After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

In 1998, the American Jorgenson family had been on a year-long road trip in Australia. One humid, storming night, the mother - Elsa Jorgenson - vanished in an isolated stretch of Australian everglades. Elsa was never seen again. That night, twelve-year-old Lily Jorgenson was left alone and terrified in the family camper—even her teenage sister Iris is missing. When Iris comes racing back through the rain, she refuses to tell where she’s been. Lily is certain her sister is hiding a dark secret.

Best friends and worst enemies, Christy and PJ are destined to spend their lives together over the next 20 years in prison. Reflecting on the events and experiences that led them to the present day, this slow-burning tale explores hope, acceptance and forbidden love. Directed by Jim Culleton with music by Denis Clohessy, On Blueberry Hill is a powerful exploration of freedom, friendship and forgiveness. With outstanding performances from Irish Times Theatre Award and Olivier Award winner, Niall Buggy (Christy) and West End and Broadway star David Ganly (PJ).

After Jake Slater’s wife dies in a tragic hit-and-run, all he has left is his daughter, Piper—nearly lost, too, in a brutal custody battle with his wealthy in-laws. A year later, Jake reluctantly agrees to a reunion with the estranged family for Piper’s thirteenth birthday. Then a single gunshot rings out, and a new nightmare begins. Piper is kidnapped, and her cousin Caitlin is murdered. Caitlin’s cryptic dying words: Piper knows the truth.

Electra McDonnell has always known that the way she and her family earn their living is slightly outside of the law. Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but World War II is in full swing, Ellie's cousins, Colm and Toby, are off fighting against Hitler, and Uncle Mick's more honorable business as a locksmith can't pay the bills anymore. So when Uncle Mick receives a tip about a safe full of jewels in the empty house of a wealthy family, he and Ellie can’t resist.

Chesapeake Bay, 1980. Eighteen-year-old Verity Vergennes is the captain of the USS Nepenthe, and her seven younger siblings are her crew. The ship - an oyster boat transformed into a make-believe destroyer - is the heart of the Vergennes family, a place both to play and to learn responsibility. But Verity’s had it with being tied to the ship and secretly applies to a distant college. If only her parents could bear to let her go. Maeve and Arthur Vergennes already suffered one loss when, five years earlier, their eldest son, Jude, stormed out and never returned.

Matthew Brooks and Vanessa Lyons are a perfect love match, both attorneys at a powerful New York City law firm. But there’s a hitch: Matt just made partner, and Vanessa is coming up for partner next year. And Vanessa’s husband has his suspicions. Vanessa is assigned to the biggest case at the firm, the one that will determine her future. Unfortunately, Matt has been working the case for years, leaving him no choice but to supervise his lover in violation of firm policy.

Spencer Brooke always knew she was destined to be CEO of her grandfather’s business—the most respected and luxurious department store in New York City. Brooke’s has been at the center of every happy memory she has, but it hasn’t been an easy journey. Seven years after her father’s death, her life is very different from the days when she walked through the store with her grandfather as a young girl. She may be the owner of Brooke’s, but she’s also now a divorced single mother of twin boys.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

When Anna Bradshaw wakes up in a hospital bed in London, she remembers nothing, not even her loving husband, Stephen. The doctors say her amnesia is to be expected, but Anna feels cut adrift from her entire life. In Bristol, Livvy Nicholson is newly married to Dominic and eager to get back to work after six months’ maternity leave. But when Dominic’s estranged mother appears, making a series of unnerving claims, Livvy is sucked into a version of herself she doesn’t recognise.

Every town needs a hero, and Detective Cal Farrell fits the bill. He stopped an active shooter six months earlier, and now he’s become the darling of the Alexandria press. The problem is that Cal remembers nothing from that day. He’s working with a psychiatrist to recover his memories, but hasn’t had much luck. Then, on one of his morning runs, he is once again the first on scene for a grisly discovery—a body hanging impossibly high on a tree. Soon there’s another victim, killed by a blade and dumped in a ravine.

After the sudden death of her husband, Kate Turner is looking for a fresh start for herself and her teenage daughter, Alex. They relocate to the beachside town of Shoreham, Florida, where all is not as sunny as it seems. Although Kate makes fast friends with a trio of fellow moms, their daughters take an instant dislike to Alex, who attempts to document their bullying in her video diary. Kate brushes off Alex’s concerns—until she receives a series of chilling warnings about the clique of moms from other parents and neighbors.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

It’s the summer of 1994, and all Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the simmering violence of her divided community. And as a first step, Maeve’s taken a summer job in a local shirt factory working alongside Protestants with her best friends, kind, innocent Caroline Jackson and privileged and clever Aoife O’Neill.

Thomas McNulty, having fled the Great Famine in Ireland and now barely 17 years old, signs up for the US Army in the 1850s and with his brother in arms, John Cole, goes to fight in the Indian Wars - against the Sioux and the Yurok - and, ultimately, in the Civil War. Orphans of terrible hardships themselves, they find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry's latest work is a masterpiece of atmosphere and language.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night. 1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole. Reunited with Helena, an artist, he reopens his photography business and tries to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discover an island where they can make a life together. Over a century later, the Honeys’ descendants and a diverse group of neighbors are desperately poor, isolated, and often hungry, but nevertheless protected from the hostility awaiting them on the mainland.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.