In SPQR, world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even 2,000 years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty.

The first volume of Will Durant's Pulitzer Prize-winning series, Our Oriental Heritage: The Story of Civilization, Volume I chronicles the early history of Egypt, the Middle East, and Asia.

E. H. Gombrich's world history, an international best seller now available in English for the first time, is a text dominated not by dates and facts but by the sweep of experience across the centuries, a guide to humanity's achievements, and an acute witness to its frailties.

Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the prize of empires, the site of Judgement Day and the battlefield of today’s clash of civilizations. From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict, this is the epic history of three thousand years of faith, slaughter, fanaticism and coexistence. This is how Jerusalem became Jerusalem, and the only city that exists twice - in heaven and on earth.

Against the background of an age that saw the rebirth of ancient and classical learning, Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence as well as the Italian Renaissance, which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo, and Donatello as well as scientists like Galileo and Pico della Mirandola.

Striving for beauty, art also reveals what is broken. It presents us with the tremendous struggles and longings common to the human experience. And it says a lot about our Creator too. Great works of art can speak to the soul in a unique way. Rembrandt Is in the Wind is an invitation to discover some of the world's most celebrated artists and works and how each of them illuminates something about God, people, and the purpose of life. Part art history, part biblical study, part philosophy, and part analysis of the human experience, this book is nonetheless all story.

Filled with tales of adventure and astounding reversals of fortune, The Rise of Athens celebrates the city-state that transformed the world - from the democratic revolution that marked its beginning through the city's political and cultural golden age to its decline into the ancient equivalent of a modern-day university town. Anthony Everitt constructs his history with unforgettable portraits of the talented, tricky, ambitious, and unscrupulous Athenians who fueled the city's rise.

Explore the captivating history and mythology of three ancient civilizations. Three captivating manuscripts in one audiobook! In the first part of this captivating guide, you will discover why Maya have gained such worldwide admiration over the many other civilizations that existed in Mesoamerica at the time. You will learn how the Maya civilization developed, the major turning points in their 3,000-year-long history, the mysteries surrounding their demise, some of the unique places where Maya exist to this day, and much more!

In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death. For four hundred years Caravaggio's (1571-1610) staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory - the murder of Ranuccio Tomasini, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death - has long confounded historians.

From the earliest civilizations to the 21st century: a global journey through human history, published alongside a landmark BBC One television series. Our understanding of world history is changing, as new discoveries are made on all the continents and old prejudices are being challenged. In this truly global journey, Andrew Marr revisits some of the traditional epic stories, from classical Greece and Rome to the rise of Napoleon, but surrounds them with less familiar material, from Peru to the Ukraine, China to the Caribbean.

Creativity is in our bones. It is found in our very DNA, something not known to Leonardo da Vinci or anyone else who lived in his day and time. All he did was to uncover the hidden genius which lay within himself, and he used that inner genius to the very best of his abilities. Leonardo da Vinci is best known for some of the world's most masterful paintings, but he was so much more than merely another artist with paints and brushes. Born to a peasant woman in 1452, Leonardo would go on to astound the world he lived in with his artistry and his inventions.

Five hundred and thirty years ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Sforza was a brutal and clever man who was mindful that Leonardo’s genius would not only capture Cecilia’s beguiling beauty but also reflect the grandeur of his title. But when the portrait was finished, Leonardo’s brush strokes had conveyed something deeper by revealing the essence of Cecilia’s soul.

Best-selling classical historian Barry Strauss tells the story of three-and-a-half centuries of the Roman Empire through the lives of 10 of the most important emperors, from Augustus to Constantine.

From the Koran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City", but, as Bettany Hughes reveals, Istanbul is not just a city but a global story.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.

From the Koran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City", but, as Bettany Hughes reveals, Istanbul is not just a city but a global story.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.

Five hundred and thirty years ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Sforza was a brutal and clever man who was mindful that Leonardo’s genius would not only capture Cecilia’s beguiling beauty but also reflect the grandeur of his title. But when the portrait was finished, Leonardo’s brush strokes had conveyed something deeper by revealing the essence of Cecilia’s soul.

In 1519, the Spanish conquistador Hernando Cortés first met Montezuma, the Aztec emperor, at the entrance to the capital city of Tenochtitlan. This introduction - the prelude to the Spanish seizure of Mexico City and to European colonization of the mainland of the Americas - has long been the symbol of Cortés' bold and brilliant military genius. Montezuma, on the other hand, is remembered as a coward who gave away a vast empire and touched off a wave of colonial invasions across the hemisphere. But is this really what happened?

If you want to discover the captivating history of the Renaissance, then pay attention.

Following Germania and Danubia, the third installment in Simon Winder's personal history of Europe. In 843 AD, the three surviving grandsons of the great emperor Charlemagne met at Verdun. After years of bitter squabbles over who would inherit the family land, they finally decided to divide the territory and go their separate ways. In a moment of staggering significance, one grandson inherited the area we now know as France, another Germany, and the third received the piece in between: Lotharingia.

One day in 1872, self-taught Assyriologist George Smith was sifting through a pile of clay tablets when he realized he was reading about "a flood, storm, a ship caught on a mountain, and a bird sent out in search of dry land". This is the riveting story of the discovery of the world's first literary epic, the "Epic of Gilgamesh".

Founded by Alexander the Great and built by self-styled Greek pharaohs, the city of Alexandria at its height dwarfed both Athens and Rome. It was the marvel of its age, legendary for its vast palaces, safe harbors, and magnificent lighthouse. But it was most famous for the astonishing intellectual efflorescence it fostered and the library it produced. If the European Renaissance was the "rebirth" of Western culture, then Alexandria, Egypt, was its birthplace.

Little more than 200 years ago, only the most reckless or eccentric Europeans had dared traverse the unmapped territory of the modern-day Middle East. Its history and peoples were the subject of much myth and speculation: and no region aroused greater interest than Egypt.

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art.

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris. The artists who would make Impressionism the most popular art form in history were showing their first paintings amid scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial.

In SPQR, world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even 2,000 years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty.

From kung-fu to tofu, tea to trade routes, sages to silk, China has influenced cuisine, commerce, military strategy, aesthetics, and philosophy across the world for thousands of years. Chinese history is nothing if not messy. Heroes are also villains; prosperity mingles with violence; cultural vibrancy coexists with censorship and repression. Modern China is seen variously as an economic powerhouse, an icon of urbanization, a propaganda state, and an aggressive superpower seeking world domination.

From the end of the Middle Ages to the First World War, Europe was dominated by one family: the Habsburgs. Their unprecedented rule is the focus of Simon Winder's vivid third book, Danubia. This is a narrative that, while erudite and well researched, prefers to be discursive and anecdotal. In his survey of the centuries of often incompetent Habsburg rule which have continued to shape the fate of Central Europe, Winder does not shy away from the horrors, railing against the effects of nationalism, recounting the violence that was often part of life.

Acclaimed classics scholar Edith Hall's Introducing the Ancient Greeks is the first book to offer a synthesis of the entire ancient Greek experience, from the rise of the Mycenaean kingdoms of the sixteenth century BC to the final victory of Christianity over paganism in AD 391. Each of the ten chapters visits a different Greek community at a different moment during the twenty centuries of ancient Greek history.