Eight months since losing her mother in the Spanish flu outbreak of 1919, 21-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge

From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home - a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art and everything to do with politics. A Red scare is sweeping across America, and Senator McCarthy has started a witch hunt for Communists.

It's 1913, and on the surface, Laura Lyons couldn't ask for more out of life - her husband is the superintendent of the New York Public Library, allowing their family to live in an apartment within the grand building, and they are blessed with two children. But headstrong, passionate Laura wants more, and when she takes a leap of faith and applies to the Columbia Journalism School, her world is cracked wide open.

World-renowned pianist Gloria Banderas is at the height of her career when a curious ailment forces her to cancel a sold-out performance at Carnegie Hall. The same day, she befriends one of the many free-spirited artists inhabiting the warren of apartments above the theater. With her career and marriage at a standstill, Gloria moves into an empty studio and convalesces among the poets, photographers, and dancers who eke out a living with total dedication to their art. As a return to her old routine beckons, Gloria must decide which parts of her life are worth fighting for.

Enter the lush world of 1950s New York City, where a generation of aspiring models, secretaries, and editors live side by side in the glamorous Barbizon Hotel for Women while attempting to claw their way to fairy-tale success in this debut novel from the New York Times best-selling author of The Lions of Fifth Avenue. When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: Plain, self-conscious, homesick, and utterly convinced she doesn't belong.

When a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house the Dakota, leads to a job offer for Sara Smythe, her world is suddenly awash in possibility - no mean feat for a servant in 1884. The opportunity to move to America. The opportunity to be the female manager of the Dakota. And the opportunity to see more of Theo, who understands Sara like no one else...and is living in the Dakota with his wife and three young children.

New York City, 1956: Nineteen-year-old Marion Brooks knows she should be happy. Her high school sweetheart is about to propose and sweep her off to the life everyone has always expected they’d have together: a quiet house in the suburbs, Marion staying home to raise their future children. But instead, Marion finds herself feeling trapped. So when she comes across an opportunity to audition for the famous Radio City Rockettes—the glamorous precision-dancing troupe—she jumps at the chance to exchange her predictable future for the dazzling life of a performer.

In this latest captivating novel, New York Times best-selling author Fiona Davis takes listeners into the glamorous lost art school within Grand Central Terminal, where two very different women, 50 years apart, strive to make their mark on a world set against them. For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art.

Heir to a fortune, Marguerite is destined for a life of prosperity and gentility. Then she is orphaned, and her guardian—an enigmatic and volatile man—spends her inheritance and insists she accompany him on an expedition to New France. That journey takes a unexpected turn when Marguerite, accused of betrayal, is brutally punished and abandoned on a small island.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

The Bahamas, 1941. Newly widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the governor and his wife for a New York society magazine. After all, American readers have an insatiable appetite for news of the duke and duchess of Windsor, that glamorous couple whose love affair nearly brought the British monarchy to its knees five years earlier. What more intriguing backdrop for their romance than a wartime Caribbean paradise, a colonial playground for kingpins of ill-gotten empires? Or so Lulu imagines.

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

London, 1930. The five greatest women crime writers have banded together to form a secret society with a single goal: to show they are no longer willing to be treated as second class citizens by their male counterparts in the legendary Detection Club. Led by the formidable Dorothy L. Sayers, the group includes Agatha Christie, Ngaio Marsh, Margery Allingham and Baroness Emma Orczy. They call themselves the Queens of Crime. Their plan? Solve an actual murder, that of a young woman found strangled in a park in France.

2016: Thirty-four-year-old Mari Starwood is still grieving after her mother’s death as she travels to the storied island of Martha’s Vineyard, off the coast of Massachusetts. She’s come all the way from California with nothing but a name on a piece of paper: Elizabeth Devereaux, the famous but reclusive Vineyard painter. When Mari makes it to Mrs. Devereaux’s stunning waterfront farm under the guise of taking a painting class with her, Mrs. Devereaux begins to tell her the story of the Smith sisters, who once lived there.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

World-renowned pianist Gloria Banderas is at the height of her career when a curious ailment forces her to cancel a sold-out performance at Carnegie Hall. The same day, she befriends one of the many free-spirited artists inhabiting the warren of apartments above the theater. With her career and marriage at a standstill, Gloria moves into an empty studio and convalesces among the poets, photographers, and dancers who eke out a living with total dedication to their art. As a return to her old routine beckons, Gloria must decide which parts of her life are worth fighting for.

It's 1913, and on the surface, Laura Lyons couldn't ask for more out of life - her husband is the superintendent of the New York Public Library, allowing their family to live in an apartment within the grand building, and they are blessed with two children. But headstrong, passionate Laura wants more, and when she takes a leap of faith and applies to the Columbia Journalism School, her world is cracked wide open.

From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home - a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art and everything to do with politics. A Red scare is sweeping across America, and Senator McCarthy has started a witch hunt for Communists.

In this latest captivating novel, New York Times best-selling author Fiona Davis takes listeners into the glamorous lost art school within Grand Central Terminal, where two very different women, 50 years apart, strive to make their mark on a world set against them. For most New Yorkers, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future. It is 1928, and Clara is teaching at the lauded Grand Central School of Art.

When a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house the Dakota, leads to a job offer for Sara Smythe, her world is suddenly awash in possibility - no mean feat for a servant in 1884. The opportunity to move to America. The opportunity to be the female manager of the Dakota. And the opportunity to see more of Theo, who understands Sara like no one else...and is living in the Dakota with his wife and three young children.

Eight months since losing her mother in the Spanish flu outbreak of 1919, 21-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge

New York, 1933: America is in its second decade of Prohibition, and its citizens have never been thirstier. Lydia Gardiner is the infamous queenpin of a criminal empire. From her penthouse in New York City’s ritzy Plaza Hotel, Lydia deals in all the city’s favorite vices—illegal liquor, drugs, women—ruling with an iron fist, a cold heart, and a knack for beating her coarse male counterparts at their own game.

New York City, 1956: Nineteen-year-old Marion Brooks knows she should be happy. Her high school sweetheart is about to propose and sweep her off to the life everyone has always expected they’d have together: a quiet house in the suburbs, Marion staying home to raise their future children. But instead, Marion finds herself feeling trapped. So when she comes across an opportunity to audition for the famous Radio City Rockettes—the glamorous precision-dancing troupe—she jumps at the chance to exchange her predictable future for the dazzling life of a performer.

Enter the lush world of 1950s New York City, where a generation of aspiring models, secretaries, and editors live side by side in the glamorous Barbizon Hotel for Women while attempting to claw their way to fairy-tale success in this debut novel from the New York Times best-selling author of The Lions of Fifth Avenue. When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: Plain, self-conscious, homesick, and utterly convinced she doesn't belong.

London, 1953. Louise is still adjusting to her postwar role as a housewife when she discovers a necklace in a box at a secondhand shop. The box is marked with the name of a department store in Paris, and she is certain she has seen the necklace before, when she worked with the Red Cross in Nazi-occupied Europe—and that it holds the key to the mysterious death of her friend Franny during the war. Following the trail of clues to Paris, Louise seeks help from her former boss Ian, with whom she shares a romantic history.

How quickly the ground shifts beneath our feet. We make choices—in the face of love, or violence, or necessity—and the effects ripple outward. In these moving short stories, acclaimed authors examine the foundations of the past, uncovering the irreversible decisions and life-changing encounters that mark the turning point between before and after.

Windsor, 1940: War rages, and as bombs rain down across Britain, nowhere is safe: not even a royal palace. Secretly tasked with foiling a suspected plot, Sophie Klein is placed in the Royal Library at Windsor castle, where the princesses reside. But when she learns that Windsor is compromised, Sophie must sacrifice everything she knows to save the future queen of England. Philadelphia, Present day: Digging into her great aunt’s family tree, Lacey Turner comes across a mysterious book bearing the stamp of Windsor Castle’s royal bindery. But how did it come to be in her family’s possession?

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly appears on her doorstep, it feels like the final straw. But it turns out even the family you thought you could never forgive might have something to teach you: about love, and what it actually means to be family.

Virginia, 1864—Libby Steadman’s husband has been away for so long that she can barely conjure his voice in her dreams. While she longs for him in the night, fearing him dead in a Union prison camp, her days are spent running a gristmill with her teenage niece, a hired hand, and his wife, all the grain they can produce requisitioned by the Confederate Army. It’s an uneasy life in the Shenandoah Valley, the territory frequently changing hands, control swinging back and forth like a pendulum between North and South, and Libby awakens every morning expecting to see her land a battlefield.

Berlin, 1944. ‘No! Not my child!’ Annaliese screams, her voice breaking as she pounds the window uselessly. But no-one looks up as the man in the SS uniform cradles her precious baby and strides away. She lies unmoving on the threadbare cot, her throat hoarse from long hours of screaming but her tears keep falling. Her heart has been cleaved in two, now the Nazis have taken the only thing she has left–her child. She is utterly powerless against them. But as Annaliese cries herself to sleep, she makes a vow—she will find her precious baby again. Whatever it takes.