When Nicole Graves arranges a summer-long swap of her Los Angeles condo for a London couple’s house, she thinks it’s the perfect arrangement. She’s always dreamed of seeing the real London; she’s also hopeful the time away with her husband Brad will be good for their troubled marriage. But things don’t turn out the way Nicole expects: The Londoners fail to arrive in LA and appear to be missing. Then people begin following Nicole and making threats, demanding information she doesn’t have. Soon, Nicole realizes she’s in serious trouble.

Into the Fire introduces Ray Wyatt, a veteran reporter grappling with the tragic loss of his wife and son while searching for answers in the crime stories he covers. Hikers find a traumatized boy wandering in a remote corner of New York's Adirondack Mountains. Retracing his steps to a cabin, they make a terrifying discovery that leads to an investigation entangling crime reporter Ray Wyatt and FBI Special Agent Jill McDade. Wyatt is dispatched to cover the disturbing case, while still haunted by the loss of his son and wife years earlier.

When the chief suspect in the notorious "peekaboo cop killer" case blew himself up, almost taking lead investigator DCI Duncan Bone with him, the psychologically damaged detective thought his days on the force were over. But, when another PC is abducted and murdered in the same deranged peekaboo fashion, Bone is persuaded to return to lead the new investigation.

Nothing about Emma Makepeace is real. Not even her name. A newly minted secret agent, Emma's barely graduated from basic training when she gets the call for her first major assignment. Eager to serve her country and prove her worth, she dives in headfirst. Emma must covertly travel across one of the world’s most watched cities to bring the reluctant—and handsome—son of Russian dissidents into protective custody, so long as the assassins from the Motherland don’t find him first.

Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

The messages waiting for Henry Pierce when he plugs in his new phone clearly aren't intended for him. They indicate something has gone terribly wrong for a woman named Lilly. Pierce probes, investigates, and then tumbles through a hole, leaving behind a life driven by work to track down and help a woman he's never met. Connelly's latest is "a grabber from the beginning...utterly compelling."

Everyone is always telling Stone Barrington that he’s too smart to be a cop, but it’s pure luck that places him on the streets in the dead of night, just in time to witness the horrifying incident that turns his life inside out. Suddenly he is on the front page of every New York newspaper and his life is hopelessly entwined in the increasingly shocking life (and perhaps death) of Sasha Nijinsky, the country’s hottest and most beautiful television anchorwoman.

Nate doesn’t want to listen. He’s between missions and just wants to relax, not to travel hundreds of miles and hunt for the driver of the car that hit someone he doesn’t even know. But ignoring the call is not an option. What Nate had hoped would be a simple mission turns into something much more sinister, when he discovers a wide-reaching evil, festering in a small Northern California town. To confront it, he will need all the skills he’s learned working in the shadow world.

Bryn Harper, an accomplished self-help author, already has plenty to deal with. She's still recovering from a devastating car accident that has left her haunted by recurring, smoke-filled nightmares. Worse still, she can't shake the ominous feeling her dreams contain a warning. In the beginning Bryn's husband, Guy, couldn't have been more supportive. But after moving into a new house together, disturbing incidents occur, and Guy grows evasive, secretive. What the hell is going on? she wonders.

Ann Silver is a cop’s cop. As the Midwest Homicide Investigator, she is called in to help local law enforcement on the worst of cases, looking for answers to murder. Hers is one of the region’s most trusted investigative positions. Paul Falcon is the FBI’s top murder cop in the Midwest. If the victim carried a federal badge or had a security clearance, odds are good Paul and his team see the case file or work the murder. Their lives intersect when Ann arrives to pass a case off her desk and onto his.

When the cousin of Los Angeles underworld figure Hugo Poole is found shot to death in his Portland, Oregon, home, police find nothing at the scene of the crime except several long strands of blonde hair hinting that a second victim may have been involved. Hotel security tapes from the victim's last vacation reveal an out-of-focus picture of a young blond woman entering and leaving his room. Could she also be a murder victim?

Six years ago, Jack Till helped Wendy Harper disappear. But now her ex-boyfriend and former business partner, Eric Fuller, is being framed for her presumed murder in an effort to smoke her out, and Till must find her before tango-dancing assassins Paul and Sylvie Turner do. With masterful plotting and unnerving psychological insight, Thomas Perry delivers another mesmerizing thrill ride.

Lurking in the dark corners of J. P. Beaumont's bizarre case was not just a demented mind obsessed with murder, but secrets so deadly that even a street-tough cop could die guessing.

When Phil Kramer is shot dead on a deserted suburban street in the middle of the night, his wife, Emily, is left with an emptied bank account and a lot of questions. How could Phil leave her penniless? What was he going to do with the money? And, most of all, who was he if he wasn't the man she thought she married?

Jerry Hobart has some questions of his own. It's none of his business why he was hired to kill Phil Kramer. But now that he's been ordered to take out Kramer's widow, he figures there's a bigger secret at work - and maybe a bigger payoff.

Five years ago Barbara Holloway gave up practicing law, disillusioned with a profession that put politics before justice. Then she receives a phone call, with a simple message: "I need you."