Private detective Olivia Welles hasn’t been to her hometown since childhood, not since the night she died. She has no memory of the world before the car crash, or of coming back to life in the morgue. But now, years later, when fellow survivor Bonnie Ray calls from a Kansas jail begging for help, Olivia feels the tug of a dark and unremembered past. Bonnie looks guilty of murdering her young son—the third child to die under suspicious circumstances. Intrigued and seeking closure, Olivia agrees to investigate.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

All Bunny McGarry wants is a spot of breakfast and a decent cup of tea. So imagine how annoyed he gets when two masked men attempt to rob the New York diner he is in. Unfortunately, dealing with that problem just leads to a whole lot more. One of the diner’s other customers isn’t who she appears to be, and the odds aren’t great that she is going to live to see another breakfast.

Eleven-year-old Maybelle Lane collects sounds. She records the Louisiana crickets chirping, Momma strumming her guitar, their broken trailer door squeaking. But the crown jewel of her collection is a sound she didn't collect herself: an old recording of her daddy's warm-sunshine laugh, saved on an old phone's voicemail. It's the only thing she has of his, and the only thing she knows about him. Until the day she hears that laugh - his laugh - pouring out of the car radio. Going against Momma's wishes, Maybelle starts listening to her radio DJ daddy's new show....

For eight strangers in a Los Angeles hostel, even the other side of the world isn’t far enough. The craving for a new identity and the desire to start again is something they have in common. But they discover that it doesn't matter where you are or who you are - if you can't lay the past to rest, fate and coincidence have a way of catching up with you.

Needing to escape her abusive marriage, Hadley flees with her two kids, knowing it might be her only chance. A woman who can’t even kill a spider, Hadley soon finds herself pushed to the limits as she fights to protect her family. Grace, new mother of baby Miles, desperately wants to put her rough past behind her for good, but she finds it impossible when her path crosses with Hadley’s, and her quest for a new start quickly spirals out of control and turns into a terrifying flight for survival.

Teaming up with New York Times best-selling author Jeffery Deaver, Suspense Magazine offers up a nail-biting anthology titled Nothing Good Happens After Midnight. This thrilling collection consists of 13 original short stories representing the genres of suspense/thriller, mystery, sci-fi/fantasy, and more.

Take your ticket and enjoy the thrills and chills awaiting those who dare journey into this exciting collection of short fiction and novellas. Savor six twisted tales, which will both delight and surprise listeners as they travel into the dark realms of supernatural and paranormal suspense.

Twelve-year-old Norman Foreman and his best friend, Jax, are a legendary comedic duo in waiting, with a plan to take their act all the way to the Edinburgh Fringe. But when Jax dies, Norman decides the only fitting tribute is to perform at the festival himself. The problem is, Norman’s not the funny one. Jax was.

When a gambling debt puts him between a rock and a swim in the Hudson with concrete shoes, Smithy has no choice but to take the worst job imaginable. The gig - as prey in a leprechaun hunt for a bunch of Wall Street jerks - goes as badly as it sounds. He could leave it there and write it off as a harsh lesson learned, but 14 months later when Smithy comes up with a plan to take his revenge on the man behind it all, it is too good to resist.

Mystery-book aficionado Birdie Lindberg has an overactive imagination. Raised in isolation and homeschooled by strict grandparents, she's cultivated a whimsical fantasy life in which she plays the heroic detective and every stranger is a suspect. But her solitary world expands when she takes a job the summer before college, working the graveyard shift at a historic Seattle hotel. In her new job, Birdie hopes to blossom from introverted dreamer to brave pioneer, and gregarious Daniel Aoki volunteers to be her guide.

Teancum Leon, who goes by Tean, is a wildlife veterinarian. His life has settled into a holding pattern: He loves his job, he hates first dates, and he only occasionally has to deal with his neighbor Mrs. Wish’s cat-related disasters. All of that changes, though, when a man appears in his office, asking for help to find his brother. Jem is convinced that something bad has happened to Benny, and he thinks Tean might be able to help. Tean isn’t sure, but he’s willing to try. After all, Jem is charming and sweet and surprisingly vulnerable. Oh. And hot.

Most of the men are dead. Three years after the pandemic known as The Manfall, governments still hold and life continues - but a world run by women isn't always a better place. Twelve-year-old Miles is one of the last boys alive, and his mother, Cole, will protect him at all costs. On the run after a horrific act of violence - and pursued by Cole's own ruthless sister, Billie - all Cole wants is to raise her kid somewhere he won't be preyed on as a reproductive resource or a sex object or a stand-in son.

Teagan Frost is having a hard time keeping it together. Sure, she's got telekinetic powers - a skill that the government is all too happy to make use of, sending her on secret break-in missions that no ordinary human could carry out. But all she really wants to do is kick back, have a beer, and pretend she's normal for once. But then a body turns up at the site of her last job - murdered in a way that only someone like Teagan could have pulled off. She's got 24 hours to clear her name - and it's not just her life at stake.