-
The Case of the Famished Parson
- The Inspector Littlejohn Mysteries, Book 1
- Narrated by: Antony Ferguson
- Length: 5 hrs and 13 mins
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Publisher's summary
Dr. James Macintosh, the bishop of Greyle, was a mysterious man. For a long time, nobody even knew his last name...until his body is found emaciated and battered having been pushed face-first off the edge of a cliff.
Inspector Littlejohn faces an incredibly peculiar case. How to explain the savage murder of a gentle bishop? Did he know too much about the secretive citizens of Cape Marvin? Or did it have something to do with the strange family he left behind in Medhope?
Above all, why was the bishop's body so undernourished that death by violence won out by only a few days over death by starvation?
About Inspector Littlejohn: Inspector Thomas Littlejohn of Scotland Yard is a shrewd yet courteous sleuth who splits his time between quaint English villages, the scenic Isle of Man, and French provinces. With a sharp tongue and a dry sense of humor, Littlejohn approaches his work with poise and confidence, shifting through red herrings and solving even the most perplexing of cases.
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When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.
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Hmm
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The Ex
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
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George Orwell’s 1984
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
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Artemis
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
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Mad Love
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They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.
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Surprised
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Too Late
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
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Do You Remember?
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Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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Eh
- By Zoe on 03-16-24
By: Freida McFadden
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What listeners say about The Case of the Famished Parson
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Ms Peach
- 04-25-19
Wonderful mystery
This is a great beginning to a new series! The characters are wonderful. The mystery is cracking. The narrator does a wonderful job.
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8 people found this helpful
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- Donna Deal
- 06-14-19
Pretty good for a 'village mystery...'
This was fine... characters well-drawn, the crime puzzling and how it was unraveled kept you interested.
Hope there's more of this..
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5 people found this helpful
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- Amazon Customer
- 03-21-22
Always good. so glad they are in audible format.
A long forgotten writer that is better than most wtiting detective fiction today. Happy these are being published again
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1 person found this helpful
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- John
- 02-17-20
A Refreshing Change of Pace
At a mere 5 hours and 13 minutes (206 pages in the modern paperback edition), George Bellairs had to set things in motion pretty quickly. It was a refreshing change of pace from some Golden Age whodunnits that keep the first corpse on ice (so to speak) until somewhere around the fifth or sixth chapter, everything before that point being dedicated to setting atmosphere and establishing characters. As P. G. Wodehouse might put it, this story gets off the mark like a scalded cat.
And that pace doesn’t diminish; a quicker story means fewer narrative details to contend with—descriptions of landscapes, domestic interiors, interior monologues, etc.—so it’s easier to pick up on clues (though, as usual, I picked up the wrong ones). Not to say that, like the parson in the title, this story is all skin and bones. Bellairs manages to tell it very economically without stinting on that most attractive feature of the genre, comedy. Like Inspector Littlejohn, vintage detective stories are one of my favorite recreations, and for the same reason: “they appeal to his irrepressible sense of humor”.
At first I felt that Anthony Ferguson’s delivery was too direct and un-nuanced, but soon discovered he was a perfect fit for Bellairs’ style and sensibility.
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4 people found this helpful
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- anon
- 08-28-24
How Much Detail Do We Really Need
... about things that don't beg description? Wouldn't have been bad if about 1/3 had been edited out. Plodding. Didn't finish this one - made me want to slap the author ... or the editor.
However, this would be a great book to use in a creative writing course; edit channeling White and Strunk.
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- Swissmiss
- 07-28-20
I’ve read worse, but not often
I kept waiting for this book to live up to the reviews. Boring story, boring characters, boring narration. Won’t be wasting my time or money on further books by this author. I gave it two stars because, to be fair, I’ve read worse, but this one isn’t interesting enough to bother with again.
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1 person found this helpful
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- K. Hughes
- 05-10-24
Stilted
Both performance and writing are a bit stilted. I never got to care about any of the characters. Odd anachronisms with both language and accents.
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