The hooker was young, pretty...and dead, butchered in a Greenwich Village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again--that's where Matthew Scudder comes in.

It was all too frighteningly familiar. For the second time in his life, Alex Penn wakes up in an alcoholic daze in a cheap hotel room off Times Square and finds himself lying next to the savagely mutilated body of a young woman. After the first death, he was convicted of murder and imprisoned, then released on a technicality. But this time he has to find out what happened during the blackout and why, before the police do.

Matthew Scudder, a down-but-not-out-detective, is shocked by the apparent suicide of Paula, a waitress at Armstrong’s, one of Scudder’s hangouts. When Paula’s sister shows up and asks Matt to investigate what she believes to be a murder, Scudder agrees to take on the case. A number of clues don’t add up to suicide, and Scudder’s investigation leads him to the dark corners of Paula’s world.

In this first in a series of wickedly funny mysteries, best-selling author Lawrence Block introduces Bernie Rhodenbarr, sometimes burglar, sometimes sleuth. Pulling only an occasional, very discreet job, Bernie manages to maintain his comfortable New York City apartment and keep his unorthodox vocation a closely-guarded secret. Every burglar knows never to trust anonymous phone calls. But when the caller offers easy money for an hour's work, Bernie can't ignore the job.

Acclaimed New York Times best-selling author Lawrence Block returns with the extraordinary Bernie Rhodenbarr. Antiquarian bookseller by day, burglar by night, Bernie has an innate knack, a gift, for getting into places designed to keep him out.

Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

Eve Dallas is a New York police lieutenant hunting for a ruthless killer. In over ten years on the force, she’s seen it all - and knows her survival depends on her instincts. And she’s going against every warning telling her not to get involved with Roarke, an Irish billionaire - and a suspect in Eve’s murder investigation.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

In the darkness of a cold December morning, Detective Kim Stone steps through the doors of Halesowen Police Station. She’s about to meet her team for the first time. When the body of a young man is found beheaded and staked to the ground in a secluded area of the Clent Hills, Kim and her new squad rush to the crime scene. This audio edition includes exclusive bonus content.

As a sniper with the elite Massachusetts State Police SWAT Team, Bobby Dodge saved a woman and her young son by shooting her armed husband. But vicious rumors begin to circulate the next morning when Bobby loses his gun and his privileges. It turns out the dead man was the son of a prominent Boston judge and had accused his wife of poisoning their son.

Everyone is always telling Stone Barrington that he’s too smart to be a cop, but it’s pure luck that places him on the streets in the dead of night, just in time to witness the horrifying incident that turns his life inside out. Suddenly he is on the front page of every New York newspaper and his life is hopelessly entwined in the increasingly shocking life (and perhaps death) of Sasha Nijinsky, the country’s hottest and most beautiful television anchorwoman.

Two pirates do battle on an old junk ship in Singapore Harbor. They leap nimbly from deck to rigging, crossing swords like fencing masters. And then one surprises the other, slicing a rope and sending the unfortunate pirate tumbling into the bay. This is how stuntman Angelo Sacchetti dies. Edward Cauthorne was his opponent, a fellow stuntman whose career died along with Sacchetti. He’s selling used cars when two thugs approach him.

He slips into their homes at night and walks silently into bedrooms where women lie sleeping, unaware of the horrors they soon will endure. The precision of the killer's methods suggests he is a deranged man of medicine, propelling the Boston newspapers and the frightened public to name him "The Surgeon". The cops' only clue rests with another surgeon, the victim of a nearly identical crime. Two years ago, Dr. Catherine Cordell fought back and killed her attacker before he could complete his assault.

A peaceful Minnesota town, where crime is something that just doesn’t happen, is about to face its worst nightmare. A young boy disappears. There are no witnesses, no clues — only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this the reawakening of a long-quiet serial killer?

Hailed by Salman Rushdie as a "brilliantly innovative thriller-writer", Philip Kerr is the creator of taut, gripping, noir-tinged mysteries set in Nazi-era Berlin that are nothing short of spellbinding. The first book of the Berlin Noir trilogy, March Violets introduces listeners to Bernie Gunther, an ex-policeman who thought he'd seen everything on the streets of 1930s Berlin - until he turned freelance and each case he tackled sucked him further into the grisly excesses of Nazi subculture.