An unbearably tense novel of revenge, murder, bereavement and the destructive force of passion. The single-mother families of the isolated community under the shadow of the Pyderhorn, Bergen's greatest mountain, are being terrorised by a teenage gang. But teenage violence is nothing compared to what awaits detective Varg Veum when he gets to know the blue-eyed Wenche Andersen.

Icelandic sisters Áróra and Ísafold live in different countries and aren‘t on speaking terms, but when their mother loses contact with Ísafold, Áróra reluctantly returns to Iceland to find her sister. But she soon realises that her sister isn’t avoiding her...she has disappeared. As she confronts Ísafold’s abusive, drug-dealing boyfriend Björn, and begins to probe her sister’s reclusive neighbours, Áróra is led into an ever-darker web of intrigue and manipulation.

When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Sævar and Hörður commence an uneasy investigation which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day.

Carl Mørck used to be one of Denmark’s best homicide detectives. Then a hail of bullets destroyed the lives of two fellow cops, and Carl - who didn’t draw his weapon - blames himself. So a promotion is the last thing he expects. But Department Q is a department of one, and Carl’s got only a stack of cold cases for company. His colleagues snicker, but Carl may have the last laugh, because one file keeps nagging at him: A liberal politician vanished five years earlier and is presumed dead. But she isn’t dead...yet.

Oslo, 2018. Former long-distance runner Sonja Nordstrøm never shows at the launch of her controversial autobiography, Always Number One. When celebrity blogger Emma Ramm visits Nordstrøm’s home later that day, she finds the door unlocked and signs of a struggle inside. A bib with the number one has been pinned to the TV. Police officer Alexander Blix is appointed to head up the missing-persons investigation, but he still bears the emotional scars of a hostage situation 19 years earlier, when he killed the father of a five-year-old girl.

A 90-year-old man is found dead in his bed, smothered with his own pillow. On his desk, the police find newspaper cuttings about a murder case dating from the Second World War, when a young woman was found strangled behind Reykjavik's National Theatre. Konrad, a former detective, is bored with retirement and remembers the crime. He grew up in "the shadow district", a rough neighborhood bordered by the National Theatre. Why would someone be interested in that crime now?

Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

Scandinavian crime writer and international literary phenomenon Arnaldur Indridason pens compulsively readable mysteries that have shot to the tops of best-seller lists around the world. When the U.S. Army attempts to secretly remove a plane from an Icelandic glacier, World War II intrigue erupts in the present - and threatens to engulf everyone in its path.

Gold Dagger Award winner Arnaldur Indridason’s novels featuring Inspector Erlendur Sveinsson became international sensations on their way to selling millions of copies worldwide. The debut of morose detective Sveinsson finds the inspector and his team delving into the murder of a retiree with horrifying secrets.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

From Atlanta's wealthiest suburbs to its stark inner-city housing projects, a killer has crossed the boundaries of wealth and race. And the people who are chasing him must cross those boundaries, too. Among them is Michael Ormewood, a veteran detective whose marriage is hanging by a thread and whose arrogance and explosive temper are threatening his career. And Angie Polaski, a beautiful vice cop who was once Michael's lover before she became his enemy.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

Reykjavik, August 1941. When a travelling sales rep is found murdered in a Reykjavik flat, killed by a bullet from a Colt 45, the police initially suspect a member of the Allied occupation force. The British are in the process of handing over to the Americans, and the streets of Reykjavik are crawling with servicemen whose relations with the local women are a major cause for concern. Flovent, Reykjavik's sole detective, is joined by the young military policeman Thorson, the son of Icelandic emigrants to Canada.

As an international war correspondent and radio commentator, William L. Shirer didn't just research the fall of France. He was there. In just six weeks, he watched the Third Reich topple one of the world's oldest military powers - and institute a rule of terror and paranoia. Based on in-person conversation with the leaders, diplomats, generals, and ordinary citizens who both shaped the events of this time and lived through them on a daily basis, Shirer shapes a compelling account of historical events - without losing sight of the personal experience.

Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."