Sir Harry Hotspur of Humblethwaite
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Narrated by:
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Tony Britton
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By:
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Anthony Trollope
About this listen
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From the publisher of Pride and Prejudice and Zombies comes a new tale of romance, heartbreak, and tentacled mayhem. Sense and Sensibility and Sea Monsters expands the original text of the beloved Jane Austen novel with all-new scenes of giant lobsters, rampaging octopi, two-headed sea serpents, and other biological monstrosities.
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I wish they'd turn this into a movie!
- By Kat on 10-10-09
By: Jane Austen, and others
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Pride and Prejudice and Zombies
- Now with Ultraviolent Zombie Mayhem!
- By: Seth Grahame-Smith, Jane Austen
- Narrated by: Katherine Kellgren
- Length: 11 hrs and 5 mins
- Unabridged
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"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.
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One word - Awesome!
- By Katelyn on 05-22-09
By: Seth Grahame-Smith, and others
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Joseph Andrews
- The History of the Adventures of Joseph Andrews and His Friend Mr. Abraham Adams
- By: Henry Fielding
- Narrated by: Rufus Sewell
- Length: 11 hrs and 54 mins
- Unabridged
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Riotous, sexy and groundbreaking, Henry Fielding's Joseph Andrews: The History of the Adventures of Joseph Andrews and His Friend Mr. Abraham Adams, published in 1742, was one of the first English novels. Fielding was melding and parodying the two major forces battling for control of the fiction market at the time - the mock heroic, neoclassical tradition as practiced by Pope and Swift and the popular and populist fiction of the new novelists such as Defoe and Richardson.
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A perfect reader for Henry Fielding
- By TiffanyD on 07-27-17
By: Henry Fielding
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What listeners say about Sir Harry Hotspur of Humblethwaite
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- H. Anderson
- 11-18-22
Not One Of His Best
After The Way We Live Now, this novel was a huge disappointment. Emily is an awful character—a girl so sanctimonious and rigid that she can’t accept the glaring unsuitability of her loutish, drunken, thieving paramour. Despite knowing his irredeemable nature, she insists she can reform him and decides to martyr herself trying. Worse, he’s her cousin. I’ll spare you the ending, but it’s not a happy one. As for the performance, it would have been much better with a female narrator, since most of the dialogue is Emily’s. But if you enjoy falsetto voices, you’ll love Tony Britton’s.
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- Patricia S.
- 12-20-22
Great Listen/Read
Anthony Trollope never disappoints and this book is one of his best. The characters were described vividly, causing the reader to love, dislike and even have pity on certain ones. The reader did an excellent job too. I've already listened to this book 3 times, each time catching a nugget that I missed, but also, each time, heartbroken for Sir Harry Hotspur. Great, great listen/read!
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- Kim Davis
- 06-28-24
It’s a sad cautionary tale.
If you like Jane Austin, this is probably not the book for you. He is not as dark as Thomas Hardy, but it is somewhere between the two.
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- T. M. Nichols
- 08-16-23
Not Trollope’s Best
I am a great fan of Trollope’s books, and although I appreciated listening to this one I did not find it to be as good as his other books. All that being said, I would still recommend it to listeners.
Narration was superb.
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- Rhonda
- 09-02-24
Beautiful
I loved everything about this book and the reader was very good. Pulled me in instantly.
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- Tad Davis
- 10-27-18
Sweet and sad and marred by prejudice
One of the sweetest, saddest stories of Trollope that I've read. Cousin George, who is a bounder beyond redemption, convinces himself that he loves Emily, and convinces her too; but as her father Sir Harry suspects, he really just wants her money. The result destroys more than one person, emotionally if not physically. Tony Britton gives a wonderful reading.
One thing has to be said, though. One of the darkest crimes charged against George is that he’s in hock to the Jews. Were he in debt to good Anglicans, it wouldn't have been held against him, at least not to the same extent. Reading Trollope can be exasperating.
How could someone who writes such genial fiction, with such engaging characters, continually mar his writing with this ugly prejudice? It's not a question of Trollope simply being a man of his time. The same period gave birth to novels with deeply drawn, sympathetic Jewish characters: novels like Daniel Deronda and Dickens’ Our Mutual Friend. Enjoying Trollope, as I do, can sometimes be a cringeworthy experience. I would have given the story 5 stars otherwise.
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2 people found this helpful
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- Dawn
- 04-02-21
Great read
I love most of Trollope's books as I did this one except I was completely surprised with the ending Trollope gave.
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Overall
- Joseph R
- 08-29-09
Sometimes a Great Fall
This was my introduction to Tony Britton as a narrator and I am very impressed. Timothy West and Frederick Davidson come to mind as comparable in talent.
This book could have been titled Emily after the heroine Miss Hotspur. In some ways she reminds me of Marianne Dashwood "Sense and Sensibility" in her naivet? and of Fanny Price "Mansfield Park" in the strength of her resolve. Like her sister heroines, Emily is not the kind of woman one would willingly cross. The thought of the probable results would terrify me. However, George Hotspur, the anti hero of the piece, had no such terrors. Glib as Willoughby and smooth as Henry Crawford, he was sure of his ability to talk his way out of or into any situation and confident of his ability with women. Like his fellow scoundrels, his weakness of character comes into play. I am not so satisfied with Trollope's bitter sweet conclusion of this little tale but one can't have everything.
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14 people found this helpful
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- Christina R
- 01-04-23
Eh.
Sad and repetitive. Skip this one. Narrator was good. Perhaps I had too high expectations.
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- John
- 01-11-23
All the Story, a Third of the Time Commitment
Until now, I thought Trollope was one of those artists who, to give of his best, required an oversized canvas – anywhere from 20 to 30 hours per volume. The shorter works that I know (Doctor Wortle’s School and An Old Man’s Love) failed to engage as thoroughly as the Barsetshire Chronicles, the Palliser saga, or that freestanding masterpiece, The Way We Live Now. But Sir Harry has changed all that.
Here we have all the plot complications, subtle social / psychological / religious insights, and memorable characters usually found in the cathedral close or Gatherum Castle. And the quality of Tony Britton’s performance rivals Timothy West’s Trollope recordings. My only gripe is the navigation: eight weighty chunks, created with almost no reference to chapter breaks.
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