As the creator of "Cathy", Cathy Guisewite found her way into the hearts of fans more than 40 years ago and has been there ever since. Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now, Guisewite returns with her signature wit and warmth in this debut essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle.

Julia Summers seems to have it all: a sprawling Upper East Side apartment, a successful husband, and two adorable children attending the best private school in the city. She relishes wielding influence over her well-heeled girlfriends...but her star appears to be fading. That’s why, when stranded in Manhattan for the summer as her entire crowd flees to the Hamptons, Julia is on the hunt for the next big thing that will make her the envy of her friends and put her back on top.

The Core Four have been friends since college: four men, four women, four couples. They got married around the same time, had kids around the same time, and now, fifteen years later, they’ve started getting divorced around the same time, too. With three of the Core Four unions crumbling to dust around them, Jessica and Mitch Butler take a long, hard look at their own marriage. Can it be saved? Or is divorce, like some fortysomething zombie virus, simply inescapable?

Olive is many things. Independent. Driven. Loyal. And a little bit adrift. She’s okay with still figuring it all out, navigating her world without a compass. But life comes with expectations and big choices to be made. So when her best friends’ lives branch away towards marriage and motherhood, leaving the path they’ve always followed together, she starts to question her choices—because life according to Olive looks a little bit different.

Cinderella married the man of her dreams - the perfect ending she deserved after diligently following all the fairy-tale rules. Yet now, 13 and a half years later, things have gone badly wrong, and her life is far from perfect. One night, fed up and exhausted, she sneaks out of the palace to get help from the witch who, for a price, offers love potions to disgruntled housewives. But as the old hag flings the last ingredients into the cauldron, Cinderella doesn't ask for a love spell to win back her Prince Charming. Instead, she wants him dead.

It doesn't take long for the students on Fielding campus to become obsessed with Hannah, Leslie, and Jimmy. The three graduate students are mysterious, inaccessible, and brilliant. Leslie, glamorous and brash, has declared that she wants to write erotica and make millions. Hannah is quietly confident, loyal, elegantly beautiful, and the person they all want to be; and Jimmy is a haunted genius with no past. After Simone - young best-selling author and erstwhile model - shows up as a visiting professor, and after everything that happened with her, the trio only become more notorious.

Amid the glitz and glamour of 1950s New York, Phoebe Adler pursues her dream of screenwriting. A dream that turns into a living nightmare when she is blacklisted - caught in the Red Menace that is shattering the lives of suspected Communists. Desperate to work, she escapes to London, determined to keep her dream alive and clear her good name. There, Phoebe befriends fellow American exile Hannah Wolfson, who has defied the odds to build a career as a successful television producer in England.

To be loved by your father is to be loved by God. So says Mona Dean—playwright, actress, and daughter of a man famous for one great novel, a man whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half sister, their mothers. His infidelity destroyed Mona’s childhood, setting her in opposition to a stepmother who, though equally damaged, disdains her for being broken.

Ravaged and sore from giving birth to her first child, Megan is mostly raising her newborn alone while her husband travels for work. Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation - a thesis on mid-century children’s literature. Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown - author of the beloved classic Goodnight Moon -whose existence no one else will acknowledge.

In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all.

When Sylvie Patterson, a bookish student at a Northern California boarding school, falls in love with a spirited, elusive classmate named Gabe, they embark on an experiment that changes their lives. Their headmaster, Dr. Adrian Keller, is a charismatic medical researcher who has staked his career on the therapeutic potential of lucid dreaming: by teaching his patients to become conscious during sleep, he believes he can relieve stress and trauma. Over the next six years, Sylvie and Gabe become consumed by Keller’s work, following him across the country.

In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both?

When animal behaviorist Guy Schermerhorn demonstrates on a TV game show that he has taught Sam, his juvenile chimp, to speak in sign language, Aimee Villard, an undergraduate at Guy's university, is so taken with the performance that she applies to become his assistant. A romantic and intellectual attachment soon morphs into an interspecies love triangle that pushes hard at the boundaries of consciousness and the question of what we know and how we know it. What if it were possible to speak to the members of another species - to converse with them?

Other People’s Clothes brilliantly illuminates the sometimes dangerous intensity of female friendships, as well as offering an unforgettable window into millennial life and the lengths people will go to in order to eradicate emotional pain.

After her former band shot to superstardom without her, Claire reluctantly agrees to a gig as a playgroup musician for wealthy infants on New York's Park Avenue. Claire is surprised to discover that she is smitten with her new employers, a welcoming clique of wellness addicts with impossibly shiny hair, who whirl from juice cleanse to overpriced miracle vitamins to spin class with limitless energy.