It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

In the tourist town of Wharton, on the coast of Lake Superior, Tess Bell is renovating her old family home into a bed-and-breakfast during the icy dead of winter… As the house’s restoration commences, a shuttered art studio is revealed. Inside are paintings Tess’s late grandfather, beloved and celebrated artist Sebastian Bell, hid away for generations. But these appear to be the works of a twisted mind, almost unrecognizable as paintings she and others familiar with his art would expect.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

It’s the house of their dreams. Former marine Harry and his wife, Sasha, have packed up their life and their golden retriever, Dash, and fled the corporate rat race to live off the land in rural Idaho. Their breathtaking new home sits on more than forty acres of meadow, aspen trees, and pine forest in the Teton Valley. Even if their friends and family think it’s a strange choice for an up-and-coming pair of urban professionals, Harry and Sasha couldn’t be happier about the future they’re building, all by their lonesome.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

January 1937. Jack Miller has just about run out of options. His shoes have worn through, he can't afford to heat his rented room in Tooting, and he longs to use his training as an specialist wireless operator instead of working in his dead-end job. When he is given the chance to join an arctic expedition, as communications expert, by a group of elite Oxbridge graduates, he brushes off his apprehensions and convinces himself to join them.

All children mythologize their birth... So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain.

As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another. Why is the killer seemingly targeting her business?

Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening.

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

In Victorian London, Genevieve Timmons poses as a spiritualist to swindle wealthy mourners—until one misstep lands her in a jail cell awaiting the noose. Then a stranger arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been inconsolable since the tragic death of his beautiful bride-to-be. If Genevieve can perform a séance persuasive enough to bring the young lord peace, she will win her freedom.