The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

It is 1864 when Lizzie Martin takes up the post of companion to a wealthy widow who is also a slum landlord. Lizzie is intrigued to learn that her predecessor disappeared, supposedly having run off with an unknown man. But when the girl's body is found in the rubble of one of the recently demolished slums around the prestigious new railway station at St Pancras, Lizzie begins to wonder exactly what has been going on.

It's a rainy, uneventful evening in the Oddfellows' Arms until a man bursts into the pub, clearly unstable, and ranting about a body in Fennings' Mill. The police investigate and stumble upon a body-the face smeared with theatrical make-up and a false mustache pasted neatly over the lip. Once the national news descends, Inspector Faddiman calls in Inspector Littlejohn to help him uncover the dark, hidden secrets in this quiet, provincial town. Soon it becomes clear that a lot of people can't, and won't tell the truth.

It is 1914, and as the war draws the young men of Britain away to fight, women must keep the nation running. Two of those women are Peggy and Maude, twin sisters who live on a narrowboat in Oxford and work in the bindery at the university press.

When George Abbershaw is invited to Black Dudley Manor for the weekend, he has only one thing on his mind - proposing to Meggie Oliphant. Unfortunately for George, things don't quite go according to plan. A harmless game turns decidedly deadly and suspicions of murder take precedence over matrimony. Trapped in a remote country house with a murderer, George can see no way out. But Albert Campion can.

As a chill sets in on New York City in the winter of 1888, a jewel thief dubbed the Robin Hood of the Lower East Side has been stealing from the city's wealthiest and giving to the poor. Genevieve Stewart - a young woman whose family is part of Mrs. Astor's famed 400 but who has forged a life of her own as a reporter - decides to chase the story, but gets more than she bargained for: a murder victim sprawled in a dark alley in the dangerous Five Points neighborhood.

Desperate to avoid marriage, Nell Lillington refuses to divulge the name of her child's father and accepts her stepfather's decision that the baby be born at a Poor Farm and discreetly adopted. Until an unused padded cell is opened, and two small bodies fall out. Nell is the only resident of the Poor Farm who is convinced the unwed mother and her baby were murdered, and rethinks her decision to abandon her own child to fate. But even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

On a visit to the estate of her friend, the young and beautiful Isobel, countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband - a gentleman of mature years - is felled by a mysterious and agonizing ailment. The earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the earl's nephew of adultery - and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help.

England, 1925. When a strange young woman is found murdered on the grounds of Unsworth Castle, the duke and his family are astounded at first, but quickly become enraged when the police begin asking all sorts of impertinent questions. And when suspicions dare to fall on one of their own, it is up to Mr. Quayle, Lord Unsworth's exceedingly efficient secretary, to find the true culprit and save the House of Unsworth from scandal and ruin.

For Emily, accepting the proposal of Philip, the viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly.

A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won't snub the opportunity now. But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she's determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she pleases.

A stranger enters the inner sanctum of the Ashby family posing as Patrick Ashby, the heir to the family’s sizeable fortune. The stranger, Brat Farrar, has been carefully coached on Patrick’s mannerisms, appearance and every significant detail of Patrick’s early life, up to his 13th year when he disappeared and was thought to have drowned himself.

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

Robinswood, Co. Waterford, 1939. The once grand house is home to two very different families. Despite delusions of grandeur, Lord and Lady Kenefick and their adult children live a life of decayed opulence as the money needed to keep such a large house and grounds ever dwindles. Meanwhile, the Murphy family, Dermot, Isabella and their three almost grown-up girls, live and work on the estate and do their best to keep everything running smoothly.

A Wayside Tavern tells the story of a Suffolk drinking place from the end of the Roman occupation of Britain, until the present day. The Roman veteran, crippled and left behind, worshipped Mithras, so the place became known as the One Bull and down through the centuries it became a clearing house for contraband, a miniature Hell Fire Club, a fashionable hotel, a mere pub. Across the yard, was the church of St Cerdic, king and martyr, who fought the Danes and was famous for the miracles performed at his shrine.

"It was in the first week of October in the year 1391 that I first came face to face with the man who owned me… the man whose lightest word was to us, his villeins, weightier than the King’s law or the edicts of our Holy Father…” So began the story of Martin Reed - a serf whose resentment of the automatic rule of his feudal lord finally flared into open defiance.

London, June 1860: When an assassination attempt is made on Queen Victoria, and a petty thief is gruesomely murdered moments later - and only a block away - Chief Detective Inspector Charles Field quickly surmises that these crimes are connected to an even more sinister plot. Was Victoria really the assassin's target? Are those closest to the Crown hiding something? Soon, Field's investigation exposes a shocking conspiracy in which the publication of Charles Darwin's On the Origin of Species sets off a string of murders, arson, kidnapping, and the pursuit of a diabolical madman.

Charles Lenox, Victorian gentleman and armchair explorer, likes nothing more than to relax in his private study with a cup of tea, a roaring fire and a good book. But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist the chance to unravel a mystery. Prudence Smith, one of Jane's former servants, is dead of an apparent suicide. But Lenox suspects something far more sinister: murder, by a rare and deadly poison.

England, 1924. Lady Adelaide Compton has recently (and satisfactorily) interred her husband, Major Rupert Charles Cressleigh Compton, hero of the Somme, in the family vault in the village churchyard. Rupert died by smashing his Hispano-Suiza on a Cotswold country road while carrying a French mademoiselle in the passenger seat. With the house now Addie's, needed improvements in hand, and a weekend house party underway, how inconvenient of Rupert to turn up - not in the flesh, but as a spirit! Rupert has to perform a few good deeds before becoming welcomed to heaven.

It's a rainy, uneventful evening in the Oddfellows' Arms until a man bursts into the pub, clearly unstable, and ranting about a body in Fennings' Mill. The police investigate and stumble upon a body-the face smeared with theatrical make-up and a false mustache pasted neatly over the lip. Once the national news descends, Inspector Faddiman calls in Inspector Littlejohn to help him uncover the dark, hidden secrets in this quiet, provincial town. Soon it becomes clear that a lot of people can't, and won't tell the truth.

In the home where Arabella Godwin was raised it is forbidden to speak her name, and her picture is turned to the wall. But in the turbulent America of the 1850s, everyone knows her as "Belle Cora", madam of San Francisco's finest bordello. Judges and senators do her bidding; a vicious newspaper editor plots her downfall; a preacher looks at her from across his pulpit and tries to forget that once she was his wife. Merchant's daughter, farm girl, prostitute, mother - the only thing that never changes is her tireless pursuit of the one man who can see her for who she really is.

When the peat-cutters came to report the dead man, Gil Cunningham was up in the roof-space of his mother's house, teaching his new young wife swordplay. They believe the corpse to be that of a local missing man. His wife and the widow who runs the local coalmine are sure the body belongs to someone else, but then they find themselves accused of having killed him by witchcraft. And if the corpse is not the missing man, who is it? Gil and Alys try to get to the heart of the matter.

Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life’s unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

Accepting employment as a governess after hard times hit her family, medieval scholar Rosalind Hawkins is surprised when she learns that her mysterious employer has no children and only wants her to read to him through a speaking tube.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.

When a maid in the upper class Ellison household is strangled, Inspector Pitt is called in to investigate. He finds a world ruled by strict manners and social customs, where the inhabitants of the Ellison's neighborhood appear to be more outraged by the thought of scandal than they are by murder. Inspector Pitt finds a most unlikely ally in Charlotte, the Ellison's spirited daughter. But as the murders continue, Charlotte and Pitt find themselves drawn together by more than the investigation.

Let the wicked be ashamed, and let them be silent in the grave. These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.