Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep.

Prieta is a term of endearment. When I tell people who don’t speak Spanish what prieta means—dark or the dark one—their eyes pop open and a small gasp escapes. I see the offense they feel for me sprinkled on their faces like the freckles I will never have. How do I tell them that when I heard Ita say Prieta, I felt the caress of her strong hands on the top of my head as she braided my hair?

Thirteen-year-old Matilda watches as all the foreigners flee her homeland - all but one, the white man Mr. Watts. Amidst the ruins of the town schoolhouse, Watts reads Dickens' Great Expectations to the children, thus sparking their imaginations and giving them hope in a chaotic world.

Violeta Sanoguera had always done what she was told. She left the man she loved in Colombia in pursuit of a better life for herself and because her mother and grandmother didn’t approve of him. Chasing dreams of education and art in New York City, and with a new love, twenty-eight-year-old Violeta establishes a new life for herself, on her terms. But when her grandmother suddenly dies, everything changes.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn’t always think it. You’d have to know them to know that—in spite of what the neighbors might say about raised voices and dramatic scenes—their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It’s a story of terrible betrayals and fierce loyalties, isolation and togetherness, of transgression, forgiveness, desire, and love.

Camila Henríquez Ureña is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salomé Ureña, who died when Camila was three. In stark contrast to Salomé, who became the Dominican Republic's national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation.

July 1962. Following in the tradition of Indigenous workers from Nova Scotia, a Mi’kmaq family arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.

Following the deaths of her husband and son, Helen Cartwright returns to the English village of her childhood after living abroad for six decades. Her only wish is to die quickly and without fuss. Helen retreats into her home on Westminster Crescent, becoming a creature of routine and habit. Then, one cold autumn night, a chance encounter with an abandoned pet mouse on the street outside her house sets Helen on a surprising journey of friendship.

This raw and relatable guide to radical self-care and self-love empowers listeners to embrace the powerful Diosa within. In this fiercely inspiring book from a fresh new voice in the women's empowerment space, psychotherapist Christine Gutierrez welcomes women to join her in healing the wounds from past hurt or trauma to reclaim their worth and come back home to their true self and soul.

From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them - Cara first - dark and beautiful - then Peter - striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.

The Mohawk phrase for depression can be roughly translated as a mind spread out on the ground. In this urgent, visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of the personal, intergenerational, and colonial traumas experienced by her so many Native people. Elliott's deeply personal writing details a life spent between Indigenous and White communities - a divide reflected in her own family - and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation.

Solitary is the unforgettable life story of a man who served more than four decades in solitary confinement - in a six-foot by nine-foot cell, 23 hours a day, in notorious Angola prison in Louisiana - all for a crime he did not commit. That Albert Woodfox survived was, in itself, a feat of extraordinary endurance against the violence and deprivation he faced daily. That he was able to emerge whole from his odyssey within America’s prison and judicial systems is a triumph of the human spirit, and makes his book a clarion call to reform the inhumanity of solitary confinement....

On a dark, wet evening in Dublin, scientist and mother of four Eilish Stack answers her front door to find the GNSB on her step. Two officers from Ireland’s newly formed secret police are here to interrogate her husband, a trade unionist. Ireland is falling apart. The country is in the grip of a government turning towards tyranny and when her husband disappears, Eilish finds herself caught within the nightmare logic of a society that is quickly unravelling.

Gav isn't really sure how he ended up with a castle full of goblins, or why he has a princess locked in a cell. All he can do is play along with his own evil plan in hopes of getting his memories back before he gets himself killed. But as he realizes that nothing—from the incredibly tasteless cloak adorned with flames to the aforementioned princess—is quite what it seems, Gav must face up to all the things the Dread Lord Gavrax has done. And he'll have to answer the hardest question of all—who does he want to be?

Between micro- and macro-aggressions at school, the workplace, and even the grocery store, a constant news cycle highlighting Latine trauma, and a general lack of resources for women of color, it’s tough to be a Latina woman and prioritize your wellness, both physically and mentally. With Self-Care for Latinas, you’ll find more than 100 exercises to radically choose to put yourself first. Whether you need a quick pick-me-up in the middle of the day, you’re working through feelings of burnout, or you need to process a microaggression, this book is for you.

Alma Cruz ha decidido ponerle punto final a su carrera de escritora, pero teme acabar como su amiga, una exitosa novelista arrastrada a la locura por un libro que jamás terminó de escribir. Por eso, cuando hereda un modesto terreno en República Dominicana, se le ocurre sepultar allí sus decenas de manuscritos inconclusos. Quiere que descansen en paz en la misma tierra donde yacen sus raíces.

Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep.

It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of General Raphael Leonidas Trujillo's dictatorship.

Violeta Sanoguera had always done what she was told. She left the man she loved in Colombia in pursuit of a better life for herself and because her mother and grandmother didn’t approve of him. Chasing dreams of education and art in New York City, and with a new love, twenty-eight-year-old Violeta establishes a new life for herself, on her terms. But when her grandmother suddenly dies, everything changes.

Sitting alone beside the languorous blue waters of the lagoon, Ana Magdalena Bach contemplates the men at the hotel bar. She has been happily married for twenty-seven years and has no reason to escape the life she has made with her husband and children. And yet, every August, she travels by ferry here to the island where her mother is buried, and for one night takes a new lover.

Yolanda García—Yo, for short—is the literary one in the family. Her first published novel, in which she uses as characters practically everyone she knows, was a big success. Now she’s basking in the spotlight while those “characters” find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda García’s family and friends tell the truth about Yo.

In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants “returning” to a country she’s never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire takes a violent turn that neither of them expected.

Nashquitten, MA, is a decaying coastal enclave that not even tourist season can revive, full of locals who have run the town’s industries for generations. When a young woman dies at a house party, the circumstances around her death suspiciously unclear, the tight-knit community is shaken. As a mother grieves her daughter, a teacher her student, a best friend her confidante, the events around the tragedy become a lightning rod: blame is cast, secrets are buried deeper.

In the present day, Nena’s grandniece, Marta, balances a struggling legal aid practice with motherhood and the care of the now ninety-three-year-old Nena. When Marta agrees to help search for a daughter Nena left in the past, the two forge a fierce connection. Marta’s own supernatural powers emerge, awakening her to new possibilities that threaten the life she has constructed.

Lala Reyes’ grandmother is descended from a family of renowned rebozo, or shawl-makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala’s possession. The novel opens with the Reyes’ annual car trip - a caravan overflowing with children, laughter, and quarrels - from Chicago to “the other side”, Mexico City. It is there, each year, that Lala hears her family’s stories, separating the truth from the “healthy lies” that have ricocheted from one generation to the next.

El Salvador, 1923. Graciela, a young girl growing up on a volcano in a community of Indigenous women, is summoned to the capital, where she is claimed as an oracle for a rising dictator. There she meets Consuelo, the sister she has never known, who was stolen from their home before Graciela was born. The two spend years under the cruel El Gran Pendejo’s regime, unwillingly helping his reign of terror, until genocide strikes the community from which they hail.

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers - not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.

How the Garcia Girls Lost Their Accents captures the vivid lives of the Garcia sisters, four privileged and rebellious Dominican girls adapting to their new lives in America. In the 1960s, political tension forces the Garcia family away from Santo Domingo and toward the Bronx. The sisters all hit their strides in America, adapting and thriving despite cultural differences, language barriers, and prejudice.

When Catalina is admitted to Harvard, it feels like the fulfillment of destiny: a miracle child escapes death in Latin America, moves to Queens to be raised by her undocumented grandparents, and becomes one of the chosen. But nothing is simple for Catalina, least of all her own complicated, contradictory, ruthlessly probing mind. Now a senior, she faces graduation to a world that has no place for the undocumented; her sense of doom intensifies her curiosities and desires.

Eighteen-year-old Zarela Zalvidar is a talented flamenco dancer and daughter of the most famous Dragonador in Hispalia. People come for miles to see him fight in their arena, which will one day be hers. But disaster strikes during one celebratory show, and in the carnage, Zarela’s life changes in an instant. With the Dragon Guild trying to wrest control of her inheritance from her, Zarela has no choice but to train to become a Dragonador.