
The Causal Angel
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Narrado por:
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Roger Wayne
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De:
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Hannu Rajaniemi
Acerca de esta escucha
With his infectious love of storytelling in all its forms, his rich characterization, and his unrivalled grasp of cutting-edge science, Hannu Rajaniemi has swiftly set a new benchmark for science fiction in the twenty-first century. Rajaniemi's future is one in which quantum effects can be manipulated by the powerful to unknowable ends; an era in which some are gods and billions of others are enslaved for the processing power of their brains; where in the inner Solar System, the once-human Sobornost endlessly iterate themselves in vast, planet-sized guberniyas, while casually running experiments on the photosphere of the sun.
In this world, Jean le Flambeur has broken out of a virtual prison and, later, into the mind of a living god. Now his one-time rescuer, the warrior Mieli, is a prisoner herself. To get her back, Jean will need tools: A quantum pyramid scheme, a pair of physical bodies, a nugget of computronium, a bunch of entangled EPR pairs, and a few very special hydrogen bombs. Jean le Flambeur, gentleman adventurer, is back. The solar system will tremble from one end to the other before he's done.
©2014 Hannu Rajaniemi (P)2014 TantorLos oyentes también disfrutaron...
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De: Arkady Martine
Having read the other two novels in the series as e-books, I can't comment on how this narrator compares to the previous one, though I can say that his narration seemed perfectly fine on it's own merits. The voices never grated, the pronunciations were more or less as I'd imagined them from the ebooks, and the overall tone seemed to fit the story. If you're considering this audiobook after having read the other novels in print or e-book format, don't let the other negative reviews dissuade you.
God damn, I wish there was more sci-fi like this.
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Interesting ride
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Wonderful story, but poor narration was so distracting
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The narrator could do a fine job reading business books, but shouldn't be allowed near novels.
I'm going to have to get a physical copy of Causal Angel. I want to read it and actually enjoy it, and I'll never listen to this recording again. It's a real shame that some respect wasn't paid to the first two novels. Listening to this performance was a heartbreaking, frustrating end to an excellent trilogy.
abysmal performance
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changed narrator
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Please don’t read this review (or the book) if you haven’t already read The Quantum Thief and The Fractal Prince. While there are no spoilers for those that have, there may be some for those that haven’t. Read them in order, you’ll be lost if you don’t.
One of the hallmarks of good writing is that we don’t simply learn about the world of the story, we inhabit it. We see the rolling grasslands of Rohan as we feel the wind from the White Mountains tousle our hair. We ride the waves in the HMS Surprise as we smell the salt tang in the air. We are swept away in the hustle and bustle of the streets of London as the Artful Dodger weaves around another set of legs to reach in another pocket. The books by Messrs. Tolkien, O’Brian and Dickens all are examples of following Anton Chekhov famous writing advice: “Don’t tell me the moon is shining; show me the glint of light on broken glass.” We see this as well in The Causal Angel. A brief example of a place description is in an introduction to the Gun Club Zoku headquarters: “We drink dark tea in the mahogany-panelled drawing room of the Gun Club Zoku’s copper-and-brass sky-train. It rides smoothly along the bright golden curve of the Club’s orbital ring around Iapetus, fast enough to create a cosy half a g of artificial gravity. Our view of the Saturnian moon’s surface through the large, circular viewports is spectacular. We are above the Cassini Regio, a reddish-brown birthmark that stains the white of the icy surface.” While this passage doesn’t provide enough for you to know about Zokus, let alone a Gun Club Zuko, it does provide a picture of where they gather: a bit of old-world and steampunk.
I often go between the Audible version and Kindle version of books (using Whispersync for Voice to keep, well, in sync). I did little of that this time. While I own the Audible version, I was disappointed that the publishers switched from the narrator of the first two books in the series, the fabulous Scott Brick, to Roger Wayne. This isn’t a particular hit on Mr. Wayne, but rather a disappointment that the nuanced voice and pronunciations that I came to know and love from one of my favorite narrators was no longer available in the third book. This motivated me to write a plea to publishers to avoid this whenever practicable. Listening to this different voice was too distracting, so I stuck with the Kindle version. Hence, I don’t have much to say about Mr. Wayne’s narration. The 2 stars for performance is due to the publishers changing horses on us two-thirds down the stream.
For full review, see: wp.me/p2XCwQ-19a
Epic Conclusion marred by switch in narrators
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Thankfully, if you can ignore the narration the story is excellent and a fitting end to the series. Expect a lot of twists that have been set up since the first book.
Amazing story, narration weak
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I enjoyed the voice acting or Performance would have been 1 star.. they obviously had not read or listened to the first two books or word pronounciation would have been better.
Change of pace sours an otherwise great series
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Great story-jarring pronounciation differences
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much less good without Scott Brick
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