Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Amy Tan takes us deep into the illicit world of 1912 Shanghai, where beautiful courtesans mercilessly compete for the patronage of wealthy gentlemen. For the women, the contest is deadly serious, a perilous game of economic survival that, if played well, can set them up for life as mistresses of the rich and prominent. There is no room for error, however: Erotic power is hard to achieve and harder to maintain, especially in the loftiest social circles. Enter veteran seducer, Magic Gourd, formerly one of Shanghai’s “Top Ten Beauties” and now the advisor and attendant of Violet, an aspiring but inexperienced courtesan.

In a voice both haunting and startlingly immediate, Nitta Sayuri describes her life as a geisha. Taken from her home at the age of nine, she is sold into slavery to a renowned geisha house. Witness her transformation as you enter a world where appearances are paramount, virginity is auctioned to the highest bidder, women beguile powerful men, and love is scorned as illusion.

"Life changes fast....You sit down to dinner and life as you know it ends." These were among the first words Joan Didion wrote in January 2004. Her daughter was lying unconscious in an intensive care unit, a victim of pneumonia and septic shock. Her husband, John Gregory Dunne, was dead. The night before New Year's Eve, while they were sitting down to dinner, he suffered a massive and fatal coronary. The two had lived and worked side by side for nearly 40 years.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

In this engaging book, the internationally best-selling author and famously private writer Haruki Murakami shares with listeners his thoughts on the role of the novel in our society; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.

Welcome to the childhood of Catherine McClure Gildiner. It is the middle of the 1950s in Lewiston, New York, a small and sleepy American town very near Niagara Falls. No one is divorced. Mothers wear high heels to the beauty salon and children pop Pez candy and swing from vines over a local gorge. But at the tender age of four, it becomes clear to her Cathy's parents that their rambunctious daughter is no ordinary child and they soon put her "to work" at her father's pharmacy.

There's a mantra real writers know but wannabe writers don’t. And the secret phrase is this: "Nobody wants to read your shit." Recognizing this painful truth is the first step in the writer's transformation from amateur to professional.

“Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart.

In 1978, in the tailwind of the golden age of air travel, flight attendants were the epitome of glamor and sophistication. Fresh out of college and hungry to experience the world―and maybe, one day, write about it―Ann Hood joined their ranks. After a grueling job search, Hood survived TWA’s rigorous Breech Training Academy and learned to evacuate seven kinds of aircraft, deliver a baby, mix proper cocktails, administer oxygen, and stay calm no matter what the situation.

A five-time Moth GrandSLAM winner and bestselling novelist shows how to tell a great story - and why doing so matters. Whether we realize it or not, we are always telling stories. On a first date or job interview, at a sales presentation or therapy appointment, with family or friends, we are constantly narrating events and interpreting emotions and actions. In this compelling book, storyteller extraordinaire Matthew Dicks presents wonderfully straightforward and engaging tips and techniques for constructing, telling, and polishing stories that will hold the attention of your audience (no matter how big or small).

Blending literature and memoir, Ann Patchett, author of State of Wonder and Bel Canto examines her deepest commitments: to writing, family, friends, dogs, books, and her husband in This Is the Story of a Happy Marriage. Together, these essays, previously published in The Atlantic, Harper, Vogue, and The Washington Post, form a resonant portrait of a life lived with loyalty and with love.

In We Learn Nothing, satirical cartoonist Tim Kreider turns his funny, brutally honest eye to the dark truths of the human condition, asking big questions about human-sized problems: What if you survive a brush with death and it doesn't change you? Why do we fall in love with people we don't even like? How do you react when someone you've known for years unexpectedly changes genders?

It's a report tempered by hard times. In "Matricide", Daum unflinchingly describes a parent's death and the uncomfortable emotions it provokes; and in "Diary of a Coma" she relates her own journey to the twilight of the mind. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the marriage-industrial complex, of the New Age dating market, and of the peculiar habits of the young and digital.

Moving from her childhood in Oakland and growing up with her Chinese parents through her success as a novelist, Amy Tan delves into her creative interests in music, the paralysis of beginning a new project, journal writing, and travelling. Where the Past Begins chronicles the making of a writer. With characteristic humor and poignant observation, Tan weaves a nontraditional introspective narrative that is as complex and vibrant as this beloved American novelist's fiction.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Ruth Young and her widowed mother, LuLing, have always had a tumultuous relationship. Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known....

Twelve American tourists join an art expedition that begins in the Himalayan foothills of China - dubbed the true Shangri-La - and heads south into the jungles of Burma. But after the mysterious death of their tour leader, the carefully laid plans fall apart, and disharmony breaks out among the pleasure-seekers.

For decades — in China and in San Francisco — Winnie Louie and Helen Kwong have kept each other's confidences, but those secrets are about to be revealed. Convinced that she is dying, Helen decides to celebrate the Chinese New Year by unburdening herself of hidden truths — not only hers, but those of Winnie and of Winnie's daughter, Pearl.

Years after her Chinese half-sister assails her with ghost stories set in the mysterious world of Yin, Olivia — a young woman from San Francisco — finds herself in China. Looking for a way to reconcile her past with dreams for her future, Olivia's American assumptions are shaken by Chinese ghosts, but she also finds reasons to hope.

For decades, a quartet of Chinese women who have emigrated to San Francisco gather to eat dim sum, play mahjong, and talk—they call themselves the Joy Luck Club. Over the years, their stories have informed the lives of four daughters who feel the weight of family and world history on their shoulders. With wit and sensitivity, this novel explores the deep, complicated, and sometimes painful connections between mothers and daughters.

Three sisters listen to their grandmother recount a mesmerizing childhood memory on a rainy afternoon. The long complex story, filled with danger and excitement, relates what happened when Ying-ying was seven and celebrating the Moon Festival in China. On that long-ago night of the Moon Festival, she encountered the Moon Lady, who grants the secret wishes of those who ask.

In 1978, in the tailwind of the golden age of air travel, flight attendants were the epitome of glamor and sophistication. Fresh out of college and hungry to experience the world―and maybe, one day, write about it―Ann Hood joined their ranks. After a grueling job search, Hood survived TWA’s rigorous Breech Training Academy and learned to evacuate seven kinds of aircraft, deliver a baby, mix proper cocktails, administer oxygen, and stay calm no matter what the situation.

In 2016, Amy Tan grew overwhelmed by the state of the world: Hatred and misinformation became a daily presence on social media, and the country felt more divisive than ever. In search of peace, Tan turned toward the natural world just beyond her window and, specifically, the birds visiting her yard. But what began as an attempt to find solace turned into something far greater—an opportunity to savor quiet moments during a volatile time, connect to nature in a meaningful way, and imagine the intricate lives of the birds she admired.

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

Humpback whales are among the most intelligent animals on Earth. Some scientists believe they might even surpass humans in self-awareness, empathy, and communication skills. In this episode, we swim with a whale as he teams up with other humpbacks to use bubbles to catch fish, rescues a sea lion, and puts his own spin on melodies sung by whales across the Pacific Ocean. This is the world in its natural state, defined by seasons, routines, and cycles. By the time this whale is ready to close one eye and go to sleep, you will be too.

According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient.

For 46 years, Carol Minto has quietly gone about her life, carrying with her the most extraordinary and heartbreaking secrets. In The Asylum, Carol tells the full story of how she overcame unimaginable suffering, to find the happiness and solace she has today as a mother and grandmother.

Eva Luna is the daughter of a professor’s assistant and a snakebitten gardener - born poor, orphaned at an early age, and working as a servant. Eva is a naturally gifted and imaginative storyteller who meets people from all stations and walks of life. Though she has no wealth, she trades her stories like currency with people who are kind to her.