1915, London: Working in the dusty bookshop that her Aunt Violet mysteriously inherited, Hannah Merrill is accustomed to finding twists in every tale. But discovering her beloved best friend Lily-Anne – with a paperknife through her heart – in the middle of the bookshop, is not a plotline she saw coming. The case is anything but textbook. With the discovery of a coded German message, and Hannah’s instinct that Lily-Anne’s husband is keeping secrets, she determines to get to the bottom of it. She can’t do it alone though.

It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper's death. The murder forces Ellison to confront her husband's proclivities and his crimes - kinky sex, petty cruelties, and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer.

It’s Mallory Atkinson’s first Christmas in Scotland. Victorian Scotland, that is. Also, as the twenty-first-century detective learns, Christmas really isn’t a thing in Victorian Scotland. It’s all about Hogmanay. But her boss, Dr. Duncan Gray, treats her to an early gift of tickets to the event of the season: a Charles Dickens reading. There, they bump into Lady Inglis—the lovely widow who has sent Gray sexy letters trying to entice him back to her bed.

After receiving unexpected inheritance from her grandfather, Mercy and her twin sister Lizzie are now the proud owners of a charming antique bookshop in the tiny Irish village of Shamrock Cove. But before they can take in the beautiful view of the sea, one of their neighbors drops dead! Mercy finds the Judge, a well-respected man who lives next door, dying on his own doorstep. She rushes to help, but with his final words, he accuses Mercy of murder! Most of their new neighbors hear his words and, with suspicion pointing at Mercy, she decides to investigate the case to clear her name.

London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.

When Abi inherits her uncle's quaint and storied single malt distillery, she finds herself immersed in a competitive high-stakes business that elicits deep passions and prejudices. An award-winning photojournalist, Abi has no trouble capturing the perfect shot - but making the perfect shot is another matter. When she starts to receive disturbing, anonymous threats, it's clear that someone wants her out of the picture.

London, 1921: Mabel Canning is proud to be a modern woman working for the Useful Women’s Agency, carrying out tasks for gentlewomen from flower arranging to washing muddy dogs. But when she answers the door for wealthy widow Rosalind Despard, she almost chokes on her cucumber sandwich when she finds a soldier’s body on the doorstep. As she offers tea to the policemen of Scotland Yard, Mabel can’t resist getting drawn into the investigation.

London, 1922. Between gallivanting in his Rolls-Royce and darkening the doorways of London's hotspots, Lord Reginald "Rex" Bankes-Fernsby has almost succeeded in banishing the battlefield nightmares that plague his sleep. Pity he can't say the same about that nagging lack of direction in his life. If only he were like his best friend Freddie—self-assured, suave, and up to his ears in secrets. But when Freddie is murdered, Rex doubts the verdict. Was Freddie really cut down while up to no good, or was he killed in the line of duty?

Bookseller Annie Murray is thrilled when the mystery-themed book festival she sets up to revive the dwindling fortunes of her workplace and sanctuary seems poised for success. But events take a shocking turn when a body is discovered hidden behind the shelves, and it’s revealed that the victim is Annie's old college acquaintance.

1929: Miss Clara Vale is a woman ahead of her time. Rather than attending Oxford to bag an eligible Duke (as her mother, Lady Vale, so desperately hoped), she threw herself into a degree in chemistry, with aspirations to become a scientist in her own right. But the world isn't ready for Clara. Unable to land a job in science because she's a woman, she is stuck behind the desk at a dingy London library. Until her estranged Uncle dies suddenly, leaving her his private detective agency, and laboratory, in his will.

Olive Belgrave needs a job. Despite her aristocratic upbringing, she’s penniless. Determined to support herself, she jumps at an unconventional job—looking into the background of her cousin’s fiancé, Alfred. Alfred burst into the world of London’s high society, but his answers to questions about his past are decidedly vague. Before Olive can gather more than the basics, a murder occurs at a posh party. Suddenly, every Bright Young Person in attendance is a suspect, and Olive must race to find the culprit because a sly murderer is determined to make sure Olive’s first case is her last.

As one of the first female reporters on 1880s Fleet Street, Penny Green has her work cut out. Whether it's investigating the mysterious death of a friend or reporting on a serial killer in the slums, Penny must rely on her wits and determination to discover the truth. Fortunately she can rely on the help of Inspector James Blakely of Scotland Yard, but will their relationship remain professional?

When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.

In 1920s England, private detective Henry Fleming is visiting his friend, retired author Lily Riley, in the quintessentially English village of Fulbridge. Tragedy strikes when a resident is murdered, stabbed through the heart, in the historic local church. When an inexperienced Scotland Yard detective arrives to investigate the case, Lily is accused of the terrible crime. With no sign of a murder weapon, and no obvious motive, Fleming realises it will fall to him to prove his friend's innocence and solve the baffling case.

England. 1923. After a year away at finishing school where she learned etiquette, deportment, and the difference between a fish fork and a salad one, Kitty Worthington is eager to return home. But minutes after she and her brother Ned board the Golden Arrow, the unthinkable happens. A woman with a mysterious connection to her brother is poisoned, and the murderer can only be someone aboard the train. When Scotland Yard hones on Ned as the main suspect, Kitty sets out to investigate.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Former stand-up comic Juno Mulligan has been suffering a serious sense-of-humour failure. Not only has she lost the love of her life, but she’s having to relocate to the (admittedly idyllic) village of Inkbury to watch out for her elderly mother, who she’s genuinely worried might be marrying a wife-killer. She hopes that her old friend, disgraced-journalist-turned-novelist Phoebe Fredericks can help her crack the case of whether her mother’s perma-tanned, iceberg-smiled, three-times-a-widower fiancé is hiding a murderous past.

Widowed and in his sixties, Thomas Quinn has been invited to lunch by Lexington Smith, the leader of a covert team who call themselves The Twelve. When Thomas decides to join the group, he finds himself united with other retired specialists—from a surgeon to a locksmith to a cabbie—in a quest to capture and assassinate a killer targeting homeless victims on London’s transport system. Also on the team is Monica Lodhia, a retired chemistry professor with a tragic past to whom Quinn feels drawn. As the body count rises, Thomas, Monica, and the crew try to determine a pattern.

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

In the sleepy village of Cookingdean, Dr Nell Ward is busy working in the grounds of a local manor house. Whilst inspecting an old tunnel, she did not expect to overhear a murder. As the only person with any clues as to what happened, Nell soon finds herself in the middle of the investigation. Desperate to clear her name Nell, along with her colleague Adam, set out solving the murder using their skills as ecologists to uncover details no one else would notice. But it soon becomes clear that playing Agatha Christie is much harder than it might, at first appear.

Madeleine Talmage Force is just 17 when she attracts the attention of John Jacob "Jack" Astor. Jack's mother was the Mrs. Astor, American royalty and New York's most formidable socialite. Despite their 29-year age difference and the scandal of Jack's recent divorce, Madeleine falls headlong into love. On their honeymoon in Egypt, the newlyweds finally find a measure of peace away from photographers and journalists. Madeleine feels truly alive for the first time - and is happily pregnant. The couple plans to return home in the spring of 1912, aboard an opulent new ocean liner.