Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: She must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims - a bit too strongly.

Libby Day was seven when her mother and two sisters were murdered in "The Satan Sacrifice of Kinnakee, Kansas". As her family lay dying, little Libby fled their tiny farmhouse into the freezing January snow. She lost some fingers and toes, but she survived, and famously testified that her 15-year-old brother, Ben, was the killer. Twenty-five years later, Ben sits in prison, and troubled Libby lives off the dregs of a trust created by well-wishers who've long forgotten her.

One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface as Geraldine Coutts is traumatized and reluctant to relive or reveal what happened, either to the police or to her husband, Bazil, and 13-year-old son, Joe. In one day, Joe's life is irrevocably transformed. He tries to heal his mother, but she will not leave her bed and slips into an abyss of solitude. Increasingly alone, Joe finds himself thrust prematurely into an adult world for which he is ill prepared.

In late 2003, in his column in Entertainment Weekly, Stephen King called The Memory of Running "the best novel you won't read this year." This glowing endorsement of the audiobook resulted in Ron McLarty receiving a $2 million two-book deal from Viking Penguin. Also, Warner Brothers has shelled out big bucks for the movie rights to The Memory of Running, for which McLarty will write the script.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

Ivan Coyote is a celebrated storyteller and the author of 10 previous books, including Gender Failure (with Rae Spoon) and One in Every Crowd, a collection for LGBT youth. Tomboy Survival Guide is a funny and moving memoir told in stories, in which Ivan recounts the pleasures and difficulties of growing up a tomboy in Canada's Yukon, and how they learned to embrace their tomboy past while carving out a space for those of us who don't fit neatly into boxes or identities or labels.

In this gripping first novel, a young girl, orphaned when her mother murders an ex-lover, endures the shuffle of a foster child's life. Oprah enjoyed her book club pick so much that she narrates the audiobook edition!

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Like the work of Cormac McCarthy, Denis Johnson, Richard Ford, and Annie Proulx, Battleborn represents a near-perfect confluence of sensibility and setting, and the introduction of an exceptionally powerful and original literary voice. In each of these ten unforgettable stories, Claire Vaye Watkins writes her way fearlessly into the mythology of the American West, utterly reimagining it.

Johnny Frías has California in his blood. A descendant of the state’s indigenous people and Mexican settlers, he has Southern California’s forgotten towns and canyons in his soul. He spends his days as a highway patrolman pulling over speeders, ignoring their racist insults, and pushing past the trauma of his rookie year, when he killed a man assaulting a young woman named Bunny, who ran from the scene, leaving Johnny without a witness.

Abandoned by his father after his mother drowns in a frozen Minnesota lake, fifteen-year-old Wes Ballot is stranded with coldhearted grandparents and holed up in his mother’s old bedroom, surrounded by her remnants and memories. As the wait for his father stretches unforgivably into months, a local girl, whose own mother died a brutal death, captures his heart and imagination, giving Wes fresh air to breathe in the suffocating small town.

Eight-year-old Tessa Lee and her little brother, Travis, are left at a campground by their mother and her boyfriend, a crooked-nosed man named Goose. All the two children have is a tent, their bags of clothes, the firefly cloak they'd used for covers the night before, and a phone number printed in magic marker on Travis' back. Tessa Lee knows that her momma and Goose have skedaddled in a car with recently changed license plates. She just doesn't know why.

After their parents divorced in the 1970s, Andre Dubus III and his three siblings grew up with their exhausted working mother in a depressed Massachusetts mill town saturated with drugs and crime. To protect himself and those he loved from street violence, Andre learned to use his fists so well that he was even scared of himself. He was on a fast track to getting killed—or killing someone else—or to beatings-for-pay as a boxer.

Late one night, a teenage couple drives up to the big white clapboard home on the Blessing estate and leaves a box. In that instant, the lives of those who live and work there are changed forever. Skip Cuddy, the caretaker, finds a baby girl asleep in that box and decides he wants to keep the child . . . while Lydia Blessing, the matriarch of the estate, for her own reasons, agrees to help him.

Acclaimed literary essayist T Kira Madden's raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cultlike privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.

It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing - after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident - but find only one body.