Chicago, 1920: Hadley Richardson is a quiet 28eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway and her life changes forever. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald.

Summer, 1926. Ernest Hemingway and his wife, Hadley, take refuge from the blazing heat of Paris in a villa in the south of France. They swim and play bridge, and drink gin with abandon. But wherever they go they are accompanied by the glamorous and irrepressible Fife. Fife is Hadley's best friend. She is also Ernest's lover. Hadley is the first Mrs. Hemingway, but neither she nor Fife will be the last. Each Mrs. Hemingway thought their love would last forever; each one was wrong.

Hemingway's creative influences for novels like The Sun Also Rises, A Farewell to Arms, and The Old Man and the Sea came not only from his famous hunting trips, his liaisons in Cuba, or his relationships with Gertrude Stein, F. Scott Fitzgerald, James Joyce, and other Lost Generation writers. During Hemingway's period of greatest literary foment, his most seminal relationship was with Hadley Richardson, his first wife.

The only place in the United States that Hemingway could really call home after he started writing was the tropical island of Key West. During his decade here in the 1930s, he acquired his famed macho persona as Papa, the biggest Big Daddy of them all. This vivid portrait of Ernest Hemingway's Key West reveals both Hemingway, the writer, and Hemingway, the macho, hard-drinking sportsman. His Key West years turned out to be his most productive: he finished A Farewell to Arms, started For Whom the Bell Tolls, and wrote several other books, including Green Hills of Africa.

The best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

A revelatory look into the life and work of Ernest Hemingway, considered in his time to be the greatest living American novelist and short story writer, winner of the 1953 Pulitzer Prize for Fiction and the Nobel Prize in Literature in 1954. Mary Dearborn's new biography gives the richest and most nuanced portrait to date of this complex, enigmatically unique American artist.

In The Voice Is All, Joyce Johnson - coauthor of the classic memoir Door Wide Open, about her relationship with Jack Kerouac - brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac's French Canadian background enriched his prose and gave him a unique outsider's vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road.

Zelda Fitzgerald was the mythical American Dream Girl of the Roaring Twenties who became, in the words of her husband, F. Scott Fitzgerald, "the first American flapper." Their romance transformed a symbol of glamour and spectacle of the Jazz Age. When Zelda cracked up, not long after the stock market crash of 1929, Scott remained loyal to her through a nightmare of later breakdowns and final madness.

She was known for her outrageous one-liners, her ruthless theater criticism, her clever verses and bittersweet stories. But there was another side to Dorothy Parker, a private life set on a course of destruction.

The 1920s in Paris are the pivotal years in Hemingway's apprenticeship as a writer, whether sitting in cafés or at the feet of Gertrude Stein. These are the heady times of the Nick Adams short stories, Fitzgerald's The Great Gatsby, and the writing of The Sun Also Rises. These are also the years of Hemingway's first marriage to Hadley Richardson, the birth of his first son, and his discovery of the bullfights at Pamplona.

June 1946. As the residents of Winthrop Island prepare for the first summer season after the sacrifice of war, a glamorous new figure moves into the guest cottage at Summerly, the idyllic seaside estate of the wealthy Peabody family. To Emilia Winthrop, daughter of Summerly’s year-round caretaker and a descendant of the island’s settlers, Olive Rainsford opens a window into a world of shining possibility. While Emilia spent the war years caring for her incapacitated mother, Olive traveled the world, married fascinating men, and involved herself in political causes.

Georgette Heyer remains an enduring international best seller, read and loved by four generations of readers and extolled by today's best-selling authors. Despite her enormous popularity, she never gave an interview or appeared in public. Georgette Heyer wrote her first novel, The Black Moth, when she was 17 in order to amuse her convalescent brother. It was published in 1921 to instant success, and 90 years later it has never been out of print.

Joy Davidman is known, if she is known at all, as the wife of C. S. Lewis. Their marriage was immortalized in the film Shadowlands and Lewis' memoir, A Grief Observed. Now, through extraordinary new documents as well as years of research and interviews, Abigail Santamaria brings Joy Davidman Gresham Lewis to your ears in the fullness and depth she deserves. A poet and radical, Davidman was a frequent contributor to the communist vehicle New Masses and an active member of New York literary circles in the 1930s and '40s.

A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence during 1922, the birth year of modernism.