You—yes, you! You might think you're getting away with it. You might think it's in the bag. You might think nobody knows what you're really up to! But The Whistler knows—and tells—in this new collection of twenty tale-twisting thrillers! Real life husbands and wives—Elliott and Cathy Lewis, Frank Lovejoy and Joan Banks, Jeanette Nolan and John McIntire—are heard in this suspenseful set, along with Bill Forman as The Whistler.

Whoever you are, wherever you go, whatever you do, he knows the nameless terrors of which you dare not speak! Tales of crime, intrigue, and grim fate are brought to you by The Whistler! We offer you 20 edge-of-your-seat journeys into the darkest realms of the human soul from radio's preeminent showcase for stories with an unexpected twist.

"Even when you know who's guilty, you always receive a startling surprise at the final curtain." He knows who you are and he knows what you did! He's The Whistler—a mysterious figure of the night who knows the nameless terrors of which you dare not speak! Here's radio noir at its finest in twenty tales of crime, mystery, and fate starring Bill Forman as The Whistler. The plotters and the pawns are played by Jeff Chandler, Betty Lou Gerson, Frank Lovejoy, Gerald Mohr, Eleanor Audley, Joseph Kearns, Frances Robinson, and more.

While the shadows are lonely - a place where lost and lethal souls withdraw into the solitude of their own minds - there is one who knows that they are not deserted. Into this dark and murky realm there is one who can see with cutting clarity…The Whistler! When those who willingly put a first foot on a slippery slope, and then a second, The Whistler knows how such travels go, and how such journeys must end. At every treacherous step, the sly scorn of this circumspect counselor will whisper in their ear - urging them on…toward their undoing!

Radio Spirits brings you classic tales of mystery, crime, and suspense featuring everyday individuals caught in a web of their own making and tripped up by a twist of fate in the end. And heard throughout each radio play, as the events become a tangled web of crime, is that shadowy voice-of-fate, your host, The Whistler! Dripping with sarcasm, The Whistler follows the murderers’ slow descent into destruction while cautioning listeners about the futility of the criminal act they just heard.

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain." Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

In the darkest reaches of the human psyche, there is no corner quite so dark as the fear of nameless, inevitable Fate. With its startling twists and its mocking laughter, Fate can take any of us at any time. We confront this fear by taking a grim satisfaction with the cruelties that Fate metes out to others. Because if it's happening to someone else, it isn't happening to us...right? The Whistler, the sneering narrator of each story, is the personification of Fate - bringing characters to their grim, well-deserved destinies with considerable panache.

Artifacts of crime's darkest moments and souvenirs of sinister significance can be found on display in The Black Museum. Presented here are 16 stranger-than-fiction tales of depravity and detection from 1952, hosted and narrated by the incomparable Orson Welles.

The greatest stars of screen and stage, the greatest writers of print and radio—all combine to keep you in…suspense! Here are twenty nerve-stretching exercises in crime, mystery, and the uncanny featuring Robert Montgomery, Gregory Peck, Lana Turner, William Powell, Ronald Reagan, Joseph Cotton, and more. Fates and fortunes may be threatened by a jealous spouse, an unscrupulous authority figure…or the truth. Find out what rash decisions are made in the desperation of the moment in riveting radio plays produced and directed by Anton M. Leader, William Spier, and Norman Macdonnell.

Head to distant worlds and alternate futures! Explore the limitless potential for twists and turns when stories are fueled by the infinite power of imagination! Here are twenty-four thought-provoking tales as up-to-date as tomorrow. It's new-time radio in the classic old-time-radio manner, from the mind of producer Jim French.

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Step into radio’s legendary house of horrors. The only program on the air to combine pitch-dark horror with sardonic humor, sending forth its undead monstrosities with rotting tongue pressed firmly into cheek. The razor-voiced Raymond Edward Johnson handles his hosting duties like an oily insurance salesman with a sideline in ax murder, while playful Paul McGrath brings forth an effortlessly exaggerated sense of black comedy. Come in! You’ll never know what’s going on behind the rust-metal shriek of the infamous Creaking Door until you open it.

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

Radio Spirits is pleased to present 20 classic episodes of Suspense, one of radio's longest running and best mystery anthology series. This collection features programs from the early 1950s as produced and directed by Elliott Lewis. Suspense was well-known for its guest star performers and the shows presented here are no exception, featuring appearances by Dana Andrews, Joseph Cotton, Richard Widmark, Ozzie and Harriet Nelson, Alan Ladd, Dennis Day, Fred MacMurray, Agnes Moorehead, William Bendix, Ronald Colman, Joan Crawford, Phil Harris and Alice Faye and more.

Once she has your rapt attention, she begins to tell you - with a gleeful cackle - her tales of ghosts, devils, and curses. The narratives she weaves convey countless examples of how jealousy, revenge, greed and ambition can result in circumstances as frightening as any caused by supernatural beings.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.