
Summer Moonshine
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Narrated by:
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Jonathan Cecil
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By:
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P. G. Wodehouse
About this listen
The hideous Walsingford Hall is home to an odd assortment of coves…The vile premises belong to Sir Buckstone, who is in a little financial difficulty. So for a little monetary help he puts a roof over the heads of people like (among others) Tubby Vanringham, the adoring slave of cold-hearted Miss Whittaker. His brother Joe has fallen head over heels for Sir Buck’s daughter, Jane. She, however, only has eyes for Adrian Peake, who has already formed a liaison with the terrifying - but superbly wealthy - Princess Dwornitzchek. Is there no end to the confusion?
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Story
It takes a lot of effort for Jimmy Crocker to become Piccadilly Jim – nights on the town roistering, headlines in the gossip columns, a string of broken hearts and breaches of promise. Eventually he becomes rather good at it and manages to go to pieces with his eyes open. But no sooner has Jimmy cut a wild swathe through fashionable London than his terrifying Aunt Nesta decides he must mend his ways. He then falls in love with the girl he has hurt most of all, and after that things get complicated. In a dizzying plot, impersonations pile on impersonations....
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Delightful P.G.Wodehouse plot & J.Cecil narration
- By Pontus on 05-27-17
By: P. G. Wodehouse
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The Best of Jeeves and Wooster
- By: P. G. Wodehouse
- Narrated by: Kevin Theis
- Length: 23 hrs and 52 mins
- Unabridged
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Collected here are eleven of Wodehouse's Jeeves and Wooster short stories (comprising all of the Jeeves tales from "Carry On, Jeeves" and "My Man Jeeves") as well as the complete novels Right Ho, Jeeves and The Inimitable Jeeves. Along with Jeeves and Bertie, we are introduced to an entire cast of beloved Wodehouse characters: Gussie Fink-Nottle, Madeline Bassett, Bingo Little, James "Corky" Corcoran, Tuppy and Honoria Glossop, Rockmetteller Todd, and the terrifying and bombastic Aunt Agatha.
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Icky, Icky, Icky Pooh
- By Cenobite on 06-20-22
By: P. G. Wodehouse
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Love Among the Chickens
- By: P. G. Wodehouse
- Narrated by: Jonathan Cecil
- Length: 5 hrs and 1 min
- Unabridged
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Stanley Featherstonehaugh Ukridge has hit upon a foolproof plan to get rich quick: he's starting a chicken farm. Dragging his adoring wife Millie and his long-suffering friend and novelist Jeremy Garnet with him to Dorset, he begins his enterprise. Complications ensue, involving the taciturn Hired Man and his bumptious dog, supercilious chickens, irascible professors, angry creditors, and divided lovers.
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Do Not Drive or Operate Heavy Machinery!
- By Amazon Customer on 03-13-12
By: P. G. Wodehouse
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Lord Emsworth Acts for the Best
- By: P. G. Wodehouse
- Narrated by: Martin Jarvis
- Length: 4 hrs and 57 mins
- Abridged
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The Collected Blandings Short Stories. Blandings Castle is the home of Lord Emsworth, who likes nothing better than to potter at home in his enormous castle garden. But his rural idyll is once again set to be disturbed in these nine hilarious fables. No peace is possible when his sister Constance is let loose, and she is constantly trying to reorganise the household and its inhabitants! Without great success…
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These have a few minor abridgements
- By Jeff M. on 02-06-20
By: P. G. Wodehouse
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The P.G. Wodehouse Collection
- By: P. G. Wodehouse
- Narrated by: B. J. Harrison
- Length: 15 hrs and 42 mins
- Unabridged
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This title includes not only the entire audiobook of Right Ho, Jeeves, but also all of the P.G. Wodehouse titles in the current Classic Tales library. It also includes a Jeeves short story only available in the collection: "Extricating Young Gussie". The complete running time is over 15 hours. All titles have been remastered, and have never sounded better!
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Don't buy this version of the wonderful Wodehouse stories
- By K Bell on 11-05-16
By: P. G. Wodehouse
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Frozen Assets
- By: P. G. Wodehouse
- Narrated by: Simon Vance
- Length: 5 hrs and 35 mins
- Unabridged
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For Edmund Biffen Christopher, life is about to be very good - assuming he can stay out of trouble. If he can avoid being arrested until his 30th birthday, he will inherit his godfather's millions. The trouble is Biff has a certain proclivity for getting into fisticuffs...particularly with policemen. And he's already nearing 30.
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A John Cleese caper
- By 🔥 Phx17 🔥 on 02-26-23
By: P. G. Wodehouse
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Money in the Bank
- By: P. G. Wodehouse
- Narrated by: Simon Vance
- Length: 7 hrs and 26 mins
- Unabridged
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George Uffenham, the eccentric sixth viscount of Uffenham, has just converted the family fortune into diamonds - and stashed them away in a secret hiding place. But as luck would have it, an unfortunate car accident soon thereafter causes him to forget the jewels' location. In order to recover the gems, he must let out his estate, Shipley Hall, to big-game hunter Clarissa Cork and return posing as the butler, Cakebread.
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A weaker version of "Cocktail Time"
- By Captain Wafer on 01-29-21
By: P. G. Wodehouse
wonderful
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Very satisfying Wodehouse
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Delightful!!
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So fun!
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They used the N word way too often
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Really enjoyable Wodehouse and great reader!
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Madcap and delightful
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I don’t mean to say that the whole book is sloppily sentimental, a sort of Rosy M. Banks saturnalia. On the whole it is the usual Wodehouse fun. There is a young mutton head who can’t say no to girls, a Kensington-educated secretary who says “quate” instead of “quite”, a shilling-less baronet whose American brother-in-law insists on addressing as “your lordship”, and an irrepressible young man named Joe Vanringham who, with his endless persiflage and unsinkable good humor, strikes you—or at least me—as a sort of two-fisted, American version of Psmith. But there are also passages—and in particular one character—that we don’t run up against in any of the other later, mature works.
Her full name is Princess Heloise von und zu Dwornitzchek. And I can’t think of anyone whom I’d rather not run up against. Richard Useborne, in his Plum Sauce, a P. G. Wodehouse Companion, agrees: “The Princess, wicked stepmother and not a bit funny, is the most un-Wodehousian character in all the books.” Her stepson, Joe concurs:
“The effortless ease with which she overrode all obstacles and went complacently through life on the crest of the wave offended his sense of dramatic construction. She was so obviously the villainess of the piece that it seemed inevitable that eventually the doom must overtake her. But it never did. Whoever had started that idea that Right in the end must always triumph over Wrong had never known the Princess Dwornitzchek.
“He watched her as she sat there smoking and smiling quietly at some thought that seemed to be amusing her, and tried to analyze the murderous feelings which she had always aroused in him. She was, as he had said, undefeatable, and he came to the conclusion that it was this impregnability of hers that caused them. She had no heart and a vast amount of money, and this enabled her to face the world encased in triple brass. He had a sense of futility, as if he were a very small wave beating up against a large complacent cliff. No doubt the officials of the United States treasury Department felt the same.”
Yes, there is the little, the very little smile (and a wry smile at that) at the end. But where else in Wodehouse have we read the word “murderous” written in earnest? What other character besides Joe Vanringham has felt this frustrated about someone this appallingly real? Earlier in the book we learn that that murderous feeling took root as Joe watched the princess “killing” his father:
“Oh, I don’t mean little-known Asiatic poisons. A resourceful woman with a sensitive subject to work on can make out quite well without the help of strychnine in the soup. Her method was just to make life hell for him.”
True, Lady Constance Keeble can menace the peace of her brothers (and I defy you to find another subject as sensitive as the ninth earl). Lady Julia Fish is capable of anything from heavy-handed irony to outright rudeness when it comes to breaking up her son, Ronald, and his chorus girl fiancée Sue Brown. And Bertie’s Aunt Agatha is always ready to marry him off to some frightful female or other. But we end up laughing at all three. After all, they are routed by, in the first two cases, the adroit staff work of the Hon. Galahad Threepwood, and in the latter case by the fish-fed intellect of the best gentleman’s personal gentleman in London, Jeeves. Watching them try to make life hell for the men in their lives is fun because we know they won’t succeed. Besides, these women have a redeeming what-is-it about them. Sometimes they are even right—Lord Emsworth shouldn’t have come down with a brass paper fastener serving in place of a missing shirt stud. Lady Julia earns the grudging admiration from her brother Galley, “there are the seeds of greatness in that woman”.
But the princess is uniquely, horribly different. Unlike Mrs. Rosalinda Banks Bessemer Spottsworth, another Wodehouse female worth millions, the princess uses her wealth as a weapon. And she is what we would now call now a cougar. But what makes her truly awful is that there is no Galahad or Jeeves to slip a well-aimed stick in her spokes. Her designs are not frustrated. She “wins”.
Fittingly, her paramour Adrian Peake also reminds us uncomfortably of unpleasant, manipulative, self-centered people we have known all too well in real life.
But all this is just a long way of saying that while there are elements in this novel that diverge from the usual Wodehouse romp, Summer Moonshine is still a satisfying, reliable romp. In fact, the princess and her twerp Peake provide an interesting counterpoint to the general Wodehousian fun, making it, if anything, more piquant. It seems to stand as an alternate universe to the self-absorption and destructiveness of the princess and her slimy consort. You get the distinct feeling that neither one of them would enjoy reading or listening to the Master’s works. People who take themselves too seriously seldom do.
A final word: Jonathan Cecil is pitch-perfect on this outing. His vocal portrayal of the princess—something between a spoiled Persian cat and a roused rattlesnake—is at times a little chilling.
A Somewhat Un-Wodehousian Wodehouse
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One of Wodehouse’ best
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Just what you'd expect from Wodehouse
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