London, 1930. The five greatest women crime writers have banded together to form a secret society with a single goal: to show they are no longer willing to be treated as second class citizens by their male counterparts in the legendary Detection Club. Led by the formidable Dorothy L. Sayers, the group includes Agatha Christie, Ngaio Marsh, Margery Allingham and Baroness Emma Orczy. They call themselves the Queens of Crime. Their plan? Solve an actual murder, that of a young woman found strangled in a park in France.

When the most famous toddler in America, Charles Lindbergh, Jr., is kidnapped from his family home in 1932, the case makes international headlines. Already celebrated for his flight across the Atlantic, his father, Charles, Sr., is the country’s golden boy, with his wealthy, lovely wife, Anne Morrow Lindbergh, by his side. But there’s someone else in their household—Betty Gow, a formerly obscure young woman, now known around the world by another name: the Lindbergh Nanny. Betty must find the truth in order to clear her own name—and to find justice for the child she loves.

New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. Then she takes up a position with the Benchley family, dismissed by the city’s elite as "new money". The Benchleys cause further outrage when their daughter Charlotte becomes engaged to notorious playboy Norrie, the son of the eminent Newsome family. But when Norrie is found murdered at a party, Jane discovers she is uniquely positioned - she’s a woman no one sees, but who witnesses everything - and therefore has the tools to solve his murder.

When the new deputy librarian, Juliet Lansdown, finds that Bethnal Green Library isn’t the bustling hub she is expecting, she becomes determined to breathe life back into it. But can she show the men in charge that a woman is up to the task of running the library, especially when a confrontation with her past threatens to derail her?

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

Dee has come to London to investigate the murder of a man he’d known during World War I when serving with the Chinese Labour Corps. No sooner has Dee interviewed the grieving widow than another dead body turns up. Then another. All stabbed to death with a butterfly sword. Will Dee and Lao be able to connect the threads of the murders—or are they next in line as victims?

When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding community are thrust into chaos. Unsatisfied with the officials' response, sardonic and headstrong Sister Holiday becomes determined to unveil the mysterious attacker herself and return her home and sanctuary to its former peace. Her investigation leads down a twisty path of suspicion and secrets in the sticky, oppressive New Orleans heat, turning her against colleagues, students, and even fellow Sisters along the way.

It is the summer of 1919, and Constance Haverhill is without prospects. Now that all the men have returned from the front, she has been asked to give up her cottage and her job at the estate she helped run during the war. While she looks for a position as a bookkeeper or—horror—a governess, she’s sent as a lady’s companion to an old family friend who is convalescing at a seaside hotel. Despite having only weeks to find a permanent home, Constance is swept up in the social whirl of Hazelbourne-on-Sea after she rescues the local baronet’s daughter, Poppy Wirrall, from a social faux pas.

Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. That is until an unbearable tragedy strikes. New York City, 1978: Nineteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.”

1914, Fiji: 25-year-old Akal Singh would rather be anywhere but this tropical paradise—or, as he calls it, “this godforsaken island.” After a promising start to his police career in his native India and Hong Kong, Akal has been sent to Fiji as punishment for a humiliating professional mistake. Lonely and grumpy, Akal plods through his work and dreams of getting back to Hong Kong. When an indentured Indian woman goes missing from a sugarcane plantation and Fiji’s newspapers scream “kidnapping,” the inspector-general reluctantly assigns Akal the case.

At birth, Violet and Rose Flowers were identical, save for a tiny bluish-purple mark gracing Violet’s slender neck. By nineteen, their temperaments distinguish them, as different as the flowers their mother named them for—Violet, wild and outgoing, and Rose, solitary and reserved. Still, they are each other’s world. Then, on a sweltering, terrible August night in 1928, an explosion rocks Lamb’s Dance Hall in Possum Flats, Missouri, engulfing it in flames, leaving one twin among the dozens dead, and her sister’s life forever changed.

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

“I’ll be dead in three months. Come tell my story.” So writes Sebastian Trapp, reclusive mystery novelist, to his longtime correspondent Nicky Hunter, an expert in detective fiction. With mere months to live, Trapp invites Nicky to his spectacular San Francisco mansion to help draft his life story . . . while living alongside his beautiful second wife, Diana; his wayward nephew, Freddy; and his protective daughter, Madeleine. Soon Nicky finds herself caught in an irresistible case of real-life “detective fever.”

London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Over two decades earlier, three girls disappeared while evacuating from London. One was found murdered in the woods near a train line. The other two were never seen again.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."