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Narrated by:
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Robin Miles
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By:
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Iain Reid
About this listen
The author of the “evocative, spine-tingling, and razor-sharp” (Bustle) I’m Thinking of Ending Things that inspired the Netflix original movie and the “short, shocking” (The Guardian) Foe returns with a new work of suspense following an elderly woman trapped in a mysterious facility.
Penny, an artist, has lived in the same apartment for decades, surrounded by the artifacts and keepsakes of her long life. She is resigned to the mundane rituals of old age, until things start to slip. Before her longtime partner passed away years earlier, provisions were made for a room in a unique long-term care residence, where Penny finds herself after one too many “incidents.”
Initially, surrounded by peers, conversing, eating, sleeping, looking out at the beautiful woods that surround the house, all is well. She even begins to paint again. But as the days start to blur together, Penny—with a growing sense of unrest and distrust—starts to lose her grip on the passage of time and on her place in the world. Is she succumbing to the subtly destructive effects of aging or is she an unknowing participant in something more unsettling?
At once compassionate and uncanny, told in spare, hypnotic prose, Iain Reid’s “exquisite novel of psychological suspense” (Publishers Weekly, starred review) explores questions of conformity, art, productivity, relationships, and what, ultimately, it means to grow old.
©2022 10804843 Canada Inc. All rights reserved. (P)2022 Simon & Schuster, Inc. All rights reserved.Listeners also enjoyed...
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"Robin Miles provides such a commanding performance that she maintains a grip on the listener even as events of this story become less clear. Penny is an artist recently widowed by her prolific partner. After a fall at home, thoughtful and reserved Penny finds herself spirited to an assisted living home, where she finds just a few other residents living under increasingly mysterious circumstances. Events unfold strictly from Penny's point of view. She appears to be progressively unreliable, continually forgetting key decisions, including the arrangement with the living facility in the first place. Miles's voice captures Penny's mounting dread and doubt while seizing opportunities to engage in moments of control, making the impact of this story even more emotional."—AudioFile Magazine
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Story
It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house - who ordered industrial lye? Then, there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.
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Unsure what I feel but it’s a lot
- By Liv Templeton on 12-01-21
By: Gus Moreno
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Pearl
- By: Josh Malerman
- Narrated by: Sarah Mollo-Christensen
- Length: 8 hrs and 54 mins
- Unabridged
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There’s something strange about Walter Kopple’s farm. At first it seems to be his grandson, who cruelly murders one of Walter’s pigs in an act of seemingly senseless violence. But then people in town begin to whisper that Walter’s grandson heard a voice commanding him to kill.
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Great start, then meh.
- By Doug M on 10-14-21
By: Josh Malerman
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Mapping the Interior
- By: Stephen Graham Jones
- Narrated by: Eric G Dove
- Length: 2 hrs and 10 mins
- Unabridged
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Walking through his own house at night, a 15-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew.
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Not a great listen for me
- By Alissa | wildcaughtword on 06-09-21
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All's Well
- By: Mona Awad
- Narrated by: Sophie Amoss
- Length: 13 hrs and 8 mins
- Unabridged
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Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.
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Mixed bag but excellent performance
- By stuffbuyer on 09-22-21
By: Mona Awad
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Sister, Maiden, Monster
- By: Lucy A. Snyder
- Narrated by: Arielle DeLisle, Katherine Littrell, Lindsey Dorcus
- Length: 8 hrs and 54 mins
- Unabridged
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A virus tears across the globe, transforming its victims in nightmarish ways. As the world collapses, dark forces pull a small group of women together. Erin, once quiet and closeted, acquires an appetite for a woman and her brain. Why does forbidden fruit taste so good? Savannah, a professional BDSM switch, discovers a new turn-on: committing brutal murders for her eldritch masters. Mareva, plagued with chronic tumors, is too horrified to acknowledge her divine role in the coming apocalypse, and as her growths multiply, so too does her desperation.
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Not for me
- By Leah Bernie on 03-22-23
By: Lucy A. Snyder
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The Book of Accidents
- A Novel
- By: Chuck Wendig
- Narrated by: Xe Sands, George Newbern
- Length: 16 hrs and 49 mins
- Unabridged
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Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. Long ago, something sinister walked in the mountains and the coal mines of their hometown in rural Pennsylvania. Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver. And now what happened long ago is happening again...to Oliver.
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not worth my time.
- By Amazon Customer on 07-26-21
By: Chuck Wendig
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Fever Dream
- A Novel
- By: Samanta Schweblin, Megan McDowell - translator
- Narrated by: Hillary Huber
- Length: 3 hrs and 13 mins
- Unabridged
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Experience the blazing, surreal sensation of a fever dream...A young woman named Amanda lies dying in a rural hospital clinic. A boy named David sits beside her. She’s not his mother. He's not her child. Together, they tell a haunting story of broken souls, toxins, and the power and desperation of family. Fever Dream is a nightmare come to life, a ghost story for the real world, a love story and a cautionary tale.
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Ghastly tale, brilliantly told.
- By Kat - Audible on 03-22-18
By: Samanta Schweblin, and others
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Comfort Me with Apples
- By: Catherynne M. Valente
- Narrated by: Karis Campbell
- Length: 2 hrs and 19 mins
- Unabridged
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Sophia was made for him, her perfect husband. She can feel it in her bones. He is perfect; their home together in Arcadia Gardens is perfect; everything is perfect. It's just that he's away so much - so often. He works so hard. She misses him, and he misses her. He says he does, so it must be true. He is the perfect husband, and everything is perfect.
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strange story
- By Barbara S on 11-03-21
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Just Like Home
- By: Sarah Gailey
- Narrated by: Xe Sands
- Length: 10 hrs and 2 mins
- Unabridged
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“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in spite of the memories — she's come back to the home of a serial killer. Back to face the love she had for her father and the bodies he buried there, beneath the house he'd built for his family.
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Haunted People in a Haunted Place
- By Gus on 11-15-22
By: Sarah Gailey
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Death Valley
- A Novel
- By: Melissa Broder
- Narrated by: Melissa Broder
- Length: 5 hrs and 9 mins
- Unabridged
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A woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path discovered on a nearby hike. Out along the sun-scorched trail, the narrator encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door.
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Broder is the perfect narrator!
- By Barbara S on 10-22-23
By: Melissa Broder
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The Shuddering
- By: Ania Ahlborn
- Narrated by: Luke Daniels
- Length: 8 hrs and 41 mins
- Unabridged
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A group of close friends gathers at a secluded cabin in the wintry mountains of Colorado for a final holiday hurrah. Instead, it may be their last stand. First a massive blizzard leaves them marooned. Then the more chilling realization: Something is lurking in the woods, watching them, waiting.... Now a weekend of family, friends, and fun has turned into a test of love and loyalty in the face of inhuman horrors. The only hope for those huddled inside is to fight - tooth and nail, bullet and blade - for their lives. Otherwise, they’ll end up like the monsters’ other victims: bright pools of blood on glittering snow, screams lost in the vast mountains.
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A Few Shudders and Too Much Soap
- By Kim Venatries on 07-07-13
By: Ania Ahlborn
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Nestlings
- By: Nat Cassidy
- Narrated by: Cassandra Campbell, Nat Cassidy
- Length: 13 hrs and 4 mins
- Unabridged
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Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.
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One of my favorite new authors
- By Jess A. on 04-01-24
By: Nat Cassidy
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Bloom
- By: Delilah S. Dawson
- Narrated by: Sarah Beth Pfeifer
- Length: 6 hrs and 39 mins
- Unabridged
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A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class."
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what an ending
- By sam on 11-09-24
What listeners say about We Spread
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Chris C.
- 09-27-23
If you don’t get it, you don’t get it.
You have to go into this with an open mind. I feel as though sometimes people want to be spoon fed the meanings behind stories. This is a simple story. But the meaning behind it is so much greater. The fact that it is narrated by the subject is important. We are only given her perspective. Our reality is what she gives us because it’s what she is experiencing. Stop looking for a great ‘ah-ha’ moment. This story is a slow burn of sadness.
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- J. Fuhrman
- 12-07-24
thought provoking but unclear
I love Reid's first two books and enjoyed this one but it didn't quite hit me as powerfully. I found the story engaging and the perception of reality intriguing, though I'm not sure about the ending. While I enjoyed Penny's character, I never truly felt for her. Reid has always been known for his great character work. Here it didn't have the depth I've come to expect from him.
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- Keijon Ford
- 01-13-23
Suspenseful and heartfelt
A little creepy, very sad and melancholic. I really cared for Penny and felt her confusion.
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1 person found this helpful
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- S. Winston
- 12-24-22
Not sure what to think
Loved the performance in all its creepiness. But not sure what happened . I expected a mystery to unfold.
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- Amy
- 06-10-24
Not what I was expecting, very thought provoking
This isn’t what I expected but I really enjoyed it. A lot of things are left up to interpretation in the ending of this, but I believe that is the point as that’s what it’s like for someone whose mind is betraying them with progressive dementia. You’re reading from Penny’s perspective who is going through the inevitable real-life horror of a decaying mind and just how scary it feels to no longer be able to fully rely on yourself. As someone who works in a nursing home, I read this fully from the perspective that dementia was the only thing sinister happening. But there could have definitely been something more going on. It seemed suspicious that all of the residents there didn’t have any living relatives.
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- John Tebbutt
- 03-13-25
I could not understand why this was written
I felt the narrator was overly dramatic , using a tone more suited for drama in passages which would have benefitted from a more lel, realistic tone
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- Anonymous User
- 09-30-22
I liked just not enough
The issue I had is that the storyline was spelled out to the reader. the mystery of it all was revealed early on so it became boring. Slower pace without mystery any more I finished listening out of stubbornness not pleasure. I did enjoy the portrayal of the 'elderly'. it was not stereotypical, and it was closer to how older people feel. That part was awesome. it was ok but I would of purchased something else in retrospect.
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- Joshua Chavez
- 10-03-22
To the fans of Iain Reid.
This review begins with a story. To skip the actual review, look for the sentence that begins in ALL CAPS.
I was wondering the endless aisles of Comic Con San Diego in July when I happened upon a Simon and Schuster booth. I was handed a pamphlet with the events they were having throughout the weekend. Some random book giveaways, authors that I haven’t read from, etc. Until I got to their Sunday event. They would be hanging out advance reader copies of We Spread, Iain Reid’s newest novel. I’m Thinking of Ending Things is my favorite novel of all time. (I read several books a week, nothing has topped the experience I had reading that novel for the first time). Long story short, Sunday was the only day I didn’t have a pass for, I was devastated. A lady at the booth asked me what kind of stuff I like to read. I told her all about how Iain Reid is one of my favorite writers, how sad I was that I was going to miss getting an arc copy of his newest book. She looked me dead in the eye for a few seconds. We had been wearing masks in the convention center, but I could see a smile grow from behind hers. She turned and ran back to a door and opened it. There was a small room that contained several boxes of books. About a minute later, she comes back with not one, but two ARC copies of We Spread. I felt like I had won the lottery. This was my first Comic Con, but the only thing I wanted to do was run home and crack open that book. We Spread will forever be associated with that memory, and for this, it will always hold a special place in my heart.
WITH ALL THAT SAID. There’s something about this one that simply didn’t click with me as well as IToET or Foe. I’m not sure if it was the character of Penny, the situation, or the antagonist. Something held me back from absolutely loving this.
The novel itself is written with (what I can only estimate) is a single space gap between each paragraph. Like someone hit tab twice before starting every paragraph. This was FASCINATING to see. I’m not exactly sure why he chose to do this, but he did similar things in his previous novels to foreshadow or to flash forward. This was different, but it didn’t hit the same. It made me go, “Huh, that’s neat.” Which is fine, but again, it didn’t feel as important a detail as his previous works. I could have easily missed what his intentions were for that stylistic choice, but, for now, I gotta stick with this gut feeling.
The writing is as clean as we’ve come to expect from Reid. If this were the physical copy, it would be a page turner. He is better than most authors in his readability skills. The voice actress was quite good, however I feel the source material held her back instead of propelled her forward. (In contrast with IToET, which I feel elevated her performance)
With that said. The beginning of the novel made me feel icky. I felt dusty, decrepit, and worn out. Reid has captured the feeling of growing old better than most novelists I have come across. It’s not often that reading a books makes me feel like I need to take a shower. IToET feels like depression, Foe feels like Paranoia, We Spread feels like sheer and utter loneliness. It is Kaufman-esque in that way. I almost wanted a reprieve from that feeling, but it never seems to let up. Which isn’t a negative per se, he definitely got his point across.
All of this to say, my favorite thing about this book was talking about it afterwards with my brother and girlfriend (who read the Arc copies). This one might be the most open to interpretation in his bibliography. Every word is important, every moment has its purpose. Who knows, maybe I’ll grow on this, but for now, this feels right.
For fans of Iain Reid, check this out, please. Few things come out that are as unique as this.
Last thing!
I’ll need to double check this, but I think the arc copy didn’t have a number of scenes that this one did. Made for a fun experience.
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- Melanie G
- 01-03-24
Vaguely Interesting and Slightly Annoying
I wonder if the author wrote the protagonist to be as whiny as she came across when it was read by the narrator. It was hard to care for any of the people in the story, but maybe that was the point. The elderly being shut away in a home forgotten and no one cares.
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- Kaila Ledward
- 01-14-23
Beautiful yet quiet story
This is different from his last two. Less definitive with its closure but still captivating.
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1 person found this helpful