Purity Audiolibro Por Jonathan Franzen arte de portada

Purity

A Novel

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Purity

De: Jonathan Franzen
Narrado por: Jenna Lamia, Dylan Baker, Robert Petkoff
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A magnum opus for our morally complex times from the author of Freedom.

Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.

Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world - including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong.

Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters - Californians and East Germans, good parents and bad parents, journalists and leakers - and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.

This audiobook includes a bonus conversation with the author.

©2015 Jonathan Franzen (P)2015 Macmillan Audio Ficción Ficción Literaria Género Ficción Vida Familiar

Reseñas de la Crítica

"In short, the book is a dream for any narrator who is itching to demonstrate his or her acting range, as Jenna Lamia, Dylan Baker, and Robert Petkoff handily do. Their performances are uniformly engaging and engrossing; together, they make the listening time fly by. Anyone weighing the potential return on investment of reading all 587 pages can safely turn the heavy lifting over to them." (AudioFile)
Complex Characters • Intricate Plot • Rich Phraseology • Compelling Storytelling • Historical Elements
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A really well written book, good story and a quirky cast of nicely developed characters. I wanted to dismiss it, initially, but became addicted to it.

You'll love the writing and weirdos

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The overall arc of the story has a quiet uneventful end without much insight. Huge amounts of time spent in character back stories some of which are more interesting than the main plot line. Annoyingly lengthy metaphors which are neither well written nor useful for the novel. It is as if the author wants you to notice some tricks he's learned and wants to show off but doesn't realize the audience is not impressed.

I wanted to like some of the characters but in the end felt no connection or emotion to any of them.

If this is the next great American writer ... Perhaps this was just his rough draft and the final version will be much better.

Disappointing at best

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I went on a Franzen binge ordering The Corrections, Crossroads and Freedom and was super excited about diving into another. Early into listening I began to lose excitement. I felt like Purity was written by another author. Purity held none of the tightly woven writing as the previous three I enjoyed. I'm writing this review as I half listen to the last hour waiting for it to be over. I went online to find out what order Franzen's books were written and now that I know I'm no longer interested in ordering the earlier books. I could very well be missing a good book but I'm so disappointed by Purity I think I'll move on to another author. Still a big fan of Franzen and waiting for his next book.

So Disappointed After Reading His Other Books

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Fantastic performance. Especially Jenna Lamia- I will listen to anything she has done.

Slow burner to the plot, but worth the journey.

Patience for Purity

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Pure joy, intrigue, mind-opening and intelligence. Utterly human and real.
You'll have to give it a try.

Wow. Every dream of reading realised

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Loved it. Great story, characters, and narration. I liked Franzen create a female lead character who is engaging and strong.

Immersive plot, and relatable characters

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The Dylan Baker part is brutally awful, but the other two narrators are top-notch, proficient readers

Kinda ho-hum

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More from Jonathan Franzen. He can be so sarcastic and that's a bit distracting. He's not my favorite but I'm glad I read it.

It was interesting.

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The narrators were particularly wonderful in this e-book. The writer did such a great job of character development. It was so much fun to read. I hesitated for a while because of its length, but I was very sorry that it ended.

Great fun! Awesome book!

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You see, women supposedly can't criticize this author's novels without being accused of resentment towards the author. A long story that dates back to 2010: "[Jennifer] Weiner, Jodi Picoult, and other prominent female writers argued that acclaim for Franzen came at the expense of women writers, whose work has historically been ignored by book reviewers—in particular those on staff at The New York Times." I read his first book... I stand Corrected; I tried. I picked up Freedom, I put it down. Seemed I just couldn't do whiny, and didn't want to review and add substance to either side of the debate.

Determined to get one down by this "Great American Novelist," I figured I would do a read along with my superior reading pal Darwin. I texted him this message when I finished: "I have never been so happy to have a book come to an end than I was with this!" And I meant it: even while I was dazzled by Franzen's intelligence that highlighted my own inferiority; the elegant technical structure and his dexterity in steering these detailed threads (each of them their own novella) towards his end goal; his ability to keep his clutches tightened around my throat when I wanted nothing more than to just to get away.

Regardless of the oodles of talent Franzen has been blessed with and/or developed, I mostly disliked this very good book. My general dissatisfaction -- a few degrees short of hostility -- is not because of the gratuitous onanism; I read Portnoy's Complaint, loved Suttree with the watermelon violator (though I do feel the need to throw in a foul flag here and issue a warning to readers). It is because of his gross misrepresentation of women across the board, and from what I've read elsewhere, not just with this book. Now don't go pegging me an ultra feminist; I haven't burned a bra and I shave under my arms, and I have never stamped the anti-fem label on anything, but I don't like when my gender is made to look like the doors of mental institutions have sprung wide, spitting from their maws nothing but XX chromosome fruitcakes. Right now, I dislike him, I think I even dislike his mocking, misogynist face!

I can't help myself from wondering, why should it be any more acceptable to continually generalize women this way (or men) than it is to write that all white people can't dance, that all black Americans like chicken and waffles, that all Mexicans hate Donald Trump? -- in my mind, it is offensive, demeaning, and wrong. How far do we broaden the parameters of the literary-tactic-by-a-literary-superstar pass? Isn't a blatant and morally disparaging generalization a blatant and morally disparaging generalization -- hiding behind artistic expression to hurl boulders... ah, what do I know? Maybe Franzen's portrayal of women is nothing more than Sam Tanenhaus' statement: "Franzen has an “otherworldly feel for female characters.” [The New Republic]. I hope Mr. T is not offended by me saying his minimization shows his "vast male dullness or sensitivity of a fence post -- which may or may not be gender related, I have to add to be fair. Because I wouldn't want to assume that all men are like [him]." (Chosen from the words of Patricia Cornwell; The Body Farm.)

I won't deny Franzen's talent. If I could be just pragmatic after reading this instead of embarrassed to be a female, I could recommend. My XX chromosome deleted the fourth *. Franzen was too visible in this novel, too aware of his own intellectual power just beneath the nearly perfect style. I felt like he was mocking me as a reader with his low rung "otherworldly" portrayals juxtaposed with his clever insights into society, as if he was challenging me to fight passed the insults purposely flung, to grab the prize. (Darwin8U-XY gave the perfect example with Andy Kaufman analogy.)

What are those lyrics?: "I hate myself for loving you?" "I love myself for hating you"...Right now I seem to be a little confused.

Not a case of Franzenfreude

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