Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

It’s been four months since glaciologist Rachael Beckett left her husband and daughter to join an urgent research trip to a remote field station deep in the Antarctic. But after losing all communication with her crew at base camp, she’s trapped and alone–and running out of supplies. The only information she has about what’s gone so catastrophically wrong is an emergency radio broadcast playing on a loop: a nuclear war has broken out, and Rachael might be the last survivor on Earth.

The Brightons are just an ordinary, small-town, law-abiding family—until somebody else's mistake uncovers the truth. Jake and Carolyn Brighton are the FBI's two most wanted fugitives. Jake and Carolyn have lived a lie for fourteen years to protect themselves. But now they have to protect their thirteen-year-old son. Their only chance is to return to the hellish scene of an unprecedented crime and collect the evidence that may finally set them free. But can they elude a massive manhunt long enough to get there?

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

When renowned anonymous author J. R. Alastor hires former aspiring writer Mila del Angél to host a writing retreat at his private manor off the coast of Maine, she jumps at the chance—particularly since she has an axe to grind with one of the invitees. The guest list? Six thriller authors, all masters of deceit, misdirection, and mayhem. Alastor and Mila have masterminded a week of games, trope-fueled riddles, and maybe a jump scare or two—the perfect cover for Mila to plot a murder of her own.

At Thorne Hall, a grand estate nestled in the Berkshires, fifteen restless spirits roam, bound within the mansion’s walls since the Gilded Age. Elegy Thorne bears the weight of her family’s curse to preserve the mansion as it was in the 1890s, using ancient folk songs to keep the spirits secret and silent in order to avoid deadly consequences. When a mischievous child spirit wreaks havoc on the manor, the Thorne family calls upon their trusted preservationist to restore the mansion.

Beartooth is a novel about two survivalist brothers in desperate straits, who are lured into committing a crime in Yellowstone National Park. Thad and Hazen, long ago abandoned by their wayward mother, are drowning in medical bills and notices about back taxes. They live alone in an aging, timber house hand-built into the leeside of the Beartooth Mountains. Thad’s the older brother, responsible, a loner, the caretaker of Hazen, who is a little . . . different.

For generations, the Winston women have possessed an unspoken magical gift: they can heal with the touch of a hand. It’s a tradition they’ve always had to practice in secret, in the moonlight hours, when the fireflies dance and the whippoorwill birds sing. But not every healer has rightfully passed on this knowledge to her descendants, and for young Louise Winston, the discovery of her abilities comes in less-than-ideal circumstances—she brings her best friend back from death following an accident, the day after he professed his long-held feelings for her.

Thirteen years ago, Cole and Lisa Shipley were fostering an infant with hopes of adopting her. Overnight everything was turned upside down, when the child’s mother bled to death on their front doorstep. Her last words: He’s coming here…for her! Save her. Afraid, bewildered, and with a baby in their arms, they fled. The longer they hid, the guiltier they looked. Now in a small Colorado town under assumed identities, they’ve been seemingly safe.

In the fall of 1959, Freda Gilroy arrives on the campus of Fisk University full of hope, carrying a suitcase and the voice of her father telling her she’s part of a family legacy of greatness. Soon, the ugliness of the Jim Crow South intrudes, and she’s thrust into a movement for social change. Freda is reluctant to get involved, torn between a soon-to-be doctor her parents approve of and an audacious young man willing to risk it all in the name of justice.

1979. Fifteen-year-old Aurora Taylor’s single mother prefers to leave when things get hard. She’s spent years abandoning bad boyfriends and dead-end jobs, without so much as a glance in the rearview mirror. After fifteen years in the passenger seat, Aurora needs more than two hands to count the towns she’s lived in. She’s learned to live small—it’s easier to leave when you don’t need to say goodbye. So when her mother, Laine, shows up at school with the car loaded, Aurora assumes her latest fling has run its course. Instead, it’s her grandpa Jay’s death calling them back.

When Shelby Dawson survives a harrowing attack that should have left her dead, she tries to move past it—for herself, and for her family. Fifteen months later, with the help of her best friend, Mackenzie, she finally feels safe again in the snowy Minnesota town she calls home. But when an anonymous note appears on her windshield bearing the same threats her attacker made, Shelby realizes that her nightmare has only just begun.

On a New England morning in the late 1980s, a group of young cousins wander deep into the woods on their family’s property, drawn in by uncanny visions and the disappearance of one of their own—but the farther they go, the stranger their surroundings become. Lingering at the edge of a family party, a troop of cousins loses track of the youngest child among them. With their parents preoccupied with bickering about decades-old crises, the children decide they must set out to investigate themselves—to the rickety chicken coop, the barn and its two troublesome horses, and into the woods.

Devon Mayes thought she was done with the small conservative town she once called home. She fled when she was eighteen after her best friend Summer took her own life, leaving Summer’s twin brother, Keaton, lost in his grief. But when tragedy strikes again, Devon has nowhere to turn but back to the place that first broke her heart. Being back in Arkana means struggling with the old guilt that shrouds her bisexuality and her feelings for Keaton. There’s so much she’s still hiding from him—and so much of their shared past that’s now resurfacing.

No one appears more surprised than Hailey Gelman when she comes under suspicion for the murder of her soon-to-be ex-husband Jonah. Hailey—nicknamed Sunshine by her mother for her bright outlook and ever-present smile—has always tried to do what is expected of her and is regarded as the family peacemaker. But is anyone, including Hailey, who she has always seemed to be? The months leading up to Jonah’s death have been fraught, including a bitter separation and a messy custody battle over their young daughter, Maya.