It’s 2011, and Samuel Andresen-Anderson—college professor, stalled writer—has a Nix of his own: his mother, Faye. He hasn’t seen her in decades, not since she abandoned the family when he was a boy. Now she’s re-appeared, having committed an absurd crime that electrifies the nightly news, beguiles the internet, and inflames a politically divided country. The media paints Faye as a radical hippie with a sordid past, but as far as Samuel knows, his mother was an ordinary girl who married her high-school sweetheart.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

In late 2003, in his column in Entertainment Weekly, Stephen King called The Memory of Running "the best novel you won't read this year." This glowing endorsement of the audiobook resulted in Ron McLarty receiving a $2 million two-book deal from Viking Penguin. Also, Warner Brothers has shelled out big bucks for the movie rights to The Memory of Running, for which McLarty will write the script.

Theodore Finch is fascinated by death, and he constantly thinks of ways he might die. But each time, something good, no matter how small, stops him. Violet Markey lives for the future, counting the days until graduation, when she can escape her Indiana town and her aching grief in the wake of her sister's recent death. When Finch and Violet meet on the ledge of the bell tower at school, it's unclear who saves whom.

When they were children, Sean Devine, Jimmy Marcus, and Dave Boyle were friends. But then a strange car drove up their street. One boy got in the car, two did not, and something terrible happened - something that ended their friendship and changed the boys forever. Twenty-five years later, Sean is a homicide detective. Jimmy is an ex-con. And Dave is trying to hold his marriage together and keep his demons at bay - demons that urge him to do horrific things. When Jimmy's daughter is murdered, Sean is assigned to the case.

Ivan Coyote is a celebrated storyteller and the author of 10 previous books, including Gender Failure (with Rae Spoon) and One in Every Crowd, a collection for LGBT youth. Tomboy Survival Guide is a funny and moving memoir told in stories, in which Ivan recounts the pleasures and difficulties of growing up a tomboy in Canada's Yukon, and how they learned to embrace their tomboy past while carving out a space for those of us who don't fit neatly into boxes or identities or labels.

The stories in This Is How You Lose Her, by turns hilarious and devastating, raucous and tender, lay bare the infinite longing and inevitable weaknesses of our all-too-human hearts. They capture the heat of new passion, the recklessness with which we betray what we most treasure, and the torture we go through - "the begging, the crawling over glass, the crying" - to try to mend what we've broken beyond repair. They recall the echoes that intimacy leaves behind, even where we thought we did not care.

Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and Rosemary, who begins her story in the middle. She has her reasons. “I was raised with a chimpanzee”, she explains. “I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion...she was my twin, my funhouse mirror, my whirlwind other half and I loved her as a sister”. As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.

A single visit to a West Virginia prison can't resolve the tragic pasts of convicted child-killer Will Hatfield and his former sweetheart Karin. While she struggles with haunting regrets, Will vows to wait for her, no matter how long it takes.

Emily Bell believes in destiny. To her, being forced to sing a solo in the church choir - despite her average voice - is fate: because it's while she's singing that she first sees Sam. At first sight they are connected. Sam Border wishes he could escape, but there's nowhere for him to run. He and his little brother, Riddle, have spent their entire lives constantly uprooted by their unstable father. As Sam and Riddle are welcomed into the Bells' lives, they witness the warmth and protection of a family for the first time.

In the predawn hours, a woman's marriage crumbles with a single confession. Across town, an immigrant family struggles to fit in and get by in the land of opportunity. Three thousand miles away, a soldier wakes up in Walter Reed hospital with the vague feeling that he’s done something awful. In a single moment, these disparate lives intersect. Faced with seemingly insurmountable loss, each person must decide whether to give in to despair, or to find the courage and resilience to rise.

Susannah, a young widow and single mother, has remarried well: to Max, a charismatic artist and popular speaker whose career took her and her 15-year-old son out of New York City and to a quiet Vermont university town. Strong-willed and attractive, Susannah expects her life is perfectly in place again. Then one quiet morning, she finds a note on her door: "I Know Who You Are." Max dismisses the note as a prank. But days after a neighborhood couple comes to dinner, the husband mysteriously dies in a tragic accident while on a run with Max. Soon, a second note appears on their door....

Henry Page has never been in love. He fancies himself a hopeless romantic, but the slo-mo, heart palpitating, can't-eat-can't-sleep kind of love that he's been hoping for just hasn't been in the cards for him - at least not yet. Instead he's been happy to focus on his grades, on getting into a semi-decent college, and finally becoming editor of his school newspaper. Then Grace Town walks into his first period class on the third Tuesday of senior year, and he knows everything's about to change.

Just hours after his wife and her entire family perish in the Christmas Eve tsunami in Brisbane, American expat and former police officer Frank Mercy goes out to join his volunteer rescue unit and pulls a little boy from a submerged car, saving the child's life with only seconds to spare. In that moment, Frank's own life is transformed. Not quite knowing why, Frank sidesteps the law when, instead of turning Ian over to the Red Cross, he takes the boy home to the Midwestern farm where he grew up.

On his first night in his new home, Warren spies two figures in the grass outside; when he screws up the nerve to confront them, they disappear. The next day he encounters ghosts of a different kind: In the face of the teenage girl he meets at a comics convention, he sees the mingled features of his white father and his black mother, both now dead. The girl is his daughter, and she thinks she's white.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

Emily Bell believes in destiny. To her, being forced to sing a solo in the church choir - despite her average voice - is fate: because it's while she's singing that she first sees Sam. At first sight they are connected. Sam Border wishes he could escape, but there's nowhere for him to run. He and his little brother, Riddle, have spent their entire lives constantly uprooted by their unstable father. As Sam and Riddle are welcomed into the Bells' lives, they witness the warmth and protection of a family for the first time.

It begins as a statistical oddity: a spike in children born with acute speech delays. Physically normal in every way, these children never speak and do not respond to speech; they don't learn to read, don't learn to write. As the number of cases grows to an epidemic level, theories spread. Maybe it's related to a popular antidepressant; maybe it's environmental. Or maybe these children have special skills all their own.

Charles Wang is mad at America. A brash, lovable immigrant businessman who built a cosmetics empire and made a fortune, he's just been ruined by the financial crisis. Now all Charles wants is to get his kids safely stowed away so that he can go to China and attempt to reclaim his family's ancestral lands - and his pride. Outrageously funny and full of charm, The Wangs vs. the World is an entirely fresh look at what it means to belong in America - and how going from glorious riches to (still name-brand) rags brings one family together in a way money never could.

Terry Naughton, head of Orange County's Crimes Against Youth unit, is the champion of children. Someone calling themselves the Horridus has been abducting children from their beds, dressing them like little angels, and releasing them the next day, the only clue he leaves is a piece of snakeskin tucked into the folds of their gowns. So far he hasn't physically harmed any of them, but as Naughton well knows, it's only a matter of time.

Architect Kayla Carter and her husband designed a beautiful house for themselves in Round Hill’s new development, Shadow Ridge Estates. It was supposed to be a home where they could raise their three-year-old daughter and grow old together. Instead, it’s the place where Kayla’s husband died in an accident - a fact known to a mysterious woman who warns Kayla against moving in. The woods and lake behind the property are reputed to be haunted, and the new home has been targeted by vandals leaving threatening notes.

Anders is an angry, cynical man. A book critic known for his scathing reviews, he finds any excuse to dismiss, belittle, or insult. This afternoon is no more agitating than the next. Angers finds himself in a long line at the bank, waiting to reach a teller. Even after two men - wearing masks and carrying guns - take control of the building, Anders is unfazed. It's this behavior that lands him with a pistol against his stomach and a man screamingin his face. And when the bank robber, indignant over Anders' behavior, shoots the book critic in the head, his mind floats through the memories of his life, settling on one particular event....

Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.

What if the one person you can't bear to be with is also the one person you can't bear to be without? Jamie McClintock is a free-spirited artist and single mother who has at last found peace and freedom sharing a farmhouse with an elderly man and his young grandson. But when the old man dies suddenly her idyllic country life comes to a halt as the old man's estranged son, Nate, returns to claim the house and his child.

When high-school teacher Caelum Quirk and his wife, Maureen, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, while Caelum is away, Maureen finds herself in the library at Columbine, cowering in a cabinet and expecting to be killed. Miraculously, she survives. But when Caelum and Maureen flee to an illusion of safety on the Quirk family's Connecticut farm, they discover that the effects of chaos are not easily put right.

Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.

Set in a beautiful but economically devastated Pennsylvania steel town, American Rust is a novel of the lost American dream and the desperation-as well as the acts of friendship, loyalty, and love-that arise from its loss. From local bars to train yards to prison, it is the story of two young men, bound to the town by family, responsibility, inertia, and the beauty around them, who dream of a future beyond the factories and abandoned homes.

Eleven years ago, six kindergartners went missing without a trace. After all that time, the people left behind moved on, or tried to, until today. Today five of those kids returned. But as details of the disappearance begin to unfold, no one is prepared for the truth. This unforgettable novel with its rich characters, high stakes, and plot twists will leave listeners breathless.

Max doesn't remember his mother, who was murdered by burglars before they emigrated from Beirut to New Jersey. He lives with his father, Rasheed, who is enamored of his concept of American culture - baseball and barbeques - and tries to shed his Lebanese heritage completely.