The Best of Fantasy and Science Fiction Magazine, May-June 2003
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Narrated by:
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Stefan Rudnicki
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Amanda Karr
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Gabrielle de Cuir
About this listen
The ingredients for "Basement Magic" are available in every home, but this powerful story of a trod-upon stepchild, written by Ellen Klages, is anything but mundane.
In "The Refuge Elsewhere," Robert Sheckley takes us inside the FBI's witness protection program and beyond - from upstate New York to a world we've mostly all heard of, but few have visited.
Jack Cady's "The Twenty-Pound Canary" is a romp through a carnival of science experiments set in an idyllic Midwestern town.
"The Tale of the Golden Eagle" by David D. Levine is a miniature epic space opera in the grand tradition, while Paulo Bacigalupi's "The Fluted Girl" is an equally classic evocation of a complex future society, complete with its own unique class structures, social mores, and political intrigues. Both these stories benefit from highly individualized characterizations and art forms far beyond most of our wildest dreams.
And finally, give up all pretense of knowing what's real and what's not on television by dialing "555." This Hollywood story by Robert Reed takes us inside an alternative world where soap opera is played for keeps.
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- By: Ursula K. Le Guin, M. Shayne Bell, Alex Irvine, and others
- Narrated by: Stefan Rudnicki, Gabrielle de Cuir, Rex Linn
- Length: 5 hrs and 14 mins
- Highlights
-
Overall
-
Performance
-
Story
Here are six stories from the January and February 2003 issues of The Magazine of Fantasy & Science Fiction, at once more current and more human than today's headlines.
-
-
good historical fantasy
- By Stephanie on 04-30-03
By: Ursula K. Le Guin, and others
-
The Best of Fantasy and Science Fiction Magazine, March-April 2003
- By: John Morressy, Lawrence C. Connolly, Aaron A. Reed, and others
- Narrated by: Harlan Ellison, Gabrielle de Cuir
- Length: 5 hrs and 41 mins
- Highlights
-
Overall
-
Performance
-
Story
The six stories that represent Fantasy and Science Fiction Magazine's March and April 2003 issues exhibit an unusual diversity of almost familiar worlds.
-
-
A bit slow at first, but a few wonderful treats
- By Stephanie on 04-30-03
By: John Morressy, and others
-
A Wizard of Earthsea
- The Earthsea Cycle, Book 1
- By: Ursula K. Le Guin
- Narrated by: Rob Inglis
- Length: 7 hrs and 17 mins
- Unabridged
-
Overall
-
Performance
-
Story
When Sparrowhawk casts a spell that saves his village from destruction at the hands of the invading Kargs, Ogion, the Mage of Re Albi, encourages the boy to apprentice himself in the art of wizardry. So, at the age of 13, the boy receives his true name - Ged - and gives himself over to the gentle tutelage of the Master Ogion. But impatient with the slowness of his studies and infatuated with glory, Ged embarks for the Island of Roke, where the highest arts of wizardry are taught.
-
-
A little gem, excellently narrated.
- By Marjorie on 05-14-12
-
The Found and the Lost
- The Collected Novellas of Ursula K. Le Guin
- By: Ursula K. Le Guin
- Narrated by: Alyssa Bresnahan, Jefferson Mays
- Length: 34 hrs and 3 mins
- Unabridged
-
Overall
-
Performance
-
Story
Every novella by Ursula K. Le Guin, an icon in American literature, collected for the first time - and introduced by the legendary author - in one breathtaking volume. Ursula K. Le Guin has won multiple prizes and accolades, from the Medal for Distinguished Contribution to American Letters to the Newbery Honor, Nebula, Hugo, World Fantasy, and PEN/Malamud awards. She has had her work collected over the years but never as a complete retrospective of her longer works.
-
-
You gotta be kidding me.
- By Spam on 07-02-19
-
Sea of Tranquility
- A Novel
- By: Emily St. John Mandel
- Narrated by: John Lee, Dylan Moore, Arthur Morey, and others
- Length: 5 hrs and 47 mins
- Unabridged
-
Overall
-
Performance
-
Story
Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.
-
-
An excellent listen.
- By Mark on 04-11-22
-
Classic Tales of Horror
- By: Robert Bloch, Charles L. Grant, David Drake, and others
- Narrated by: Juliet Mills, Robert Forster, Roscoe Lee Browne, and others
- Length: 3 hrs and 43 mins
- Unabridged
-
Overall
-
Performance
-
Story
This collection of classic horror stories is sure to give you goose bumps, raise the hair on the back of your neck, and put some fright in your night. Includes Yours Truly, Jack the Ripper by Robert Bloch, Coin of the Realm by Charles L. Grant, Something Had to be Done by David Drake, The Graveyard Rats by Henry Kuttner, The Small Assassin by Ray Bradbury, Calling Card by Ramsey Campbell, The Words of Guru by C.M. Kornbluth, and Passengers by Robert Silverberg.
-
-
I enjoyed this collection greatly.
- By Matthew S. Hill on 01-05-17
By: Robert Bloch, and others
What listeners say about The Best of Fantasy and Science Fiction Magazine, May-June 2003
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Matthew
- 11-26-09
One story makes this worth it...
"The Tale of the Golden Eagle" by David D. Levine is a fabulous, extremely well-written story that makes this audibook worth it. The rest of the stories are forgettable.
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Overall
- David S.
- 08-30-07
great short stories
If you like short stories, regardless of whether or you do or don't like science fiction or fantasy, you'll love these slices of life. It is worth the first and last stories alone!!
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Overall
- Linda B
- 05-10-11
a mixed bag and an adequate production
Like all story collections, this boasts some good stories, and some dire stories. For the most part, the narration is fairly professional, though the into music is intrusive, distracting, pointless, sets a meaningless tone that often doesn't connect to the story at all and goes on far too long, even overwhelming the narration in some stories - at least in the beginning, and is REALLY annoying. I will never understand why producers of such work can't let the work speak for itself and feel the need to B movie it up with a lot of unnecessary music/sound effects. Though , to be fair, it is just incredibly annoying intor music, not sound effects or music in the stories themselves.
THere are some really great stories here, and some I felt, as forced listening, would be appropriate punishment if I were in prison and they needed to extract some deep secret.
Worth a credit for a few stories and to explore what is out there, but like all story mixes it is mixed.
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