Separated at birth by a desperate nurse who loses a millionaire's son to cot death, twin boys grow up without any knowledge of the other. Nat Cartwright lives with his middle-class birth parents and grows up to becomes a war hero in the Vietnam War before returning home to run for office in the Republican party. Fletcher Davenport becomes the only son of the millionaire couple. After graduating from Yale, he builds a reputation as a prolific criminal defence lawyer before he too delves into politics as a Democrat.

Lubji Hoch escapes from the Nazis, moves to Berlin and changes his name to Richard Armitage. After a successful career in the British Army, he takes over a struggling newspaper and with unrivalled ruthlessness begins building his media empire. Meanwhile, Keith Townsend, the son of a millionaire and Oxford educated, returns to Australia from London to take over his father's newspaper with similar ambitions. As both men move their quest for power to the world stage, they realise they are more than a match for one another's brilliance and ambition.

Connor Fitzgerald is the CIA’s most deadly assassin. On the brink of his retirement, he is sent to Russia for one last hit. Except this isn’t just another job. After a fall out between the CIA and the White House over the assassination of a prominent Colombian politician, his boss is now using the Russian Mafia to cover her tracks. Fitzgerald is not going to St Petersburg to kill, he’s going to die. A page-turning, political thriller about espionage and betrayal by the acclaimed British writer, Jeffrey Archer.

An imprisoned man is certain that his supposed murder victim is very much alive... a female driver is pursued relentlessly by a menacing figure in another vehicle... a young artist gets the biggest break of her career... a restless beauty manages the perfect birthday celebration... an escaped Iraqi on Saddam Hussein's death list pays an involuntary visit to his homeland... How will they react? How would you? "Twelve Red Herrings" is the third collection of irresistible short stories from master storyteller, Jeffrey Archer.

The fourteen short stories in To Cut a Long Story Short show Jeffrey Archer’s great skills with a wide variety of character, of subject and of setting, but all with that trademark twist in the tale. Every reader will have their own favourites: the choices run from love at first sight across the train tracks to the cleverest of confidence tricks, from the quirks of the legal profession - and those who are able to manipulate both sides of the Bar - to the creative financial talents of a member of Her Majesty’s diplomatic service - but for a good cause.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.