Judith knows her sister, Alice, is the pretty one—but that doesn’t stop her from wishing for love. When a handsome and gentlemanly hunter appears in their village, seeking lodging from the cold, she believes her lover has finally arrived. He does, indeed, choose to stay—but as Alice’s husband, not her own. When another stranger comes out of the woods, looking every bit a vagrant, he offers Judith something mysterious and enticingly strange. Against reason and decency, she welcomes both men into her life, in different ways.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy.

Influencer Meredith Lee didn’t teach Aspen Palmer how to blossom on social media just to be ditched as soon as Aspen became big. So can anyone really blame Mer for doing a little stalking? Nothing serious, more like Stalking Lite. Then, Mer gets lucky; she finds one of Aspen’s kids’ iPads and swipes it. Now, she has access to everything: the family calendar and Aspen’s social media accounts. Would anyone else be able to resist tweaking things a little here and there, showing up in Aspen’s place for meetings with potential sponsors?

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it - and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother.

When Catalina is admitted to Harvard, it feels like the fulfilment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her own complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world that has no place for the undocumented; her sense of doom intensifies her curiosities and desires.

It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet.

In 1951, a mysterious old woman confronts Pilar Aguirre in the small border town of La Cienega, Texas. The old woman is sure Pilar stole her husband and, in a heated outburst, lays a curse on Pilar and her family. More than forty years later, Lulu Muñoz is dodging chaos at every turn: her troubled father’s moods, his rules, her secret life as singer in a punk band, but most of all her upcoming quinceañera. When her beloved grandmother passes away, Lulu finds herself drawn to the glamorous stranger who crashed the funeral and who lives alone and shunned on the edge of town.

Nina, still grieving from the loss of her father, discovers that she has inherited property in the British Virgin Islands—a vacation home she had no idea existed, until now. The house is extraordinary: state-of-the-art, all glass and marble. How did her sensible father come into enough money for this? Why did he keep it from her? And what else was he hiding?

Natalie and Rob couldn’t have less in common. Nat’s a messy artist, and Rob’s a rigid academic. The only thing they share is their devotion to their respective best friends—who just got engaged. Still, unexpected chemistry has Natalie cautiously optimistic about being maid of honor to Rob’s best man. Until, minutes before the ceremony, Nat learns that Rob wrote a one-star review of her new novel, which has them both reeling: Nat from imposter syndrome, and Rob over the reason he needed to write it. When the reception ends, these two opposites hope they’ll never meet again.

1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.

They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis- neighbors call her the Witch of Oldhouse - and the haphazard manifestations of her powers make her the subject of malicious gossip. When entertainer Hector Auvray arrives to town, Nina is dazzled.

As the daughter of a rancher in 1840s Mexico, Nena knows a thing or two about monsters—her home has long been threatened by tensions with Anglo settlers from the north. But something more sinister lurks near the ranch at night, something that drains men of their blood and leaves them for dead.

Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her. Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.

Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn’t level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

After a string of bad dates and no prospects, Sophia Othonos has finally hit the jackpot: an actual nice guy. When he suggests a romantic getaway, she’s sure they’re about to take the next step toward their future. A rustic cruise to the Galápagos Islands isn’t exactly her idea of a vacation, but Sophia is ready for anything…until her boyfriend has to cancel. Now she’s all alone on a trip that was meant for two. Sophia finds herself at a crossroads about who she is, what she wants, and whether her relationship is really everything she thought.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.

Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Mexico City, 1988. Long before iTunes or MP3s, you said "I love you" with a mixtape. Meche, awkward and fifteen, discovers how to cast spells using music, and with her friends Sebastian and Daniela will piece together their broken families, and even find love.

They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis- neighbors call her the Witch of Oldhouse - and the haphazard manifestations of her powers make her the subject of malicious gossip. When entertainer Hector Auvray arrives to town, Nina is dazzled.

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman. Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

Mexico in the 1970s is a dangerous country, even for Maite, a secretary who spends her life seeking the romance found in cheap comic books and ignoring the activists protesting around the city. When her next-door neighbor, the beautiful art student Leonora, disappears under suspicious circumstances, Maite finds herself searching for the missing woman—and journeying deeper into Leonora’s secret life of student radicals and dissidents.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

She is the adventurer of the family. Her brother, the gentle dreamer. Even as they bond over folktales and hold each other close, their world has never felt so dangerous. Revolutionaries and pelones are in conflict, soldiers have turned into scavengers, and an escaped tiger has slipped up the mountain, looking for easy prey. As the darkest of legends becomes real, a young girl will do anything to save her brother’s life.

The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it - and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother.

In the tumultuous town of Yáquimo, Santo Domingo, Jacquotte Delahaye is an unknown but up-and-coming shipwright. Her dreams are bold but her ambitions are bound by the confines of her life with her self-seeking French father. When her way of life and the delicate balance of power in the town are threatened, she is forced to flee her home and become a woman on the run along with a motley crew of refugees, including a mysterious young woman named Teresa.

For childhood friends Gabe, Xavier, Tavo, Paul, and Bimbo, death has always been close. Hurricanes. Car accidents. Gang violence. Suicide. Estamos rodeados de fantasmas was Gabe’s grandmother’s refrain. We are surrounded by ghosts. But this time is different. Bimbo's mom has been shot dead. We’re gonna kill the guys who killed her Bimbo swears. And they all agree.

1820: Sophia Ashmore-Percy reluctantly accompanies her husband James to a remote Greek island, where he searches for rare biological specimens. Once there, however, she sets on her own voyage of discovery—stumbling across the very creature he is looking for, making an unexpected connection with a local woman, and ultimately reconsidering her marriage, life, and own desires. Decades later, audiologist Henry Latimer is sent to the home of industrialist Sir Edward Ashmore-Percy and tasked with curing the man’s young daughter, Philomel, of her deafness.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

The Lady knows the stories: how her eyes induce madness in men. The Lady knows she will be wed to the Scottish brute, who does not leave his warrior ways behind when he comes to the marriage bed. The Lady knows his hostile, suspicious court will be a game of strategy, requiring all of her wiles and hidden witchcraft to survive. But the Lady does not know her husband has occult secrets of his own. She does not know that prophecy girds him like armor. She does not know that her magic is greater and more dangerous, and that it will threaten the order of the world.

Ember Lee Cardinal has not always been a liar—well, not for anything that counted at least. But her job search is not going well and when her resumé is rejected for the thirty-seventh time, she takes matters into her own hands. She gets “creative” listing her qualifications and answers the ethnicity question on applications with a lie—a half-lie, technically. No one wanted Native American Ember, but white Ember has just landed her dream accounting job on Park Avenue (Oklahoma City, that is).

When Tia accidentally overhears a whispered conversation between her mother—terminally ill and lying in a hospital bed in Port Harcourt, Nigeria—and her aunt, the repercussions will send her on a desperate quest to uncover a secret her mother has been hiding for nearly two decades. Back home in Lagos a few days later, Adunni, a plucky fourteen-year-old runaway, is lying awake in Tia’s guest room. Having escaped from her rural village in a desperate bid to seek a better future, she’s finally found refuge with Tia, who has helped her enroll in school.