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Rise of the Novel
- Exploring History’s Greatest Early Works
- Narrated by: Leo Damrosch
- Length: 12 hrs and 5 mins
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Publisher's summary
Thousands of novels are published around the world every year. There are so many readily available, it would take multiple lifetimes for a single person to even read a fraction of them. But it hasn’t always been that way.
While humans have always been storytellers, the novel as we recognize it today is a relatively new art form in the timeline of human culture. Of all the ways we tell stories, why has the novel become such a perennial favorite? How did the novel go from a narrative experiment with a low-brow reputation to a cultural touchstone and focal point of modern literature?
In the 24 lectures of Rise of the Novel, you will take a journey from the birth of the novel to the height of the form in the mid-19th century - and better understand what this literary form can tell us about human nature and our unquenchable thirst for great stories. With Professor Emeritus Leo Damrosch of Harvard University as your guide, you will dive into some of the most notable works that helped create and shape the novel over the course of more than three centuries, looking at the social and historical influences that coincided with shifts in literary taste along the way.
Beginning with Don Quixote - held up by many scholars as the foundational text from which the novel form would spring - Professor Damrosch will lead you through works both tragic and comic, brief and diffuse, epic and domestic. From early works like La Princesse de Clèves and Robinson Crusoe to pinnacles of the form in the 19th century such as Emma and Middlemarch - along with a few novels that are less familiar today but well worth knowing - you will dive into works with different perspectives and intentions that have all impacted our culture in their own way.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
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Dracula [Audible Edition]
- By: Bram Stoker
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
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Frankenstein
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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The Strange Case
- By: Derek Kolstad, Mitali Jahagirdar, Laurie Kirwan-Ashman, and others
- Narrated by: Vanessa Kirby, David Oyelowo, Sofie Gråbøl, and others
- Length: 4 hrs and 9 mins
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Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.
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Love the Originals !!
- By r2coder on 08-04-24
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The Cut
- By: Richard Armitage
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- Length: 10 hrs and 13 mins
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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Whether taken as a book of faith or a cultural artifact, the New Testament is among the most significant writings the world has ever known, its web of meaning relied upon by virtually every major writer in the last 2,000 years. Yet the New Testament is not only one of Western civilization’s most believed books, but also one of its most widely disputed, often maligned, and least clearly understood, with a vast number of people unaware of how it was written and transmitted.
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If you want a balanced overview this is not it
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What listeners say about Rise of the Novel
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- wbiro
- 08-29-22
Shed New Light
Shed additional light on several novels and authors for me. What ties them all together is Continued Universal Human Cluelessness.
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- Bruce Bortz
- 10-18-22
Great Teacher
Great material. Thoroughly enjoyable. Looked forward to each lecture and was never disappointed. Will even listen again.
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- D
- 10-27-22
So good to hear anyone’s reaction to Middlemarch.
Any time someone reflects on how they responded to Middlemarch it’s consistently surprising. Hearing any such account always makes world always feels more human. Many thanks,👏
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- Bruce
- 02-08-22
the more I read the further behind I get
I had read about half of this course list. The course motivated me to re-listen to them and am working my way through the remainder - a couple are not available on Audible and I just need an energy drink to finish Clarissa. That is what I expected the course to do; it keeps me fresh in my own classes. But I'd wish for more clarity on parameters. More definition of what makes a novel: why are Tale of Genji, Beowulf not novels? Why did he select what he did? Why Henry Fielding and not his sister's novel? Why include Spanish, French and German and not Russian, Canadian or Asian? Obviously no great American novelists existed before the 20th century. Why are mid 19th century works considered "early"? I think a better title for this course would have been "Pre 20th Century Novels I Liked".
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3 people found this helpful
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- Gilbert M. Stack
- 08-29-21
This One Just Didn't Work for Me
I love the Great Courses, but this particular set of lectures didn’t work for me. It focuses on 24 books that show different aspects of the growth of the form of the novel. I hadn’t read most of the books, but even for those I had read, I had difficulty getting more than halfway through each lecture. Generally, I felt that Damrosch made his point in the first few minutes of each and the rest of the detail just didn’t interest me.
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1 person found this helpful