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Ruin the Sacred Truths
- Poetry and Belief from the Bible to the Present
- Narrated by: Mort Crim
- Length: 7 hrs and 11 mins
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Publisher's summary
Harold Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or "J") writer, Jeremiah, Job, Jonah, the Illiad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. This book is published by Harvard University Press.
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Harold Bloom explores our Western literary tradition by concentrating on the works of twenty-six authors central to the Canon. He argues against ideology in literary criticism; he laments the loss of intellectual and aesthetic standards; he deplores multiculturalism, Marxism, feminism, neoconservatism, Afrocentrism, and the New Historicism. Insisting instead upon "the autonomy of aesthetic," Bloom places Shakespeare at the center of the Western Canon.....
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King Lear is perhaps the most poignant character in literature. The aged, abused monarch is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare's most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character.
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What an endowment!
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Iago
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In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.
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A Moor's Not Nice Guy - friend
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Falstaff brooks no rebuttal.
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Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.
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The last book written by the most famous literary critic of his generation, on the sustaining power of poetry.
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so large, so powerful, so conflicted
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- By Anonymous User on 10-12-23
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Dracula [Audible Edition]
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
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Holiday Hideaway
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Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.
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I ain’t afraid of no ghosts
- By 🔥 Phx17 🔥 on 10-31-24
By: Mary Kay Andrews
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What listeners say about Ruin the Sacred Truths
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- J.T.
- 05-12-22
Poor Mort
Mort Crim was a terrific reader of the text he had handed to him when he read the news in Philadelphia. Here, not so much, but it's hard to blame him. Someone should have coached him on the pronunciation of dozens of words--some esoteric and only a very few he probably never heard--that he butchers along the way. "Platonic" is pronounced with a short a (not as in Playdoh); demiurge I thought had three syllables; etc. This is one of Bloom's pivotal books, after he had more or less outlined the canonical works to go with his theory of influence; not that hard to follow if you knew what preceded it with the exception of the chapter on Kafka.
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- Benjamin Myers
- 03-31-17
Not one of Bloom's best
At his best, Bloom is an insightful and entertaining critic. At his worst he is lazy, undisciplined, and derivative. This book unfortunately belongs to the second category. There are occasional flashes of insight but mostly it is a pastiche of cliches, scholarly gossip, and sweeping generalizations. Especially regrettable is the tendency to substitute name-dropping and interpretation-by-association for actual comment on the books in question. A pity to see Bloom's formidable powers squandered on a book like this.
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6 people found this helpful