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The Ten Thousand Doors of January
- Narrated by: January LaVoy
- Length: 12 hrs and 20 mins
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Publisher's summary
"A gorgeous, aching love letter to stories, storytellers and the doors they lead us through...absolutely enchanting." (Christina Henry, best-selling author of Alice and Lost Boys)
Los Angeles Times best seller!
In the early 1900s, a young woman embarks on a fantastical journey of self-discovery after finding a mysterious book in this captivating and lyrical debut.
In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place.
Then she finds a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world, and January discovers a story increasingly entwined with her own.
Lush and richly imagined, a tale of impossible journeys, unforgettable love, and the enduring power of stories awaits in Alix E. Harrow's spellbinding debut—step inside and discover its magic.
Critic reviews
"LaVoy's theatrical skills delight as she narrates January's thrilling story of fantastical characters and new worlds-and the tale hidden within the pages of her book."—AudioFile
"LaVoy's assured, mellifluous narration pairs well with the vivid lyricism of Harrow's spellbinding fantasy, and her dexterity with characters fleshes out the wondrous and strange beings on each page."—Seattle Times
"One for the favorites shelf... Here is a book to make you happy when you gently close it. Here you will find wonder and questions and an unceasingly gorgeous love of words which compasses even the shape a letter makes against a page."—NPR Book
Featured Article: The Best Women Narrators to Listen to Right Now
One of the biggest questions listeners have when it comes to approaching a new audiobook is whether or not they'll enjoy the narration style. This is understandable, as audiobooks are at least a few hours long (with many clocking in at 20 hours long—or more!), and sticking with one person's voice for that time period can feel like a big commitment. We rounded up some of the best female narrators with a robust list of audiobooks under their belts.
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Orphaned as a young child, Mirin O'Malley has been brought up by her grandparents on their isolated, rambling estate Hob's Hallow. Long ago her family prospered due to a deal struck with the mer, the terrifying creatures who live in the depths of the sea: safety for their merchant ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and their fortunes have suffered as a result. When Mirin's grandfather dies, her grandmother puts in train a plan to restore their glory - but at the price of Mirin's freedom.
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Drags on and on.
- By Amanda Turner on 04-10-21
By: A.G. Slatter
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Gods of Jade and Shadow
- By: Silvia Moreno-Garcia
- Narrated by: Yetta Gottesman
- Length: 11 hrs and 4 mins
- Unabridged
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The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it - and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother.
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I can’t finish this
- By zoomcity on 08-07-19
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Greenglass House
- By: Kate Milford
- Narrated by: Ben Levin
- Length: 9 hrs and 53 mins
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It’s wintertime at Greenglass House. The creaky smuggler’s inn is always quiet during this season, and 12-year-old Milo, the innkeepers’ adopted son, plans to spend his holidays relaxing. But on the first icy night of vacation, out of nowhere, the guest bell rings. Then rings again. And again....
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A magical mystery with twists and heart
- By Jane Pearl on 02-13-22
By: Kate Milford
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Hellboy: An Assortment of Horrors
- By: Various
- Narrated by: Seth Podowitz
- Length: 9 hrs and 25 mins
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Fifteen of the biggest names in weird literature come together to pay tribute to Hellboy and the characters of Mike Mignola’s award-winning line of books! Assembled by Joe Golem and Baltimore co-writer Christopher Golden, this anthology boasts 15 original stories by the best in horror, fantasy, and science fiction, including Seanan McGuire (October Daye series), Chelsea Cain (Heartsick), Jonathan Maberry (Joe Ledger series), and more! The new writer of Hellboy and the BPRD, iZombie co-creator Chris Roberson, pitches in as well!
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An assortment of good times.
- By Chris E. on 02-28-20
By: Various
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The Essex Serpent
- A Novel
- By: Sarah Perry
- Narrated by: Juanita McMahon
- Length: 14 hrs and 44 mins
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When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.
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Unbearable Narrator
- By ACB on 06-08-17
By: Sarah Perry
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Orange World and Other Stories
- By: Karen Russell
- Narrated by: full cast
- Length: 8 hrs and 37 mins
- Unabridged
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Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In “Bog Girl”, a revelatory story about first love, a young man falls in love with a 2,000-year-old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors”, two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. Plus much more.
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Wild Ride
- By Georgia on 02-07-20
By: Karen Russell
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The Recognitions
- By: William Gaddis
- Narrated by: Nick Sullivan
- Length: 47 hrs and 55 mins
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Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate "originals" - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize.
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Breathtaking, Dizzying, Stimulating, Funny
- By andrew on 11-17-10
By: William Gaddis
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The Beholder
- By: Anna Bright
- Narrated by: Emily Rankin
- Length: 11 hrs and 50 mins
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Selah has waited her whole life for a happily ever after. As the only daughter of the leader of Potomac, she knows her duty is to find the perfect match. But after an excruciatingly public rejection, Selah’s stepmother suggests an unthinkable solution: Selah must set sail across the Atlantic to visit a series of potential suitors - and if she doesn’t come home engaged, she shouldn’t come home at all. From the gardens of England to the fjords of Norge, Selah’s quest will be the journey of a lifetime. But her stepmother’s schemes aren’t the only secrets hiding belowdecks.
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A hot mess
- By Whimsical Dragonette on 07-07-19
By: Anna Bright
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The Invasion of Heaven
- Part One of the Newirth Mythology
- By: Michael B. Koep
- Narrated by: Gabrielle de Cuir, John Rubinstein, Stefan Rudnicki
- Length: 12 hrs and 29 mins
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Psychologist Loche Newirth becomes hunted when he sees a painting that opens a window onto the afterlife. An ancient order of men seeking to control the art pursue him across the world, through centuries, into madness, and beyond. The first part of Michael B. Koep's the Newirth Mythology The Invasion of Heaven is mystery, adventure, myth, betrayal, murder, and madness. Loche Newirth wonders if it was his fall: The 50-foot drop from the rocky cliff to the icy water below. Is this why he has been hallucinating?
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Good story - well written
- By Amy Q on 05-17-20
By: Michael B. Koep
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Hellboy: Odd Jobs
- By: Christopher Golden
- Narrated by: Seth Podowitz
- Length: 8 hrs and 32 mins
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In 1994, Mike Mignola created one of the most unique and visually arresting comics series to ever see print: Hellboy. Tens of thousands have followed the exploits of the World's Greatest Paranormal Investigator in comics form and in prose. Now, fans of the comic can enjoy the world of Hellboy as seen through the eyes of some of the brightest creative lights in horror and mystery fiction.
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Extra stories for true fans
- By Daniel Wiffen on 07-24-21
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The Golden Hour
- A Novel
- By: Beatriz Williams
- Narrated by: Cassandra Campbell, Saskia Maarleveld
- Length: 16 hrs and 46 mins
- Unabridged
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The Bahamas, 1941. Newly widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the governor and his wife for a New York society magazine. After all, American readers have an insatiable appetite for news of the duke and duchess of Windsor, that glamorous couple whose love affair nearly brought the British monarchy to its knees five years earlier. What more intriguing backdrop for their romance than a wartime Caribbean paradise, a colonial playground for kingpins of ill-gotten empires? Or so Lulu imagines.
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Stick with it!
- By Colleen on 07-17-19
By: Beatriz Williams
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The Woman in the Green Dress
- By: Tea Cooper
- Narrated by: Casey Withoos
- Length: 9 hrs and 27 mins
- Unabridged
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After a whirlwind romance, London teashop waitress Fleur Richards can’t wait for her new husband, Hugh, to return from the Great War. But when word of his death arrives on Armistice Day, Fleur learns he has left her a sizable family fortune. Refusing to accept the inheritance, she heads to his beloved home country of Australia in search of the relatives who deserve it more.
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A Haunting 6- Star Review
- By Victoria J. Mejia-Gewe on 06-09-21
By: Tea Cooper
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Welcome to Night Vale
- A Novel
- By: Joseph Fink, Jeffrey Cranor
- Narrated by: Cecil Baldwin, Dylan Marron, Retta, and others
- Length: 12 hrs and 2 mins
- Unabridged
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Located in a nameless desert somewhere in the great American Southwest, Night Vale is a small town where ghosts, angels, aliens, and government conspiracies are all commonplace parts of everyday life. It is here that the lives of two women, with two mysteries, will converge.
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This is so good, but
- By Christopher on 04-30-16
By: Joseph Fink, and others
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A Lush and Seething Hell
- Two Tales of Cosmic Horror
- By: John Hornor Jacobs
- Narrated by: Almarie Guerra, MacLeod Andrews
- Length: 12 hrs and 40 mins
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The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales - both never-before-published in print or audio - that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul.
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Great idea, tarnished by modern politics
- By Phil on 04-28-21
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Marra never wanted to be a hero. As the shy, convent-raised, third-born daughter, she escaped the traditional fate of princesses, to be married away for the sake of an uncaring throne. But her sister wasn’t so fortunate—and after years of silence, Marra is done watching her suffer at the hands of a powerful and abusive prince. Seeking help for her rescue mission, Marra is offered the tools she needs, but only if she can complete three seemingly impossible tasks:
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If Only I Could Cut Out Half the Story
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Blackout
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Six critically acclaimed, best-selling, and award-winning authors bring the glowing warmth and electricity of Black teens in love to this charming, hilarious, and heartwarming novel that shines a bright light through the dark. This full-cast audio edition is performed by Joniece Abbott-Pratt, Dion Graham, Imani Parks, Jordan Cobb, Shayna Small, A.J Beckles, and Audible Hall-of-Famer Bahni Turpin.
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The Invisible Life of Addie LaRue
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France, 1714: In a moment of desperation, a young woman makes a Faustian bargain to live forever - and is cursed to be forgotten by everyone she meets. Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world. But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.
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Prose style not to my liking
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What listeners say about The Ten Thousand Doors of January
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- Voxlife
- 09-15-19
I love this book.
If it calls to you, just step through and listen.
It is resonant and beautifully rendered.
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20 people found this helpful
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- Ralene
- 02-23-20
Enjoyed the book although it veers towards melodrama
I’m not sure that the moments of dimness that the hero exhibits at crucial moments fits with her character, but the world in the book is interesting. Once the hero got older, these lapses of judgment became harder to beat and I found myself avoiding the book for a couple of days at a time. It really felt like Perils of Pauline for a while mid-way through the book. I finally put it at 1.5x speed just to get to the ending. I liked that the hero is mixed race and the time period of the book was really smart because I could see her being able to get away with some things in 1910 that would have been impossible twenty years earlier.
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4 people found this helpful
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- Jefferson
- 02-06-22
An Overwrought Reading of an Overwritten Story
The Ten Thousand Doors of January (2019) by Alix E. Harrow has a promising premise, an ambitious attempt at a UFT (Unified Fantasy Theory): all the myths, legends, fairy tales and so on (including all their magical artifacts and supernatural beings, as well as much of the change, revolution, and evolution in history) derive from portals between worlds. Ten thousand such “Doors” (ten thousand representing an infinite number) exist connecting countless worlds, and “leakage” happens when inhabitants pass between worlds and bring or carry away artifacts and ideas and the like.
Seventeen-year-old January Scaller is telling her story in 1911, starting with when she was a “temerarious” and imaginative seven-year-old girl of color and traveled in 1901 from Vermont to Kentucky with the wealthy white collector Mr. Locke. She left their hotel, wandered into a field, and found a blue Door, through which she briefly entered another world with an exotic and beautiful island city. Mr. Locke, her guardian while her father Julian is off looking for exotic artifacts, burned the blue Door and set about educating all such “fanciful nonsense” out of her and training her up to be a “good girl.” Increasingly unhappy, January’s life changed again when as a teenager she found a book called The Ten Thousand Doors of January in Mr. Locke’s house and discovered that it was written by her father about, at first, a girl from Kentucky called Adelaide “Ade” Lee Larson, and later about his own past and January’s mother and how they came to know Mr. Locke and so on and so forth. Chapters from his book read by January alternate with chapters of January telling her own story. Just what January’s father is doing for Mr. Locke and just what Mr. Locke’s creepy New England Archeological Society is up to are mysteries that January will find out about as she struggles to grow up and find her own voice and purpose.
The writing by Harrow is often fine, with potent lines and similes describing characters and feelings and Doors and so on. The beginning is great: “When I was seven I found a Door. There—look how tall and proud the word stands on the page now, the belly of that D like a black archway leading into white nothing.” There are many other impressive similes, like “as if an invisible housewife was tugging at the corners of reality,” and “Both Bad and Sammy looked like they had died and been reanimated by a sorcerer of questionable skill.”
She has a sense of humor, like “Good manners are advisable when dealing with strangers or ghosts.”
The story’s heart is in the right place, criticizing gender and racial and class discrimination and promoting imagination, fantasy, and change. (It makes a couple nods to different sexualities while keeping the protagonist safely heterosexual.) Harrow writes pointed lines like, “You don't know how fragile your name is until you watch a rich man drag it away like signing a bank loan.”
The book has other virtues, like being a compact stand-alone novel instead of a first doorstopper volume in a series. However, the novel also has numerous problems…
One is that despite early 20th-century bêtes noirs of racism, sexism, and classism and references to early 20th-century fiction like Oz, White Fang, and Tom Swift, the story doesn’t FEEL like America circa 1910, unlike, say, The Golem and the Jinni (2013) by Helene Wecker. January talks like a contemporary girl (e.g., “The hell I will”). Why did Harrow set it a hundred+ years ago and not, say, now? To do race and gender commentary without criticizing contemporary American culture?
Worse problems involve January being incredibly and unbelievably obtuse at key moments, so Harrow can make the plot go. She has January not realize important things like the identities and relationship to her of the young lovers in her father’s book and the identity of the rich white man who made an offer to Ade’s family etc. long after the reader has figured them out, such that when January finally has a moment of revelation, her surprise feels absurd.
At one point, January knows an enemy has gotten the drop on her via a magical feather that bestows invisibility on the bearer, but when she gets the guy at her mercy, she only takes his magical compass. It seems like Harrow wanted January to be visible for the ensuing climactic showdown without thinking of a more believable way to make that happen.
When you give a character a powerful ability like, say, being able to write anything she wants to change the world (short of bringing back the dead), you must then think of good reasons for her not to use that ability when she obviously could but doesn’t. Such mood breaking plot contrivances don’t only involve January. Jane has been hunting forest ogres in another world for 22 years or so and is super capable and alert, but at one point Harrow has her stay sleeping while January takes her heavy pistol from her waist and then has her not notice that the pistol is missing while pursuing a villain until she finally tries to draw it, all so Jane can be wounded for the plot.
Exacerbating the unbelievable obtuseness of her characters is Harrow’s tendency to overwrite. She almost never meets a situation without thinking up a cool simile or metaphor to describe it, as with voices: “like a mummy clearing its throat of grave dust,” “like a disused hinge,” “as if he’d replaced his lungs with rusting iron bellows,” etc. Some of her metaphors feel strained, like “My thoughts were a flock of drunk birds ricocheting between despair… and a childish bubbling excitement.” Corny or absurd lines occur, like “Hearts aren't chess boards, and they don't play by the rules.” For dramatic effect, she starts overusing the rhetorical strategy of structural repetition, e.g., “I felt... felt... felt...” and “Away from... away from... away from...”
The irritating effect of all that overwriting is exacerbated by the reader, January Lavoi, whose over-emoting, lengthening of vowels, and strenuously different voices (like January’s little girl voice) begin irritating the ears. The two overdone forces--Harrow’s writing and Lavoi’s reading--make each other seem ever more overwrought, until the whole thing is hard to continue listening to, especially when January is so often unconvincingly obtuse. Thus, this ambitious fantasy novel irritated more than impressed, and I felt relieved to finish the audiobook.
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2 people found this helpful
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- Kirby C.
- 02-09-20
Magical and novel story with an original premise
An in-between girl in early 1900s Vermont finds a door to another world and a mysterious book in an Egyptian chest that leads her on an epic journey of self-discovery. Her (sort of) foster father, Cornelius Locke, cares for her and protects her but also keeps her caged by civility and on display like one of his strange archeological exhibits. January Scaller finds out there are more secrets about the world than she could have imagined and that she's deeply connected to people and places that both thrill and terrify her.
I thoroughly enjoyed this debut novel by Alix E. Harrow. The premise is unique and not a story I've read before exactly. I liked the language, although some words became repetitious. I also liked the character development and loved Harrow's writing style. The momentum carried a good pace. I was less than 20% from the end and still engaged, wondering how all the questions would be answered in such a short amount of time remaining.
I'm not typically a fan of magical realism, but The Ten Thousand Doors of January was suspenseful at times and emotional and overall a good story. Would recommend to book lovers as we understand how there's power in books that can transport you to elsewhere. This book inspired my imagination.
Good narrator. Excellent at conveying emotion, but some characters' voices were too similar.
I did not like how naive January remained, even almost to the end. I would have thought someone with her talent could put together the pieces a little more quickly and astutely.
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- Ana Raquel Barbosa Gama
- 11-23-19
Stunning
Beautiful, enchanting and deeply soul touching. A manifesto to all dreamers, storytellers and readers. I haven’t read something so beautiful and satisfying in a long time.
Give it a try... you won’t regret it.
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- Amy
- 09-06-22
great story, lovely writing
Great book, very much enjoyed it. Lots of things to think about and ponder within an exciting fantasy.
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- Judith
- 04-30-20
Unique
Rich story telling with lots of unexpected twists and turns. Loved it. Great narrator too.
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- Sarah Worthington
- 07-12-20
Favorite book this year
These words are beautiful. All of it. Truly Amazing. Not my usual genre, but so glad I listened to it.
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- Amazon Customer
- 08-01-21
a short and sweet family love story
I downloaded this on a whim about a year ago and I'm sad I didn't listen sooner.
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- SpiderGrrl
- 01-19-21
Meh. Reptitive, florid metaphors and off accents.
The constant descriptive metaphors, many of them repeated many times, went from annoying to grating to a drinking game. The narrator was to breathily melodramatic, and although she did a good generic African accent, the same accent was used for a young Italian American kid....? Was confusing.
I found the plot pretty obvious and predictable. The main theme was beaten to death and way too drawn out to be satisfying... I'm just really, really surprised this book won so many awards.
Best left for young teens, I think.
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