
The Bachelors
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Narrado por:
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Nadia May
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De:
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Muriel Spark
First found contentedly chatting in their London clubs and shopping at Fortnum's, the cozy bachelors are not set to stay cozy for long. Soon enough, the men are variously tormented - defrauded, stolen from, blackmailed, or pressed to attend horrid séances - and then plunged, all together, into the nastiest of lawsuits. At the center of that suit hovers pale, blank Patrick Seton, the medium.
Meanwhile, horrors of every size plague the poor bachelors - from epileptic fits to forgeries, spiritualists foaming with protoplasm, and murder - and each horror delights, lit up by Spark's uncanny wit, at once malicious, funny, and deadly serious.
©1960 Muriel Spark (P)1999 Blackstone Audio, Inc.Listeners also enjoyed...




















Reseñas de la Crítica
"One of the most decisive and unmistakable voices in contemporary fiction....Spark concocts a present-tense deadpan that is at once lyrical, extravagant, and gruesomely funny." ( The New Yorker)
"Incomparable reader May's gentle British accent perfectly animates The Bachelors, a novel of sophisticated wit." ( Booklist)
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Would you recommend this audiobook to a friend? If so, why?
Yes, I'd recommend it to someone who likes stylish funny unsentimental British fiction. The meticulously rendered seedy London mid-twentieth century setting and the many diverse characters make it a joy to listen to.What did you like best about this story?
The characters, and the way they were portrayed by the narrator. Some are sympathetic, most are funny, at least one is really quite awful!Have you listened to any of Nadia May’s other performances before? How does this one compare?
I've listened to several others. They're always good, including this one.Was this a book you wanted to listen to all in one sitting?
Yes, it was hard to put it aside.Any additional comments?
Highly recommended!A perfect reading
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Captivating plot
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Outwardly the book is black comedy in a minor key and it becomes very amusing once the characters blossom. There are moments early on when tedium threatens, but later there is much to enjoy. It may be that the narrative is also attempting some kind of biblical allegory but, if so, it is far from clear.
A fine reading of another unusual novel from Spark.
Rewards patience
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Wonderful
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Good suspenseful telling of a crime and trial.
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The book was published in 1960 and yet it doesn't feel dated. This isn't because Spark was creating modern, forward-thinking characters but rather it's because she paints them with such a cynical eye. The book is very character driven and, in spite of her cynicism, I think the author liked some of these characters. I think that's what keeps the book from getting too dark.
I personally enjoyed being immersed in her version of London in the 1950s (although I don't think she specifies the date).
Give it a try
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Similar to the more contemporary Ian McEwan's "Amsterdam," this is a reflection on responsibility, deception, and self-deception (individual and group). It's far from a light comedy, though there are laughs.
philosophical black comedy
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One of the very best novels
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Who's speaking now!? What are they talking about? Whose side are they on?
I've listened to a few other of Spark's books. Sometimes it took a while for the story to really come into focus for me. I enjoyed the others more than I did this one. Just didn't much hold my interest. But I held out until the bitter end. Still didn't really care much about any of the characters, or capture the inner relevance of the events.
Maybe I missed something...?
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