When Anna Hartley’s husband, Henry, calls her with a terrible, guilty confession, she can’t believe what she hears. It has to be a bad joke—the mild, predictable artist she married would never hurt a fly, let alone commit murder. But her confusion turns to horror when police find his body washed up on the banks of the Rio Grande.

Mary Fawcett refines the healing recipes she’s inherited from generations of women before her—an uncanny and moral calling to empathize with the sick. When witchfinder Matthew Hopkins arrives in her small village, stoking the fires of hate, he sees not healing but the devil at work. Mary’s benevolent skills have now cast her and her young brother under suspicion of witchery. Soon, the husband of one of Mary’s patients is found murdered, his body carved with strange symbols.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Meet Jessica Jones: retired superhero, private investigator, loner. She tried her best to be a shiny spandex crimefighter, but that life only led to unspeakable trauma. Now she avoids that world altogether and works on surviving day-to-day in Hell’s Kitchen, New York. The morning a distraught mother comes into her office, Jessica would prefer to nurse her hangover and try to forget last night’s poor choices. But something about Amber Randall’s story strikes a chord with her. Amber is adamant that something happened to her teenage twins while they were visiting their father in the UK.

Raised in the wilderness by her late great-uncle, Vida is a young woman with an almost preternatural affinity for nature, especially for the wolves that also call the forested mountains home. Formed by hard experience, by love and loss, and by the prophecies of a fortuneteller, Vida just wants peace. If only nearby Kettleton County didn’t cast such a dark shadow.

After experiencing a terrible loss, New York City psychiatrist Meredith McCall feels painfully adrift. When she crosses paths with a man with whom she has a tragic connection, she follows him, sparking an unhealthy obsession with Gabriel Wright. How is he doing so well while her life is in shambles? But when Gabriel walks into her office as a patient, seemingly unaware of who she is, she knows it crosses all ethical and moral bounds to treat him. Yet, Meredith can’t bring herself to turn him away and becomes further entangled.

Award-winning author Wanda Morris returns with a powerful, haunting thriller following a lawyer who after the mysterious disappearance of a local landowner and the death of his sister just months before, uncovers a conspiracy that dates back to Reconstruction and persists in half the United States today.

High school senior Andrew Perrault finds refuge in the twisted fairy tales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve.

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

For fans of Cottonmouths by Kelly J. Ford comes Negative Girl: an evocative, moody, neo-noir thriller that explores obsession and people dying across America's forgotten spaces.

Charlie knows he’s not the main character in his own story. He’s just another schmuck in the Ivy League looking to be somebody. He plays in a terrible jazz band, falls in love too easily, and struggles with the human being business. Written in a wry, comedic style, A Comedy of Nobodies: A Collection of Stories traces one fall semester in the lives of four typical but unforgettable university students who, as compensation for their existential anxieties, just want to feel understood.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

It’s been ten years since Priscilla and her Zeta Phi Zeta sorority sisters graduated college. Ten years since they were all in the same room together. Ten years since one of them died. And now Lupé’s killer has been released from prison on a technicality, days before their ten-year reunion. Priscilla decides that the party must go on; Lupé would have wanted it to. And besides, an epic reunion bash might be the perfect distraction. Back together, the Zetas party like it’s 2012, and it’s wild, just the way it used to be. Maybe too wild.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

The last time Maeve saw her cousin was the night she escaped the cult they were raised in. For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance. When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle.

By day, Maeve Fly works at the happiest place in the world as every child’s favorite ice princess. By the neon night glow of the Sunset Strip, Maeve haunts the dive bars with a drink in one hand and a book in the other, imitating her misanthropic literary heroes. But when Gideon Green—her best friend’s brother—moves to town, he awakens something dangerous within her, and the world she knows suddenly shifts beneath her feet. Untethered, Maeve ditches her discontented act and tries on a new persona.

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin… The end times are coming.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate mountain highway. She is at the end of her rope, out of money and food. Still, she refuses help from a man in a pickup truck—Rebecca’s adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet.

Thrift fashionista Dez Lane doesn't want to date Patrick Ruskin; she just wants to meet his mother, the editor-in-chief of Nouveau magazine. When he invites her to his family's big Easter reunion at their ancestral home, she's certain she can put up with his arrogance and fend off his advances long enough to ask Marie Caulfield-Ruskin for an internship someone with her pedigree could never nab through the regular submission route. But once all the family members are on the island and the ferry has departed, things take a dark turn.

Bones crushed, pulled-out guts, candy, and homicidal nuts! What do a brilliant child killer, a hopeful special effects artist, a duo of budding teen spree killers, a student-screwing teacher, and a mutated maniac missing his lower jaw have in common? They're all out this Halloween...How will their paths cross? Who will be butchered? Can anyone survive this bloodbath, or are they all destined to drown in a pool of warm red? This slasher nightmare gives you a seat right beside the killer, but don't get too comfortable. There's a Scary Bastard on the loose....

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....

Laure Mesny is a perfectionist with an axe to grind. Despite being constantly overlooked in the elite and cutthroat world of the Parisian ballet, she will do anything to prove that a Black girl can take center stage. To level the playing field, Laure ventures deep into the depths of the Catacombs and strikes a deal with a pulsating river of blood. The primordial power Laure gains promises influence and adoration, everything she’s dreamed of and worked toward. With retribution on her mind, she surpasses her bitter and privileged peers, leaving broken bodies behind her on her climb to stardom.

Everybody loves the Cuddle Buddies, kids and grown-ups alike. But nobody loves them quite so much as their creator, Mark Samuels. However, when the show's producers decide he's become too much of a liability, they terminate his contract, effectively stealing the characters he created right from under his nose.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.