This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement. The first epic poem in modern English, The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error....

Probably written in the latter half of the 14th century in the South-West-Midlands dialect, Piers Plowman is a remarkable example of allegorical, alliterative verse that conveyed, for the first time ever, the authentic voice, spirit and character of the ordinary people of England. Very little is known about William Langland, the presumed author, but it is very much a product of the medieval mind combining Christian belief with dramatic poetry in a drama of identity.

Considered one of Chaucer’s finest poems, second only to The Canterbury Tales in richness and depth, Troilus and Cressida is a tragic love story set against the background of the siege of Troy by the Greeks. Written in the 1380s, it presents Troilus, son of Priam and younger brother of Hector, as a Trojan warrior of renown who sees, and falls deeply in love with, the beautiful Cressida. Cressida is the daughter of Calchas, a Trojan priest and seer who, having divined the eventual fall of Troy, has deserted to Agamemnon’s camp, leaving his daughter in the besieged city.

Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.

Among the many important historical documents from the Classical world of Greece and Rome The Antiquities of the Jews by Flavius Josephus is one of the most distinctive and characterful. Josephus (37-c100 CE) set out with the clear purpose of telling the history of the Jews from the creation in Genesis to the Jewish revolt against the Romans in 66 CE. Born in Jerusalem as Yosef ben Matityahu, he rose to become a leading participant in the First Jewish Revolt (66-73 CE).

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

In this ancient picaresque adventure, Lucius, an insatiably curious young man, finds himself transformed into a donkey after his fascination with black magic and witchcraft goes awry. While trapped in his new body, he becomes the property of thieves, farmers, cooks, soldiers and priests, and observes the hypocrisy and ineptitude of Imperial Roman society.

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

Chrétien de Troyes' Perceval is the single most important Arthurian romance. It contains the very first mention of the mysterious grail, later to become the Holy Grail and the focal point of the spiritual quest of the knights of Arthur's court. Chrétien left the poem unfinished, but the extraordinary and intriguing theme of the Grail was too good to leave, and other poets continued and eventually completed it.

Shocked and distressed by a male writer's vilification of women, Christine de Pizan has a powerful dreamlike vision in which she is visited by three personified Virtues: Reason, Rectitude and Justice. They tell her she has been chosen to write a book which will be like a city, housing virtuous women and protecting them from feminist attack. Partly myth, partly fact, The Book of the City of Ladies is an extraordinary, pioneering and impassioned defense of women that set out to shatter misogynist cliches and serve to instill self-worth in its female listeners of the time.

Of all the legends of Western civilization, perhaps the glorious adventures of King Arthur and the Knights of the Round Table are the best known. The Quest for the Holy Grail, and the undying illicit love between Sir Launcelot and Queen Guenevere, have provided inspiration for storytellers and poets down the ages, and sparked so many films and books of our own time.

The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

The Secret History, written by the sixth-century Byzantine historian Procopius, is one of the most extraordinary and scandalous documents to have survived from the early Byzantine period. Procopius, the leading official historian of his time, lived during the testing and indulgent time of Emperor Justinian the Great and wrote the official records of the successful wars and the grand building projects of his ruler. These were words of aggrandisement. But covertly, Procopius kept a very different record....

Under the order of King Pelias, Jason embarks on a perilous journey to steal the Golden Fleece from the Land of Colchis. Far from heroic, Jason is the typical everyman. Often compared with Homer's Iliad and Odyssey, Jason and the Argonauts is the only surviving poem from the Hellenistic period and was hugely influential on later literature, especially the Roman poetry of Virgil and Ovid.

Lively, absorbing, often outrageously funny, Chaucer's The Canterbury Tales is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. The Tales gathers 29 of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble Plowman. This unabridged work is based on the new translation.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.

This is the classic tale of a knight from King Arthur's Round Table who makes a dangerous deal with a mysterious visitor. The production is based on Jessie L. Weston's 1900 prose edition of a 14th-century poem.

To the modern eye, King Arthur and the Knights of the Round Table have many similarities to our own contemporary super-heroes. Equipped with magical powers, enchanted swords, super-strength, and countless villains to take on, they protect the weak and innocent and adhere to their own code of honor. Comparing Batman, Superman, and Captain America to Sir Launcelot, Sir Tristram, and Sir Galahad isn't a huge leap of the imagination.

The Book of the Courtier remains the definitive account of Renaissance court life. Because of this, it is considered one of the most important Renaissance works. The book is organized as a series of fictional conversations that occur between the courtiers of the Duke of Urbino in 1507 (when Baldassare was in fact part of the Duke's Court). In the book, the courtier is described as having a cool mind, a good voice (with beautiful, elegant and brave words) along with proper bearing and gestures.

King Lear is perhaps the most poignant character in literature. The aged, abused monarch is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare's most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character.

In the early 19th century, Thomas Jefferson, the third president of the United States and the principal author of the Declaration of Independence, conceived the idea of extracting a gospel purified of what he saw as extraneous philosophical, mythological, and theological elements. To do so, he took verses from the four canonical gospels and arranged them into a single narrative, focusing on the actual words of Jesus.

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

Samson Agonistes, the 'dramatic poem' by John Milton, was published in 1671, three years before the poet's death. Written in the form of a Greek tragedy, with the Chorus commenting on the action, it follows the biblical story of the blind Samson as he wreaks his revenge on the Philistines who have imprisoned him. A powerful subject, with a personal resonance for the blind Milton, it is a perfect work for the medium of audiobook where poetry and drama can be balanced equally.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

Dante's Divine Comedy is considered to be not only the most important epic poem in Italian literature, but also one of the greatest poems ever written. It consists of 100 cantos, and (after an introductory canto) they are divided into three sections. Each section is 33 cantos in length, and they describe how Dante and a guide travel through Inferno, Purgatorio, and Paradiso.

John Bunyan admitted he was one of the worst sinners to have ever lived. But after converting to Christianity, he was constantly amazed by the fact that God saved him from his wrongdoings. As a minister of the Gospel, he loved to proclaim the grace of God to sinners, and he earnestly persuaded them to embrace the Lord Jesus Christ. Published in 1688, the year of his death, The Jerusalem Sinner Saved brings together the fruit of Bunyan's thoughts on the grace of forgiveness.

Sophocles was born at Colonus, near Athens in about 496 BC and is considered to be one of the premier playwrights of Greek tragedy. His stories may have been filled with strife, but Sophocles himself was prosperous and came from a good family. It is said that he was handsome, wealthy, and a highly respected citizen of Athens. During his life, he wrote over 120 plays and was instrumental in how plays would eventually be performed, including the addition of stage props.

Faust by Johann Wolfgang von Goethe, is a poem, translated by Bayard Taylor, which tells the beautiful and emotional story of a man who has seen and done it all. However, despite all of his learning and education, his life still feels empty and unaccomplished. He believes wholeheartedly that there is something else out there. Faust, having exhausted all other fields of study, turns to magic for fulfillment. He summons the devil and makes a pact - that if the devil can show him something rewarding and fulfilling, he will give the devil his soul.