The great scholar, W. E. B. Du Bois, once wrote about the problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s problem on her shoulders.

Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her.

This sprawling and often brutal novel, set in the rich farmlands of California's Salinas Valley, follows the intertwined destinies of two families - the Trasks and the Hamiltons - whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.

It is 1940 and a tragedy sends Lou and her little brother, Oz, along with their invalid mother, from New York City to the rugged mountains of Southwest Virginia to live with their great-grandmother. The story is told with both heartbreaking elegance and large doses of touching humor as the lives of Lou and Oz are changed forever.

Simon Watson, a young librarian on the verge of losing his job, lives alone on the Long Island Sound in his family home - a house, perched on the edge of a bluff, that is slowly crumbling toward the sea. His parents are long dead, his mother having drowned in the water his house overlooks. His younger sister, Enola, works for a traveling carnival reading tarot cards and seldom calls.

Hillary Jordan's mesmerizing debut novel won the Bellwether Prize for fiction. A powerful piece of Southern literature, Mudbound takes on prejudice in its myriad forms on a Mississippi Delta farm in 1946. City girl Laura McAllen attempts to raise her family despite questionable decisions made by her husband. Tensions continue to rise when her brother-in-law and the son of a family of sharecroppers both return from WWII as changed men bearing the scars of combat.

As America plunges into the Great Depression, Marthanne Hendrix finds herself in rural Vidalia, Georgia, with no memory of how she got there.

Bewildered when the neighbors call her Oma, Marthanne is haunted by memories of another life—and another self. With the help of Comfort, a domestic worker living with her own tremendous loss, Marthanne discovers that Oma is another distinct personality inhabiting her body. In a time when mental illness is taboo, Marthanne and Oma’s simple, small-town life is fraught with complexity and danger.

With gossip running rampant, Marthanne and Oma will do anything to avoid their greatest fear: commitment to an insane asylum. Only by relying on Comfort’s kindness can they navigate their uncertain future. Friendship becomes sanctuary, and the quest for an ordinary life leads to an extraordinary bond.

Deeply moving and exquisitely wrought, Show Me a Kindness is a haunting novel of love, survival, and hiding in plain sight.

Cotton County, Georgia, 1930: In a house full of secrets, two babies - one light-skinned, the other dark - are born to Elma Jesup, a white sharecropper's daughter. Accused of her rape, field hand Genus Jackson is lynched and dragged behind a truck down the Twelve-Mile Straight, the road to the nearby town. In the aftermath, the farm's inhabitants are forced to contend with their complicity in a series of events that left a man dead and a family irrevocably fractured.

For the newly freed black residents of Colfax, Louisiana, the beginning of reconstruction promised them the right to vote, own property, and, at last, control their own lives. But in the space of a day, angry whites would take back Colfax in one of the deadliest incidents of racial violence in Southern history. In the bitter aftermath, the Tademys and the Smiths will have to deal with the wreckage, push on, and build a better life for their sons and daughters over the next 70 years.

For answers, Millie turns to the Gypsies who caravan through town each spring. The travelers lead Millie to a key that unlocks generations of shocking family secrets. When tragedy strikes, the mysterious contents of the box give Millie the tools she needs to break her family’s longstanding cycle of madness and abuse. Through it all, Millie experiences the thrill of first love while fighting to trust the God she believes has abandoned her. With the power of forgiveness, can she finally make her way into the free?

The chilling novella featured in Stephen King's New York Times best-selling short story collection Full Dark, No Stars - soon to be a Netflix original film starring Thomas Jane and Molly Parker. A violence awakens inside a man when his wife proposes selling off the family homestead, setting in motion a grisly train of murder and madness.

Annie Bell can't escape the dust. It's in her hair, covering the windowsills, coating the animals in the barn, and in the corners of her children's dry, cracked lips. It's 1934, and the Bell farm in Mulehead, Oklahoma, is struggling as the earliest storms of the Dust Bowl descend. The wheat harvests are drying out, and people are packing up their belongings as storms lay waste to the Great Plains.

In early 1800s Tennessee, two men find themselves locked in an intimate power struggle. Richardson, a troubled Revolutionary War veteran, has spent his life fighting not only for his country but also for wealth and status. When the pressures of westward expansion and debt threaten to destroy everything he’s built, he sets Washington, a young man he owns, to work as his breeding sire.

After six years in England, Rachel has returned to Kenya and the farm where she spent her childhood, but the beloved home she'd longed for is much changed. Her father's new companion - a strange, intolerant woman - has taken over the household. The political climate in the country grows more unsettled by the day and is approaching the boiling point. And looming over them all is the threat of the Mau Mau, a secret society intent on uniting the native Kenyans and overthrowing the whites.

Anna O’Shea has failed at marriage, shed her job at a law firm, and she’s trying to re-create herself when she and her recalcitrant nephew are summoned to the past in a manner that nearly destroys them. Her twenty-first-century skills pale as she struggles to find her nephew in nineteenth-century Ireland. For one of them, the past is brutally difficult, filled with hunger and struggle. For the other, the past is filled with privilege, status, and a reprieve from the crushing pain of present-day life. For both Anna and her nephew, the past offers them a chance at love.

Cotton County, Georgia, 1930: In a house full of secrets, two babies - one light-skinned, the other dark - are born to Elma Jesup, a white sharecropper's daughter. Accused of her rape, field hand Genus Jackson is lynched and dragged behind a truck down the Twelve-Mile Straight, the road to the nearby town. In the aftermath, the farm's inhabitants are forced to contend with their complicity in a series of events that left a man dead and a family irrevocably fractured.

Annie Bell can't escape the dust. It's in her hair, covering the windowsills, coating the animals in the barn, and in the corners of her children's dry, cracked lips. It's 1934, and the Bell farm in Mulehead, Oklahoma, is struggling as the earliest storms of the Dust Bowl descend. The wheat harvests are drying out, and people are packing up their belongings as storms lay waste to the Great Plains.

After six years in England, Rachel has returned to Kenya and the farm where she spent her childhood, but the beloved home she'd longed for is much changed. Her father's new companion - a strange, intolerant woman - has taken over the household. The political climate in the country grows more unsettled by the day and is approaching the boiling point. And looming over them all is the threat of the Mau Mau, a secret society intent on uniting the native Kenyans and overthrowing the whites.

Anna O’Shea has failed at marriage, shed her job at a law firm, and she’s trying to re-create herself when she and her recalcitrant nephew are summoned to the past in a manner that nearly destroys them. Her twenty-first-century skills pale as she struggles to find her nephew in nineteenth-century Ireland. For one of them, the past is brutally difficult, filled with hunger and struggle. For the other, the past is filled with privilege, status, and a reprieve from the crushing pain of present-day life. For both Anna and her nephew, the past offers them a chance at love.

It's 1932, and 12-year-old Cal Black and his pop have been riding the rails for years after losing their farm in the Great Depression. Cal likes being a "knight of the road" with Pop, even if they're broke. But then Pop has to go to Washington, DC - some of his fellow veterans are marching for their government checks, and Pop wants to make sure he gets his due - and Cal can't go with him. Pop tells Cal something he never knew before: Pop is actually a Creek Indian, which means Cal is, too. And Pop has decided to send Cal to a government boarding school for Native Americans in Oklahoma.

In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.

Botswana, 1976: Isaac Muthethe thinks he is dead. Smuggled across the border from South Africa in a hearse, he awakens covered in dust, staring at blue sky and the face of White Dog. Far from dead, he is, for the first time, in a country without apartheid. A medical student in South Africa, he was forced to flee after witnessing a friend murdered by white members of the South African Defense Force.

Hillary Jordan's mesmerizing debut novel won the Bellwether Prize for fiction. A powerful piece of Southern literature, Mudbound takes on prejudice in its myriad forms on a Mississippi Delta farm in 1946. City girl Laura McAllen attempts to raise her family despite questionable decisions made by her husband. Tensions continue to rise when her brother-in-law and the son of a family of sharecroppers both return from WWII as changed men bearing the scars of combat.

The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.

In 1897, an aspiring politician is mysteriously murdered in the rural area of Alabama known as Mitcham Beat. His outraged friends - mostly poor cotton farmers - form a secret society, Hell-at-the-Breech, to punish the townspeople they believe responsible. The hooded members wage a bloody year-long campaign of terror that culminates in a massacre where the innocent suffer alongside the guilty.

The year is 2004: Lina Sparrow is an ambitious young lawyer working on a historic class-action lawsuit seeking reparations for the descendants of American slaves. The year is 1852: Josephine is a 17-year-old house slave who tends to the mistress of a Virginia tobacco farm - an aspiring artist named Lu Anne Bell. It is through her father, renowned artist Oscar Sparrow, that Lina discovers a controversy rocking the art world: Art historians now suspect that the revered paintings of Lu Anne Bell, an antebellum artist known for her humanizing portraits of the slaves who worked her Virginia tobacco farm, were actually the work of her house slave, Josephine.

Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, that unmanned drones fill the sky. And when her father is killed and her family is forced into Camp Patience for displaced persons, she quickly begins to be shaped by her particular time and place until, finally, through the influence of a mysterious functionary, she is turned into a deadly instrument of war.

Allan Gurganus's Oldest Living Confederate Widow Tells All became an instant classic upon its publication. Critics and fans alike fell in love with the voice of 99-year-old Confederate widow Lucy Marsden, one of the most entertaining and loquacious heroines in American literature. Lucy married at the turn of the 20th century, when she was 15 and her husband was 50. If Colonel William Marsden was a veteran of the "War for Southern Independence", Lucy became a "veteran of the veteran" with a unique perspective on Southern history and Southern manhood.

Filled with breathtaking scenes, the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain. The Story of Edgar Sawtelle is a meditation on the limits of language and what lies beyond, a brilliantly inventive retelling of an ancient story, and an epic tale of devotion, betrayal, and courage in the American heartland.

Debut novelist Wayne Caldwell's Cataloochee -a rich, vivid, arresting work beginning at the dawn of Reconstruction - sprawls across the succeeding generations like the vast green mountains of its rural North Carolina setting. Best-selling author Charles Frazier calls it "a brilliant portrait of a community and a way of life long gone, a lost America." This enthralling saga evokes the full color spectrum of mountain life, from lights to darks and every shade in between.