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The Orphan Master's Son

A Novel

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The Orphan Master's Son

De: Adam Johnson
Narrado por: Tim Kang, Josiah D. Lee, James Kyson Lee, Adam Johnson
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Pulitzer Prize, Fiction, 2013

An epic novel and a thrilling literary discovery, The Orphan Master’s Son follows a young man’s journey through the icy waters, dark tunnels, and eerie spy chambers of the world’s most mysterious dictatorship, North Korea.

Pak Jun Do is the haunted son of a lost mother - a singer “stolen” to Pyongyang - and an influential father who runs Long Tomorrows, a work camp for orphans. There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.

Considering himself “a humble citizen of the greatest nation in the world,” Jun Do becomes a professional kidnapper who must navigate the shifting rules, arbitrary violence, and baffling demands of his Korean overlords in order to stay alive. Driven to the absolute limit of what any human being could endure, he boldly takes on the treacherous role of rival to Kim Jong Il in an attempt to save the woman he loves, Sun Moon, a legendary actress “so pure, she didn’t know what starving people looked like.”

Part breathless thriller, part story of innocence lost, part story of romantic love, The Orphan Master’s Son is also a riveting portrait of a world heretofore hidden from view: a North Korea rife with hunger, corruption, and casual cruelty but also camaraderie, stolen moments of beauty, and love. A towering literary achievement, The Orphan Master’s Son ushers Adam Johnson into the small group of today’s greatest writers.

From the Hardcover edition.

©2011 Adam Johnson (P)2011 Random House Audio Ficción Literaria Género Ficción Suspenso Thriller y Suspenso Ficción Japón imperial Aterrador Emocionante Espionaje

Reseñas de la Crítica

  • Winner of the 2013 Pulitzer Prize for Fiction
“An addictive novel of daring ingenuity, a study of sacrifice and freedom in a citizen-eating dynasty, and a timely reminder that anonymous victims of oppression are also human beings who love - The Orphan Master’s Son is a brave and impressive book.” (David Mitchell, author of The Thousand Autumns of Jacob de Zoet)
“I’ve never read anything like it. This is truly an amazing reading experience, a tremendous accomplishment. I could spend days talking about how much I love this book. It sounds like overstatement, but no. The Orphan Master’s Son is a masterpiece.” (Charles Bock, author of Beautiful Children)
“Adam Johnson has pulled off literary alchemy, first by setting his novel in North Korea, a country that few of us can imagine, then by producing such compelling characters, whose lives unfold at breakneck speed. I was engrossed right to the amazing conclusion. The result is pure gold, a terrific novel.” (Abraham Verghese, author of Cutting for Stone)
Compelling Narrative • Haunting Atmosphere • Memorable Scenes • Innovative Structure • Engaging Vocal Performances
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You are going on a journey; insert your ear buds, and be prepared to step into a vortex of imaginative chaos, oppression, corruption, cruelty--you will wonder if you need to check your navigation...is this Johnson's novel about No. Korea, or is this Orwell, Kafka, Murakami (Timothy Leary), that has hijacked your device and carried you into a surreal and convoluted parallel universe created by Phillip Dick?

The speakers blare out...The first blast of propaganda hints at Pak Jun Do's mother--a kidnapped opera singer, a *toy* of the Dear Leader. The father, it is assumed, is the Master of the orphanage. The story is told in 2 parts, the first section being about Jun Do and his upbringing --the dirty and horrific jobs he takes to survive. Here Johnson is at his best describing the tunnels and kidnappings, the rusting fishing boat and the voices that seem to come from nowhere through the ship's radio, the haul of Nike shoes fished up from the sea. The paranoia and oppression entrenched in the men is like the rust taking over the boat. Jun Do goes through several professions and levels of social standing, tunnel fighter, kidnapper, radio operator, then prisoner, hero, foreign dignitary, and eventually takes over an assumed identity, inheriting a wife, and finds love.

Johnson tells the story using several different methods; creative and clever, and at times even humorous, these many devices tell the horrors and atrocities almost like background music floating behind a scene: the propaganda speakers blare out the love the Dear Leader has for his people, while Jun Do travels through the country seeing his people eating grass or raising dogs for food; an interrogator thinks, "we ramp up the pain to inconceivable levels..in a few weeks he will be a contributing member of a rural farm collective" --the prisoner, a professor, was accused of playing pop music from South Korea to his students. The writing methods and devices are like passages to another place on the timeline of the story, adding a new dimension to reader participation, but just as easily can be confusing-- making this a read that requires real effort, but very worthwhile.

If you have ever used the aid of nitrous oxide at the dentist's office, you will relate: I started listening to this novel at the dentist's office (I was scheduled for a 3 hour fun-block). A new book, a fully charged ipod, and the gas mask firmly in place. After about 1 hour, I got a little break. I lifted the nitrous mask from my face, looked at my ipod and thought, "WTH?! Maybe I shouldn't be listening to this under the influence." When I got home, lungs full of oxygen, brain cleared out, I started over. I listened a while then thought, "WTH!?" Once you catch on to the methods, the story becomes clear and easily navigated. Johnson's novel is a piece of inspired literary construction with steps and passages, tunnels, holes, voices from nowhere... with writing that is just as alarmingly beautiful and incongruent. Parts seemed even beyond surreal to me and were not a good fit, thus my 4* rating. But, for all I know, behind that wall of secrecy, this could be complete reality with just a surreal and convoluted leader?


A Nightmarish Orwellian Dimension

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Sometimes you read a Pulitzer Prize winner, and shake your head in disbelief. This time I knew exactly why this book won. It deserves all of the praise it can get.

This book is SO real. I'm unsure of its accuracy, but I certainly felt like I had a glimpse of the Glorious Democratic People's Republic of Korea through the character's eyes. It's so rare when I actually can suspend reality and feel something on behalf of a character. In this book it happened subtly. I had a visceral reaction to an event before I realized how immersed I was in the characters and their lives. I started to grimace every time I heard "glorious" or "Citizens!" or "Supreme Leader."

Adam Johnson has done a fine job of using fiction to paint a picture of life inside one of the most closed societies on earth. He allowed me to understand it in a way that wouldn't have been possible otherwise.

The narration is perfectly suited to the book. It's not completely transparent, but gives you a very good sense of where you are and who is talking. I think it's precisely what a good narration should do - especially in a book like this with abhorrent content. I had enough of a reaction. I didn't need any overblown narration to help that along.

A Glorious Book.

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Would you say that listening to this book was time well-spent? Why or why not?

This book is effective against insomnia. Thanks, but still, the slow-moving story and lifeless narration could not convince me to continue listening after the first 1,000 hours or so. Or maybe it just felt like 1,000 hours, and that didn't even get me out of Part I. Waste of time, waste of money

How would you have changed the story to make it more enjoyable?

oh, Lord

How did the narrator detract from the book?

OMG! don't get me started

Do you think The Orphan Master's Son needs a follow-up book? Why or why not?

NO!! slap yourself for suggesting that

Any additional comments?

I want my money back.

1,000 years of history

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I was fooled by the Pulitzer. This is a singularly uninteresting, charmless book about a topic that is currently newsworthy, but about which the author knows next to nothing. The glowing reviews must be coming from other innocent people who know even less about the topic. Very disappointing. Three stars because he got a lot of words onto a lot of pages and someone was patient enough to do a good job of reading them.

nope.

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While this book is well written, the story is unremittingly grim. The characters, except for the female love interest are as finally drawn as ivory cameos. However, the story itself is pedestrian and uninspired. I could guess the ending half way through the book.

I forced myself to finish the book; I guess the fact that it won a Pulitzer in 2013 is what made me want to finish it. I purchased it because it was compared favorably to Donna Tartts The Goldfinch. Both writers are excellent in fleshing out their characters. There the similarity ends. The Goldfinch had an immersive plot and a sense of forward movement and well, Joi de vrie that The Orphan Master Son lacked.

The story itself was one long didactic screed against the evil North Korean regimine. If you really want to learn about this regimine, I would suggest a good nonfiction book. If you want an enjoyable an immersive novel, look elsewhere.

Unremittingly grim

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My lasting impression of this novel will be the authors view of life in North Korea and those who occupy 'the most democratic nation on Earth'. The representation of the 'lovely leader' was mesmerizing. Romance, horror, mystery, how to build a dictatorship, a little of everything. Very enjoyable.

A LITTLE OF EVERYTHING

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I enjoyed the book, but it’s not one that I’d recommend to everyone. It’s so sensational, but I suppose that’s the point.

Good read; it’s ok

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Can the person who has never experienced autocracy and dictatorship describe it? Adam Johnson certainly managed to do that. Exquisite storytelling helps a reader understand and feel what it's like to leave in a freedomless state.

Excellent, engaging, thought provoking

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Loved both parts. Still not able to shake some of the images. Make you appreciate what we have in the US.

This is a top 5 book for me

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A sweeping tale of one man's journey as he tries to make sense of life in an oppressive, twisted society ruled by a narcissistic madman that is ironically called the greatest democracy in the world. This story was particularly disturbing as our country is showing characteristics of just this kind of oppression - 'fake news', the firing of officials who do not tow the party line or happen to say anything negative about the 'dear leader' in charge, the unshakable faith of his followers to believe that everything that he proclaims is correct. "Truth is not Truth", and speaking truth to power will get you banished or worse, shot. Heroes who endured torture for daring to oppose the party line like John McCain are 'not heroes'. Those who lie and cheat, who have no moral compass, but are otherwise loyal to the dear leader are labeled heroes.
I wish every American would read this book and awake to the path that we could go down in the US. No society is immune to this type of insanity. It only takes a momentary lack of vigilance, a brief period of mental sloth, for evil to take hold and flourish.
Johnson's main character shows us that hope can survive, even in a hell on earth. Redemption is possible, and love can conquer evil.

Haunting

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