In a bravura feat of storytelling, Mark Haddon calls upon narratives ancient and modern to tell the story of Angelica, a young woman trapped in an abusive relationship with her father. When a young man named Darius discovers their secret, he is forced to escape on a boat bound for the Mediterranean. To his surprise, he finds himself travelling backward over 2,000 years to a world of pirates and shipwrecks, of plagues and miracles and angry gods.

A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history - Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story.

This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.

Aza Ray is drowning in thin air. Since she was a baby, Aza has suffered from a mysterious lung disease that makes it ever harder for her to breathe, to speak - to live. All the doctors can do is give her drugs and hope they keep her alive. So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of the medication. But Aza doesn't think this is a hallucination. She can hear someone on the ship calling her name.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys’ descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

The day Fatima forgot her name, Death paid a visit. From hereon in she would be known as Sankofa ­­- a name that meant nothing to anyone but her, the only tie to her family and her past. Her touch is death, and with a glance a town can fall. And she walks - alone, except for her fox companion - searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.

Thirty miles off the coast of San Francisco lie the Farallon Islands, known to sailors as the Devil’s Teeth. Despite their fearsome reputation, their remote nature appeals to young Lucy Riley, who in 1859 seeks a new start as a teacher to the lighthouse keepers’ children. But Lucy brings treacherous secrets with her, including a name that isn’t hers and a past she can’t escape. On the island, she meets Will Sisson, a mysterious man who seems to recognize her name—but not her face. Wary of Will at first, Lucy slowly starts to trust him.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers - a note that makes question her memories of their disappearance and her father’s departure. A beguiling story that proves that Gothic delights and uncanny family horror can live - and even thrive - under a burning sun, Flyaway introduces listeners to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles.

A glittering landscape of twenty-five speculative stories that challenge oppression and envision new futures for America - from N. K. Jemisin, Charles Yu, Jamie Ford, G. Willow Wilson, Charlie Jane Anders, Hugh Howey, and more.

Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

After the old gods warred and drove themselves to extinction, the cataclysm of their fall shattered the land of Vigrio. Now, power-hungry jarls carve out petty kingdoms, and monsters stalk the shadow-haunted woods and mountains. A world where the bones of the dead gods still hold great power, promising fame, and fortune for those brave - or desperate - enough to seek them out. As whispers of war echo over the plains and across the fjords, fate follows the footsteps of three people. All three will shape the fate of the world, as it once more teeters on the edge of chaos.

Called "a masterpiece" by The Guardian, this courageous and honest trilogy from Tove Ditlevsen, a pioneer in the field of genre-bending confessional writing, explores themes of family, sex, motherhood, abortion, addiction, and being an artist. This program contains all three volumes of her memoirs.