Was the biggest case of his career the worst mistake he ever made? Ten years ago, DCI Jack Logan stopped the serial child-killer dubbed "Mister Whisper", earning himself a commendation, a drinking problem, and a broken marriage in the process...When another child disappears a hundred miles north in the Highlands, Jack is sent to lead the investigation and bring the boy home. But as similarities between the two cases grow, could it be that Jack caught the wrong man all those years ago?

Oliver Peterkinney and Alex Glass, two friends from Glasgow's desperate fringes, become involved in one of the city's darkest and most dangerous trades: debt collection. While one rises quickly through the ranks, the other falls prey to the industry's addictive lifestyle, accumulating steep debts of his own.

Nate Colgan: a violent man; 'smart muscle' for the Jamieson organization. Someone to be afraid of. But now, with its most powerful individuals either dead or behind bars, things within the Jamieson organization are beginning to shift. When Nate, long working on the fringes of the business, is reluctantly appointed its new 'security consultant', he can little imagine how things are about to unravel.

D.I. Duncan McAdam is dispatched home to the Misty Isle. A body has been found buried in a remote location on the Waternish peninsula. Well-preserved in the peat, Isla Matheson—missing for the better part of two decades—is revealed to a shocked island community. A teenage runaway is dead...and no one is talking.

Five years ago, DCI John Lomond led the search for notorious Glasgow child-killer ‘The Sandman', until personal tragedy forced him off the case. In Lomond's absence, the killer was never found. Now, with nothing but work left in his life, Lomond remains obsessed with the case–despite the nightmares it brings. When a child is abducted in similar Sandman fashion from an affluent Glasgow suburb, Lomond is brought in to find them before it's too late.

A woman is found in a local cemetery, crushed to death under a gravestone. A production company is there, filming the remake of a classic sci-fi TV show on the grounds, making the investigation more difficult for DCI Harry McNeil. It's his first day in charge of the cold case unit in Edinburgh. After spending four years in Professional Standards, he has little choice but to take the promotion.

Mark Campbell is in trouble. His latest book is five years late and his recent divorce has cleaned him out. Worse, his debts with Vic Hebden aren’t the kind you consolidate into one easy payment. And he’s already missed three. But Mark has a plan—finish his novel, then pay Hebden off with the advance. His daughter, Kay, is spending her summer holiday in the far north of Scotland. The hotel calls—Kay has run off, leaving a big bill, her phone, and a copy of Mark’s last book, Break the Chain. There's only one person to turn to—his ex, Olivia. Kay’s stepmother.

Glasgow, 1932. When the son-in-law of one of the city’s wealthiest shipbuilders is found floating in the River Clyde with his throat cut, it falls to Inspector Jimmy Dreghorn to lead the murder case–despite sharing a troubled history with the victim’s widow. From the flying fists and flashing blades of Glasgow’s gangland underworld to the backstabbing upper echelons of government and big business, Dreghorn and his partner, “Bonnie” Archie McDaid, will have to dig deep into Glasgow society to find out who wanted the man dead and why.

When a 15-year-old girl fails to make it home after school, DI Heather Filson believes she’s dealing with just another teenage runaway. The girl’s grandfather, a notorious Glasgow gangster, disagrees. Convinced one of his underworld enemies has grabbed her, he’s prepared to bathe the city in blood in order to bring his princess home.

Ailsa Connolly was a brilliant psychologist and a respected criminologist. She was also a serial killer. Six years ago, DCI Sean Bracken caught her just before he was about to become her seventh victim. Every year on the anniversary of her incarceration, she taunts him with a phone call, giving him one message: "When I get out, I'll kill you." Now, Bracken has transferred back to Edinburgh and is thrown into the deep end on his first day back on duty. There's a killer who is emulating Ailsa, threatening to surpass her body count.

It is 1969 and Glasgow is in the grip of the worst winter in decades, yet it is something else that has Glaswegians on edge: a serial killer whose name alone is enough to make them tremble with fear. The Quaker has killed another victim, snatching a young woman from a nightclub and dumping her body like trash in the back of a cold-water tenement. He leaves no clues, and the investigation has led police down one blind alley after another.

Former soldier. Ex-copper. Current man on the edge. Shunned by his old colleagues, and dividing his time between a dead-end job and the bottom of a whisky bottle, former Police Scotland detective superintendent Bob Hoon’s life is a mess. Then an old face from Hoon’s Special Forces days turns up asking for help: His teenage daughter has been missing for months, the police have drawn a blank, and he needs the kind of help that only Hoon can provide. And besides, Hoon owes him one.

A mutilated body is found dumped at Cowane's Hospital in the heart of historic Stirling. For DCI Malcolm Ford it's like nothing he's ever seen before, the savagery of the crime making him want to catch the murderer before he strikes again. For reporter Donna Blake it's a shot at the big time, a chance to get her career back on track and prove all the doubters wrong. But for close protection specialist Connor Fraser it's merely a grisly distraction from the day job.

Detective Chief Inspector Harry Grimm is forced to take leave from Bristol’s Major Investigations Team when his boss, tired of Harry chasing the ghost of his murderous father, sends him north on secondment. Used to city life and high stress, Harry fears his life will now be spent handing out speeding tickets, finding lost sheep, and directing tourists. But when a local teenager runs away, Harry finds himself pulled into an investigation much worse than anyone could have ever expected.

Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.