On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They're going to die today. Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on their End Day. The good news: There's an app for that. It's called The Last Friend, and through it Rufus and Mateo are about to meet up for one last great adventure - to live a lifetime in a single day.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

OCD-afflicted Griffin has just lost his first love, Theo, in a drowning accident. In an attempt to hold on to every piece of the past, he forges a friendship with Theo's last boyfriend, Jackson. When Jackson begins to exhibit signs of guilt, Griffin suspects he's hiding something and will stop at nothing to get to the truth about Theo's death. But as the grieving pair grows closer, listeners will question Griffin's own version of the truth - in terms of both what he's willing to hide and what true love means.

When his traditional Latinx family has problems accepting his true gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend, Maritza, he performs the ritual himself and then sets out to find the ghost of his murdered cousin and set it free. However, the ghost he summons is actually Julian Diaz, the school's resident bad boy, and Julian is not about to go quietly into death.

Late one night in a dingy Los Angeles club, Nate and Cameron meet and discover they have much more in common than their love of an obscure indie band. But when Nate learns that Cameron is the heir to a soul-sucking record label - the very one that destroyed his father’s life - he runs away as fast as he can. The only evidence of their brief but intense connection is the blurry photo Cameron snaps of Nate’s Sharpied Chuck Taylors.

Luc O'Donnell is tangentially - and reluctantly - famous. His rock-star parents split when he was young, and the father he's never met spent the next 20 years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything. To clean up his image, Luc has to find a nice normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and someone who has never inspired a moment of scandal in his life. He’s perfect boyfriend material.

The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is 16-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie's Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life.

Chase Arthur is a budding animator and hopeless romantic obsessed with Disney films and finding his true love, but he’s plagued with the belief that he’s not enough for anyone: he’s recovering from an eating disorder and suffers from body dysmorphia fuelled by his father and can’t quite figure out his gender identity. When Chase starts his freshman year of college, he has to navigate being away from home and missing his sister, finding his squad and contending with his ex-best friend, Leila, who is gunning for the same exclusive mentorship.

Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it. Ben thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things. But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them? Maybe nothing. After all, they get separated. Maybe everything. After all, they get reunited.

Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star.

Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is 12 hours away from being deported to Jamaica. Falling in love with him won’t be my story. Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that.

Felix Love has never been in love — and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many — Black, queer, and transgender — to ever get his own happily-ever-after.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

Quito Cruz might be a genius piano player and composer in New York City now but it doesn’t mean that he’s any closer to his Broadway dream. Although Quito knows what the problem is. Or rather who. Because ever since that night in college—with pretty-boy jock Emmett Aoki—his inspiration has been completely MIA . . . Now Quito’s dad wants him to put on a charity performance in his hometown. And there’s one hella big string attached: convince Emmett—now one of Hollywood’s hottest celebrities—to perform.

Aspiring actor August Greene just landed a coveted spot at the prestigious School of Performing Arts in New York. There’s only one problem: His conservative parents won’t accept that he’s transgender. And to stay with his aunt in the city, August must promise them he won’t transition.

When Danny discovers a taped-up box in his father's closet filled with old letters and a file on a powerful Silicon Valley family, he realizes there's much more to his family's past than he ever imagined. Danny has been an artist for as long as he can remember, and it seems his path is set, with a scholarship to RISD and his family's blessing to pursue the career he's always dreamed of. Still, contemplating a future without his best friend, Harry Wong, by his side makes Danny feel a panic he can barely put into words.

When Beatrice Trixie Jordan replies to a personal ad, she meets Jacob Grace, a charming, effervescent 30-something free-spirit writer passionately seeking life. He possesses his own turns of phrase and ways of thinking and feeling that dissonantly harmonize with Trixie's off-center vision. As they rollercoaster through the joys and furies of their wrenching romance, they try to come to terms with the hurt brought about by both of their distant fathers who, in different ways, forsook them.

What's it like to be undocumented? High school senior M.T. knows all too well. With graduation and an uncertain future looming, she must figure out how to grow up in the only country she's ever called home... a country in which she's "illegal". M.T. was born in Argentina and brought to America as a baby without any official papers. And as questions of college, work, and the future arise, M.T. will have to decide what exactly she wants for herself, knowing someone she loves will unavoidably pay the price for it.

1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life - someone who will help her to heal....

It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May. Soon, Laurel has a notebook full of letters to the dead - to people like Janis Joplin, Heath Ledger, Amelia Earhart, and Amy Winehouse - though she never gives a single one of them to her teacher. She writes about starting high school, navigating the choppy waters of new friendships, learning to live with her splintering family, falling in love for the first time, and, most important, trying to grieve for May.

In her first weeks at Hawthorne College, Malin is swept up into a tight-knit circle that will stick together through all four years. There’s Gemma, an insecure theater major from London; John, a tall, handsome, wealthy New Englander; Max, John’s cousin, a shy pre-med major; Khaled, a wisecracking prince from Abu Dhabi; and Ruby, a beautiful art history major. But Malin isn’t like the rest of her friends. She’s an expert at hiding her troubled past - all while using her extraordinary insight to detect their deepest vulnerabilities and weaknesses.

Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at a local diner, she’s left fending for herself in a town where she’s never quite felt at home. When she “borrows” her neighbor’s car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that’s all hers.

It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school, not at her conservative Orange County church and certainly not at home, where her ultrareligious aunt relentlessly organizes antigay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk...until she’s matched with a real-life pen pal who changes everything.

Tom Violet always thought that by the time he turned 35, he’d have everything going for him. Fame. Fortune. A beautiful wife. A satisfying career as a successful novelist. A happy dog to greet him at the end of the day. The reality, though, is far different. He’s got a wife, but their problems are bigger than he can even imagine. And he’s written a novel, but the manuscript he’s slaved over for years is currently hidden in his desk drawer while his father, an actual famous writer, just won the Pulitzer Prize for Fiction. His career, such that it is, involves mind-numbing corporate buzzwords....

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.

The last time Lex was happy, it was before. When she had a family that was whole. A boyfriend she loved. Friends who didn't look at her like she might break down at any moment. Now she's just the girl whose brother killed himself. And it feels like that's all she'll ever be. As Lex starts to put her life back together, she tries to block out what happened the night Tyler died. But there's a secret she hasn't told anyone--a text Tyler sent that could have changed everything.

Seventeen-year-old Vivian Apple never believed in the evangelical Church of America, unlike her recently devout parents. But when Vivian returns home the night after the supposed 'Rapture,' all that's left of her parents are two holes in the roof. Suddenly, she doesn't know who or what to believe. With her best friend Harp and a mysterious ally, Peter, Vivian embarks on a desperate cross-country road trip through a paranoid and panic-stricken America to find answers.

Seventeen-year-old Caymen Meyers learned early that the rich are not to be trusted. And after years of studying them from behind the cash register of her mom's porcelain-doll shop, she has seen nothing to prove otherwise. Enter Xander Spence-he's tall, handsome, and oozing rich. Despite his charming ways and the fact that he seems to be one of the first people who actually gets her, she's smart enough to know that his interest won't last.

Aspiring actor August Greene just landed a coveted spot at the prestigious School of Performing Arts in New York. There’s only one problem: His conservative parents won’t accept that he’s transgender. And to stay with his aunt in the city, August must promise them he won’t transition.

Clare and Henry have known each other since Clare was six and Henry was 36. They were married when Clare was 23 and Henry was 31. Impossible but true, because Henry is one of the first people diagnosed with Chrono-Displacement Disorder: periodically his genetic clock resets and he finds himself misplaced in time, pulled to moments of emotional gravity from his life, past and future. His disappearances are spontaneous, his experiences unpredictable, alternately harrowing and amusing.