at someone and walk away. I think I’ve always been someone who wanted it to feel very collaborative. Whether you’re on the street and you’ve made eye contact and you feel like someone’s ok with it, at the very basic level, to now as I get older, when I’d be as interested in someone doing all the work and me just being a vehicle through which someone can tell their story.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 17 mins
  • 073 - Paul Lowe (pt.2)

    073 - Paul Lowe (pt.2)
    Oct 15 2024
    REPOSTING THESE EPISODES FROM JANUARY 2018 IN MEMORY OF PAUL LOWE, WHO HAS SADLY DIED AT THE AGE OF 60. This is part two of a two part chat with Dr. Paul Lowe. Paul is a Reader in Documentary Photography and the Course Leader of the Masters program in Photojournalism and Documentary Photography at the London College of Communication, University of the Arts, London. Before elected to put his cameras away in favour of a life in academia, Paul was an award-winning news and documentary photographer with several World Press Photo awards under his belt and many years of experience covering breaking news the world over, including the fall of the Berlin Wall, the Romanian revolution, Nelson Mandela’s release, famine in Africa, the conflict in the former Yugoslavia, and the destruction of Grozny during the conflict in Chechnya. His pictures have appeared in such esteemed publications as TIME, Newsweek, Life, The Sunday Times Magazine, The Observer, and The Independent, amongst others. His book, Bosnians, documenting 10 years of the war and post-war situation in Bosnia, was published in April 2005 by Saqi books. His research interest focuses on the photography of conflict, and he has contributed chapters to the books Picturing Atrocity: Photography in Crisis (Reaktion, 2012) and Photography and Conflict. His most recent books include Photography Masterclass (buy on Amazon) published by Thames and Hudson, and Understanding Photojournalism, co-authored with Dr. Jenny Good, published by Bloomsbury Academic Press (Buy on Amazon). - Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month. - For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here. - Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. - Follow me on Instagram here. - Build Yourself a Squarespace Website video course here.
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    55 mins
  • 071 - Paul Lowe (pt.1)

    071 - Paul Lowe (pt.1)
    Oct 15 2024
    REPOSTING THESE EPISODES FROM JANUARY 2018 IN MEMORY OF PAUL LOWE, WHO HAS SADLY DIED AT THE AGE OF 60. This is part one of a two part chat with Dr. Paul Lowe. Paul is a Reader in Documentary Photography and the Course Leader of the Masters program in Photojournalism and Documentary Photography at the London College of Communication, University of the Arts, London. Before elected to put his cameras away in favour of a life in academia, Paul was an award-winning news and documentary photographer with several World Press Photo awards under his belt and many years of experience covering breaking news the world over, including the fall of the Berlin Wall, the Romanian revolution, Nelson Mandela’s release, famine in Africa, the conflict in the former Yugoslavia, and the destruction of Grozny during the conflict in Chechnya. His pictures have appeared in such esteemed publications as TIME, Newsweek, Life, The Sunday Times Magazine, The Observer, and The Independent, amongst others. His book, Bosnians, documenting 10 years of the war and post-war situation in Bosnia, was published in April 2005 by Saqi books. His research interest focuses on the photography of conflict, and he has contributed chapters to the books Picturing Atrocity: Photography in Crisis (Reaktion, 2012) and Photography and Conflict. His most recent books include Photography Masterclass (buy on Amazon) published by Thames and Hudson, and Understanding Photojournalism, co-authored with Dr. Jenny Good, published by Bloomsbury Academic Press (Buy on Amazon). - Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month. - For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here. - Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. - Follow me on Instagram here. - Build Yourself a Squarespace Website video course here.
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    1 hr and 7 mins
  • 241 - Agnieszka Sosnowska

    241 - Agnieszka Sosnowska
    Oct 9 2024
    Agnieszka Sosnowska was born in Warsaw, Poland and was raised in Boston, Massachusetts. She earned a BFA from Massachusetts College of Art and a MFA from Boston University. She is currently an elementary school teacher. She lives on farmin East Iceland. She is recognised for her self portraits that span 30 years. Currently she is working on series that embodies her life as an immigrant in Iceland. She uses the camera to take inspiration from a land that is otherworldly.“I grew up in Boston and traveled to Iceland 25 years ago on a whim”, says Agnieszka. “I fell in love and remained. With my Icelandic husband I chose to live in nature, not visit it. This decision has not been without tests. Together we have made a life that I feel we are only beginning. Everyday, I search for corners of quiet. When there, I stop and listen for a long time. These places exist around our farm, with friends, and the students I teach. These places are my everyday. They are my everything.”Agnieszka has been the recipient of a number of grants, including a Fulbright Scholars Fellowship to Poland and an American Scandinavian Fellowship to Iceland. She was awarded the Hjálmar R. Bárðarson Photography Grant by the National Museum of Iceland. Her series was awarded the Director’s Choice by the Center awards in 2017 and she has been in the Top 50 of Critical Mass on three occasions. Her work has been exhibited in the National Museum of Iceland and the Reykjavik Museum of Photography. She is represented exclusively by Vision Neil Folberg Gallery in Jerusalem.Earlier this year, Agnieszka released her debut photobook, För, published by Trespasser Books and already sold out.Her collaboration with Icelandic poet Ingunn Snædal, entitled RASK, is currently being exhibited at the Reykjavik Museum of Photography until Decembet 2024.In episode 241, Agnieszka discusses, among other things:Early years travelling to Communist PolandWanting to assimilate into the USA as an immigrantEarly education in photography at Mass. ArtHer early interest in self-portraitureNot having a plan… but being a hard workerThe trip to Iceland that changed her life……and her decision to move thereA description of where she livesThe hardest thing to adapt to being the WintersThe first things she started to photograph thereSelf-portaiture and the suckiness of documenting ageingThe freedom of realising that you don’t have to work on distinct ‘projects’‘Myth of a Woman’ - her attempt at exploring the experience of womanhoodCollaborating with her students on portrait sessionsThe last picture in the bookHer collaboration with Icelandic poet Ingunn Snædal, RASK, currently an exhibition at the Reykjavik Museum of PhotographyReferenced:Cindy ShermanMargaret JohnsonLaura McPheeIngunn SnædalBarbara BosworthWebsite | Instagram“I wanted to grow. I just didn’t know how. And I think the only way you grow is not by thinking about it but by doing it and making the mistakes. And I made a lot of mistakes. And thank God I did because in doing the mistakes I started to get more to having the self-portraits be more real. And that’s really hard to do. Especially I think as me having done it for so long, and also getting older in front of a camera, as a woman, it’s hard.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 20 mins
  • 240 - Robbie Lawrence

    240 - Robbie Lawrence
    Sep 25 2024
    Robbie Lawrence is a London based Scottish photographer and director represented by Webber Represents. Robbie is acutely attentive to the way images tell a story. Working with a painterly softness and sensitivity to his subjects, he deals in detail and nuance. From portraiture, travel and documentary to editorial work, he places the human experience front and centre to create thoughtful, abstract images, with an emphasis on narrative.Recent books include Blackwater River and A Voice Above The Linn published by Stanley/Barker. Stills gallery in Edinburgh hosted the first UK institutional solo exhibition by Robbie in 2022, bringing together a snapshot of life post-Brexit across Scotland’s cities, rural locations and coastal towns.Robbie’s new book, Long Walk Home, was just released (September 2024) by Stanley/Barker.Clients Include: UN, Apple, Nike, Hermes, Gucci, The New Yorker, Du Monde, The New York Times Magazine, The Atlantic, I-D and many others. In episode 240, Robbie discusses, among other things:His recent assignment at The OlympicsHis internship in Paris and his time in New YorkHis relationship to painting and writingBuilding a career to encompass commercial and personal workHow working commercially can be a ‘relief’.His ‘macrojournalistic approach’His first book project, Blackwater RiverHis second book, A Voice Above The LinnCollaboration with poet John BurnsideHis new book about the Highland Games, Long Walk Home.Why he threw away three years worth of work and began againWorking digitally with ‘manual’ lensesThe difference between myth and historyA reading from John Burnside’s essay in the bookReferenced:The Tokyo Olympiad, Kon IchikawaThe French, William KleinJohn BurnsideRenton’s rant on why it’s ‘shite being Scottish’ from the movie Trainspotting Website | Instagram“I like the variety […] I like being on set. You become more like a director. As a photographer you’re almost the emotional heartbeat of a set. It’s interesting because at school and university I really found exams hellish from an expectation point of view. Like, I would put myself under a lot of pressure. And I would describe some of those more pressurised commercial jobs almost like a school exam where you expected to produce something of quality under a very tight time constraint. As a physical experience it can feel similar, and I suppose maybe it’s just experience that I can now recall moments where I’ve overcome those kind of stresses. So I like the shift.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 20 mins
  • 239 - Kiana Hayeri

    239 - Kiana Hayeri
    Sep 11 2024
    Visual storyteller Kiana Hayeri grew up in Tehran and moved to Toronto while she was still a teenager. Faced with the challenges of adapting to a new environment, she took up photography as a way of bridging the gap in language and culture. In 2014, a short month before NATO forces pulled out, Kiana moved to Kabul and stayed on for 8 years. Her work often explores complex topics such as migration, adolescence, identity and sexuality in conflict-ridden societies.In 2014, Kiana was named as one of the emerging photographers by PDN 30 Under 30. In 2016, she was selected as the recipient of Chris Hondros Award as an emerging photographer. In 2017, she received a grant from European Journalism Center to do a series of reporting on gender equality out of Afghanistan and received Stern Grant in 2018 to continue her work on the state of mental health among afghan women. In 2020, Kiana received Tim Hetherington Visionary award for her proposed project to reveal the dangers of dilettante “hit & run” journalism. Later that year, she was named as the 6th recipient of the James Foley Award for Conflict Reporting. In 2021, Kiana received the prestigious Robert Capa Gold Medal for her photographic series Where Prison is Kind of a Freedom, documenting the lives of Afghan women in Herat Prison. In 2022, Kiana was part of The New York Times reporting team that won The Hal Boyle Award for The Collapse of Afghanistan and was shortlisted under International Reporting for the Pulitzer Prize. In the same year, she was also named as the winner of Leica Oskar Barnack Award for her portfolio, Promises Written On the Ice, Left In the Sun, an intimate look into the lives of Afghan from all walks of life.Kiana, along with her colloaborator, the researcher Mélissa Cornet, is recipient of the 2024 Carmignac Photojournalism Award for the reportage No Woman’s Land, an investigation into the plight of women in Afghanistan under the Taliban and the work will be showcased in a double exhibition this Autumn - from October 25th to November 18th - at the Réfectoire des Cordeliers in Paris as part of the Photo Saint Germain festival.Kiana is a Senior TED fellow, a National Geographic Explorer grantee and a regular contributor to The New York Times and National Geographic. She is currently based in Sarajevo, telling stories from Afghanistan, The Balkans and beyond. In episode 239, Kiana discusses, among other things:Her story for the NYT about FGM in GambiaGender apartheidHer take on winning awards as a photojournalistHaving to Google what the Robert Cap Gold Medal was - having won itHer book When Cages FlyMoving to Canada from Iran as a teenagerHow photography helped her bridge the ‘culture and language gap’.Being at a ‘gifted’ schoolHer first trip to AfghanistanComparisons with Iran in terms of relative ‘liberalism’.Her first commission from National GeographicHer story on women in Herat prisonThe moment Afghanistan fell to the Taliban and her guilt over leaving friends behindGender apartheid in Afghanistan specificallyThe dangers of ‘dilettante hit and run journalism’ Referenced: Eddie Adams workshopsDominic NahrKitra CahanaEd OuGuy MartinStephen MayesMélissa CornetSarah Leen Website | Instagram “I tell people having a camera is like living a thousand different lives, but you have that camera as an excuse to immerse yourself into something, live it for a while and then walk away when you’re ready.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 14 mins
  • 238 - Diana Matar

    238 - Diana Matar
    Aug 28 2024
    Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Diana attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Diana has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory; and twice been awarded an Arts Council of England Individual Artist Grant. Her work is held in public and private collections and has been exhibited in numerous institutions including Tate Modern, London; The National Museum of Singapore; Museum Folkswang, Essen, Germany; The Institut du Monde Arabe, Paris; The Museum of Contemporary Photography, Chicago; and Musee de la Photographie a Charleroi. Her monograph Evidencewas published in 2014 by Schilt Publishing Amsterdam to critical acclaim and chosen by New York Times Photography critic Teju Cole as one of two best photography books of the year. In 2019 Matar was appointed Distinguished Artist at Barnard College Columbia University, New York. In April 2024 Diana’s most recent book, My America, was published by GOST Books. In episode 238, Diana discusses, among other things:Early experiences in Panama and Latin America.How an errand to buy a lightbulb changed everything.A brush with Manuel Noriega.How she met her Libyan husband, the writer Hisham Matar.Why she found doing her M.A. ‘really, really challenging’.Her first book project, Evidence.The inclusion of her own writing in the book.Her latest book, My America.Some of the key factors around the issue of police shootings.The complexities of the subject.How she has “intermalised a European sense of America.”Why she shot the project on her iPhone and the rules she imposed on herself.Whether photographs can ‘bear the burden of history.’What she is currently working on.Her reaction to the bonus questions. Website | Instagram“I think I internalised a European sense of America in several different ways. When I was out on the road a lot of things seemed exotic to me, things that I’d grown up with and were just part of being: the long distances; these buildings that just pop up in the middle of nowhere; the emptiness; the scale… the kind of watching of movies of what is the American west. The internalisation I think has something to do with scale. I live in London - the small streets, you’re around people all the time, and then being in this openness, which i miss and i love, but I did find it unnerving and it effected how I made the work actually.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.
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    1 hr and 6 mins