In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.

From one of the most acclaimed Irish writers today, a new novel about smalltown Ireland that explores a community on the mend and the power of love and trauma to both bring people together and divide them

A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.

Early in her career, Elaine Pagels changed our understanding of the origins of Christianity with her work in The Gnostic Gospels. Now, in the culmination of a decades-long career, she explores the biggest subject of all, Jesus. In Miracles and Wonder she sets out to discover how a poor young Jewish man inspired a religion that shaped the world.

From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans-then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris.

First published in 1621, and hardly ever out of print since, it is a huge, varied, idiosyncratic, entertaining and learned survey of the experience of melancholy, seen from just about every possible angle that could be imagined. The Anatomy of Melancholy, presented here with all the original quotations in English, is, at last, available on audiobook in its entirety.

Now with a new introduction by Robert Macfarlane and a new afterword by Jenny Odell, this masterpiece of nature writing by Nan Shepherd describes her journeys into “the high and holy places” of the Cairngorm Mountains of Scotland. There she encounters a world of spectacular cliffs, deep silences, and lakes so clear that they cannot be imagined. As she walks through clouds, endures blizzards, and watches the great spirals of eagles in flight, Shepherd comes to know something about the hidden life of this remarkable landscape—and also herself.

Tara Selter, the heroine of On the Calculation of Volume, has involuntarily stepped off the train of time: in her world, November eighteenth repeats itself endlessly. We meet Tara on her 122nd November 18th: she no longer experiences the changes of days, weeks, months, or seasons. She finds herself in a lonely new reality without being able to explain why: how is it that she wakes every morning into the same day, knowing to the exact second when the blackbird will burst into song and when the rain will begin?

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark.

A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.

On the eve of the Nazi occupation, in the heart of Brussels, life for the residents of 33 Place Brugmann is about to change forever. Charlotte Sauvin, an art student raised by her beloved architect father in apartment 4L, knows all the details of the building and its people: how light falls on wood floors and voices echo off the marble staircase, the distinct knock of her dear friend, Julian Raphaël, the son of the art dealer’s family across the hall. Then the Raphaëls disappear, leaving everything behind but their priceless art collection, which has simply vanished.

The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem.

This mesmerizing, poetic novel won the 2003 National Book Award for fiction and has earned universal acclaim. Set against the beautiful but tragic landscape of post-World War II Asia, The Great Fire tells a sweeping tale of the search for new beginnings in a world ravaged by tragedy.

When her father assassinates Henry Carson, his employer's son and Mary's admirer, suspicion falls on Mary's second admirer, Jem, a fellow worker. Mary has to prove her lover's innocence without incriminating her own father.

A classic work of historical fiction from the author of Rebecca and The Birds. Honor Harris is only 18 when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As the English Civil War is waged across the country, Richard rises through the ranks of the army, marries and makes enemies, and Honor remains true to him. Decades later, an undaunted Sir Richard, now a general serving King Charles I, finds her.

Thirty years have passed since Greta left Marchmont Hall, a grand and beautiful house nestled in the hills of rural Monmouthshire. But when she returns to the Hall for Christmas she has no recollection of her past association with it – the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods and the weathered inscription on the headstone tells her that a little boy is buried here.

Young, wealthy Arabella is obsessed with French romances: brought up by a reclusive widowed father in an isolated castle, she has educated herself through their pages, and been led to believe that their dramas and absurdities are reality. She blindly adheres to their example and interprets her everyday life through their lens, thinking that life consists of uncontrollable passions and murderous violence, and that any man would die for her. Thus she embarks on a series of hilarious misadventures, insistent on the reality of her imaginary world, like Don Quixote before her.

It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Jane Start is thirty-three, broke, and recently single. Ten years prior, she had a hit song—written by world-famous superstar Jonesy—but Jane hasn’t had a breakout since. Now she's living out of four garbage bags at her parents’ house, reduced to performing to Karaoke tracks in Las Vegas. Rock bottom. But when her longtime manager Pippa sends Jane to London to regroup, she’s seated next to an intriguing stranger on the flight—the other Tom Hardy, an elegantly handsome Oxford professor of literature. Jane is instantly smitten by Tom, and soon, truly inspired.

Growing up in the care of her grandparents on Belhaven farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective—she doesn’t, for instance, see that she has an older sister who will come to join the family. As her “pictures” foretell various incidents and accidents, she begins to realize a painful truth: she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her.

Raised in Marrakech by a French mother and English father, a 17-year-old girl has learned above all to avoid mauvais ton ("bad taste" loses something in the translation). One should not ask servants to wait on one during Ramadan: they must have paid leave while one spends the holy month abroad. One must play the piano; if staying at Claridge’s, one must regrettably install a Clavinova in the suite so that the necessary hours of practice will not be inflicted on fellow guests.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

It is 1950. London is still reeling from World War II, and Margery Benson, a schoolteacher and spinster, is trying to get through life, surviving on scraps. One day, she reaches her breaking point, abandoning her job and small existence to set out on an expedition to the other side of the world in search of her childhood obsession: an insect that may or may not exist - the golden beetle of New Caledonia. When she advertises for an assistant to accompany her, the woman she ends up with is the last person she had in mind.

A collection of BBC radio full-cast dramatisations of Jane Austen's six major novels. Jane Austen is one of the finest writers in the English language, and this volume includes all six of her classic novels. Mansfield Park: on a quest to find a position in society, Fanny Price goes to live with her rich aunt and uncle. Northanger Abbey: young, naïve Catherine Morland receives an invitation to stay at the isolated Gothic mansion Northanger Abbey.