After the death of his father, a young journalist named Faruq Zaidi takes the opportunity to embed himself in a mysterious cult based in the California redwoods and known as “the nameless,” whose strikingly attractive members adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”

At a passing glance, County Road 951 is an entirely unremarkable stretch of blacktop, a two-lane scar across the Cascade foothills of Central Oregon. But the road is known by another name, coined by locals who’ve had to clean up after all those scenic detours went horribly wrong: The Devil’s Driveway. When Livia and her long-time friends take the Driveway as a shortcut to a much-needed weekend getaway, what begins as a morning joyride quickly becomes anything but. Soon, they’re driving for their lives, pursued by a horror beyond anything they ever imagined.

Tam hasn’t eaten anyone in years. She is now Mama’s soft-spoken, vegan daughter—everything dangerous about her is cut out. But when Tam’s estranged Aunt Tigress is found murdered and skinned, Tam inherits an undead fox in a shoebox, and an ensemble of old enemies. The demons, the ghosts, the gods running coffee shops by the river? Fine. The tentacled thing stalking Tam across the city? Absolutely not.

Olivia Becente was never supposed to have the gift. The ability to commune with the dead was the specialty of her sister, Naiche. But when Naiche dies unexpectedly and under strange circumstances, somehow Olivia suddenly can’t stop seeing and hearing from spirits. A few years later, she’s the most in-demand paranormal investigator in Denver. She’s good at her job, but the loss of Naiche haunts her. That’s when she hears from the Brown Palace, a landmark Denver hotel.

Nia and Jade had been inseparable ever since their best friend, Michal, introduced them at her tenth birthday party. But now it's been three years since Michal died of cancer—since the brutal fight Nia and Jade had—and they're barely on speaking terms. Until Nia reads a letter Michal wrote for her twenty-ninth birthday, asking her and Jade to go on the southern Jewish history road trip they'd planned before she died.

A mansion haunted by the ghost of a cool, charismatic first wife. A second bride from a small Southern town who may be in over her head. A brooding billionaire who grows icier the more his new wife questions him about the past. In Connie Briscoe’s propulsive and entertaining novel, the elements of one of the most famous Gothic novels of all time is reimagined in surprising, yet still suspenseful, ways.

In an immersive Southern Gothic with echoes of Shirley Jackson’s The Lottery and Sharp Objects by Gillian Flynn, a restauranteur lured by pandemic-era incentives moves her family to a seemingly idyllic small town in Georgia, only to discover a darkness lurking beneath the Southern hospitality and sun-dappled streets.

Prepare for adventure as Juliana, a nineteen-year-old Brazilian, finds herself forced to run from an occult overlord, leaving her sister in peril. Temporarily safe, Juliana works to save money for Vilma’s rescue, and along the way, meets Patrick, a rich-boy mountain climber with friends in high places. Angus Addison wants to see his corporate flag on the summit of Mount Everest, carried there by the first woman in history, but the Himalayas are no joke, for failure could cost both sisters their lives.

Edie is done with crime. Eight years behind bars changes a person—costs them too much time with too many of the people who need them most. And it’s all Angel’s fault. She sold Edie out in what should have been the greatest moment of their lives. Instead, Edie was shipped off to the icy prison planet spinning far below the soaring skybridges and neon catacombs of Kepler space station—of home—to spend the best part of a decade alone. But then a chance for early parole appears out of nowhere and Edie steps into the pallid sunlight to find none other than Angel waiting—and she has an offer.

Newlyweds Lisa and John's summer drive through the Oregonian wilderness takes a chilling turn when an unexpected blizzard traps their car. Desperate for refuge, they find hope in a sign: WELCOME TO__. Bundling up, they trek through the storm and find that, within the town, the blizzard ceases, though it rages just beyond the town's limits. The streets are eerily quiet, lined with lifelike ice statues. Lisa and John soon realize they are being watched by the wary townsfolk, who reveal a haunting truth: this town is a prison, and the storm is a trap.

At the turn of the 20th century, Vivian Lesperance is determined to flee her origins in Utica, New York, and avoid repeating her parents’ dull, limited life. When she meets Oscar Schmidt, a middle manager at a soap company, Vivian finds a partner she can guide to build the life she wants—not least because, more interested in men himself, Oscar will leave Vivian to tend to her own romances with women.

Rudolf Sebestyen is missing, and Marianne Smalls is involved in an illicit affair with the shady Jonas Schmitt. Both cases converge when Dora Urban, Rudolf's beautiful and mysterious half-sister, and Lamont Smalls, Marianne's suspicious husband, hire Jack Mitchell, a hard-drinking, chain-smoking private investigator. Dora wants Jack to uncover what happened to her brother, while Lamont seeks proof of his wife's infidelity. But Dora is a vampire, in a city teeming with creatures of the night. As Jack dives deeper, he discovers that both cases are linked to vepratoga.

Something wicked is going on in the village of Ascension. A mother wasting away from cancer is suddenly up and about. A boy trampled by a milk cart walks away from the accident. A hanged man can still speak, broken neck and all. The dead are not dying. When Rabbit and Sadie Grace accompany their friend Rose to Ascension to help take care of her ailing cousin, they immediately notice that their new house, Bethany Hall, is occupied by dozens of ghosts. And something is waiting for them in the attic.

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate.