Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Here in one recording is every Sherlock Holmes story ever written by Sir Arthur Conan Doyle. Originally appearing in serial form, these famous stories are here presented in the order in which they were first published beginning in 1887. Included in this definitive, award-winning collection are four novels and 56 short stories, a total of 60 titles. The 56 short stories are aggregated into five named collections, just as they were originally published in book form.

Out of the Silent Planet is the first novel of the Cosmic Trilogy, considered to be C.S. Lewis' chief contribution to the science fiction genre.

There’s only one way for Professor George Edward Challenger to prove that dinosaurs still roam the earth. He invites skeptical journalist Edward Malone to accompany him and a group of adventurers to see the creatures with his own eyes. But when they arrive at the fantastic volcanic plateau in the Amazon where time stands still, their expedition quickly becomes one of survival. With its cliff-hanging escapes, rousing humor, and nailbiting suspense, The Lost World is a pioneering work of fantasy-adventure that paved the way for every thrill ride to follow.

In 1878, two young stage magicians clash in the dark during the course of a fraudulent séance. From this moment on, their lives become webs of deceit and revelation as they vie to outwit and expose each other. In the course of pursuing each other's ruin, they will deploy all the deception their magician's craft can command. Their rivalry will take them to the peaks of their careers, but with terrible consequences.

This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.

Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions." Thus begins Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club building itself - "three times window shattered since 1940 but never directly hit" - its lady inhabitants do their best to act as if the world were back to normal, practicing elocution and jostling over suitors and a single Schiaparelli gown.

Ideally spooky Halloween listening.... A chilling ghost story by the author of The Woman in Black. One murky November evening after a satisfying meal in their Fleet Street lodgings, a conversation between four medical students takes a curious turn and Hugh is initiated into a dark secret. In the cellar of their narrow lodgings in Printer's Devil Court and a little used mortuary in a subterranean annex of the hospital, they have begun to interfere with death itself, in shadowy experiments beyond the realms of medical ethics.

When Harold Merefield returned home in the early hours of a winter morning from a festive little party at that popular nightclub, the Naxos, he was startled by a gruesome discovery. On his bed was a corpse. There was nothing to show the identity of the dead man or the cause of his death. At the inquest, the jury found a verdict of ‘death from natural causes’ - perhaps they were right, but yet?

Steven Jones, an entertainment producer from Chicago, journeys to London in search of new acts. There, he discovers the strange and disturbing wax museum of Rodgers and his inscrutable associate Orabona. Is the mad artist able to conjure up the world's most horrifying waxen effigies through his occult inspirations, or is there a darker secret lurking behind the wax and paint?

An invisible alien parasite slowly takes over the penetrating mind of a French nobleman. He slowly loses control over his thoughts, his words, and his deeds. Is it insanity? Or is it the Horla?

This volume features William F Harvey's original undead hand story "The Beast with Five Fingers" that sparked many movies including Sam Raimi's "The Evil Dead". Poe's classic "The Tell Tale Heart" is joined by Lovecraft's creepy tale of alienation "The Outsider", and a chilling Dickens ghost story "The Signalman".

The story tells the tale of an introverted academic who happens upon a strange whistle while exploring a cemetery on the East Anglian coast. When blown, the whistle unleashes a supernatural force that terrorises its discoverer. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.

This volume features William F Harvey's original undead hand story "The Beast with Five Fingers" that sparked many movies including Sam Raimi's "The Evil Dead". Poe's classic "The Tell Tale Heart" is joined by Lovecraft's creepy tale of alienation "The Outsider", and a chilling Dickens ghost story "The Signalman".

Mark Gatiss ( Sherlock, Doctor Who, Game of Thrones) reads chilling tales by the unsung master of the classic ghost story: E. F. Benson. There's nothing sinister about a London bus. Nothing supernatural could occur on a busy train platform. There's nothing terrifying about a little caterpillar. And a telephone, what could be scary about that? Don't be frightened of the dark corners of your room. Don't be alarmed by a sudden inexplicable chill.

Dan Starkey takes on the mantle of William Hope Hodgson's supernatural detective, Thomas Carnacki, in this collection of enhanced audiobook readings: 'The Gateway of the Monster', 'The House Among the Laurels', 'The Whistling Room', 'The Horse of the Invisible', 'The Searcher of the End House' and 'The Thing Invisible'. Directed by Scott Handcock.

The story tells the tale of an introverted academic who happens upon a strange whistle while exploring a cemetery on the East Anglian coast. When blown, the whistle unleashes a supernatural force that terrorises its discoverer. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.

The powerful sense of evil – darkness, creepy hairy presences, cloaks, hoods, talons and tentacles – pervades these classic ghost stories by M.R. James. A Cambridge scholar himself, James explored what happens when academics dabble in things they don’t understand and unleash forces of which they know nothing.

In The Invisible Man, a scientist theorizes that if a person's refractive index is changed to exactly that of air his body does not absorb or reflect light, then he will not be visible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result. In The Time Machine, we follow the Time Traveller to the year 802,701 A.D.. He finds a golden race of small, soft, innocent people. But what is it that lurks in the dark shadows?

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

This dark psychological fantasy is more than a moral tale. It is also a product of its time, drawing on contemporary theories of class, evolution and criminality, and the secret lives behind Victorian propriety, to create a unique form of urban Gothic.

Secular humanism has triumphed. Everything the late Victorians and Edwardians believed would bring human happiness has been achieved: Technology has made it so no one needs to work for a living, the social sciences ensure a smooth-running social order, and, in the name of tolerance, religious beliefs have been uprooted and eliminated except for a single holdout - a largely discredited and rapidly shrinking Catholic Church. Yet people are unhappy.

In the countryside of Victorian England, Edward Atherton, rector of Thornham St. Stephen, has taken on the arduous task of restoring the ancient church. But he should never have meddled with the tomb that lay beneath the church's crumbling walls. The moment the workman raises the tomb lid, an unspeakable horror escapes.

Many consider it to be Dennis Wheatley's finest work, which is praise indeed for this world beating novelist. It was a best seller in the 1930s when it first came out, full of 1930s atmosphere, skilfully written and well researched, too - although Wheatley never practiced magic himself, he met with many of the most famous occultists of his day to make the book as authentic as possible. In The Devil Rides Out, the Duke de Richleau and a friend find that one of their number is missing from a reunion, and it turns out that he has fallen under the influence of a black magic sect.

Beneath the brilliance that was behind The Age of Innocence and Ethan Frome was a dark side. A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".

A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.

Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full. The listener is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("Pages from a Young Girl's Journal") but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.

The Aspern Papers, one of Henry James best-known shorter works, is based on a story he heard about a collector of Shelley's manuscripts who attempted to acquire valuable letters from a mysterious old woman living in Florence. Set in beautiful Venice, James' elegant tale of suspense and romance takes the reader down the canals and inner chambers of a bygone era.